Aaron Eckhart

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Posted by r2d2 02/27/2009 @ 06:02

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Starring: Aaron Eckhart, Jessica Alba, Elizabeth Banks - The National
Bill (Aaron Eckhart) is a paunchy, dissatisfied HR manager in his father-in-law's firm. His wife (Elizabeth Banks) is cheating on him, and whenever it gets too much he reaches for his secret stash of Snickers bars. Help comes in the form of a teenaged...
"Rabbit Hole" Movie to Star Kidman and Eckhart - Playbill.com
By Kenneth Jones Aaron Eckhart will star as a father and husband stricken with grief in the film adaptation of the Pulitzer Prize-winning play Rabbit Hole by David Lindsay-Abaire, who has penned the screenplay. As previously reported, Academy Award...
DVD Review: Paycheck [Blu-ray] - The Trades
As a premise, things start out with Michael Jennings (Ben Affleck) accepting a 2-year gig from corporate cog Rethrick (Aaron Eckhart), engineering computer software in exchange for a hefty payout. The catch here is that once his work is done,...
The Imaginarium of Doctor Parnassus: a bittersweet close to Heath ... - Examiner.com
... Award for Best Performance by an Actor in a Supporting Role for his work) as he traipsed the streets of Gotham City and stirred up the world for Christian Bale character Batman (with the ever-capable hand of Aaron Eckhart's Harvey Dent/Two-Face)....
Paycheck Blu-ray Review - dBTechno
Paycheck, starring Ben Afleck, Aaron Eckhart, and Uma Thurman is a very intense thriller, and one I was excited to see make it to the Blu-ray format. Paycheck was directed by none other than John Woo, who is no stranger to keeping us on the edge of our...
Bill Pullman, Julia Stiles discuss 'Oleanna' - Los Angeles Times
The actress ("The Bourne Identity") has been featured in two Mamet films -- "State and Main" and "Edmond" -- and starred in a West End production of "Oleanna" opposite Aaron Eckhart in 2004. Pullman, a veteran of both film ("Independence Day") and...
Paycheck - Blu-ray Disc Review - HighDefDiscNews.com
When his old college buddy James Rethrick (Aaron Eckhart) offers his an eight-figure paycheck plus company stock for his latest job, Michael instantly accepts. What's the catch you may add? Michael has to relocate to a high security Allcom facility....
Nicole Kidman Abandons Movie Role - People Magazine
The actress is producing and starring in a new movie, Rabbit Hole, with Aaron Eckhart, which will be filming at the same time as Allen's project. Variety reports that no replacement for Kidman has been named yet. Allen's untitled movie is due to be...
'Y' luminaries - BYU Newsnet
Or more correctly, Aaron Eckhart, who portrayed Dent in the 2008 blockbuster “The Dark Knight,” is a former Cougar. The actor, who earned notoriety for his roles in a variety of films, including “Thank You for Smoking” and “Erin Brockovich,” graduated...
Oh, Esposito. Tenney join 'Rabbit' - Variety
By DAVE MCNARY Sandra Oh, Giancarlo Esposito and Jon Tenney round out the cast of "Rabbit Hole" opposite Nicole Kidman and Aaron Eckhart. Principal photography begins in New York in June with John Cameron Mitchell directing from David Lindsay-Abaire's...

Aaron Eckhart

Aaron-Eckhart-Traveling.jpg

Aaron Edward Eckhart (born March 12, 1968) is an American film and stage actor. Born in California, he moved to England at 13 when his father relocated the family. Several years later, he began his acting career performing in school plays. Eckhart then moved to Sydney, Australia, for his high school senior year; he left without graduating but earned a diploma through an adult education course. In 1994, he graduated from Brigham Young University (BYU) with a Bachelor of Fine Arts degree in film. For much of the mid-1990s, he lived in New York City as a struggling, unemployed actor.

As an undergraduate at Brigham Young, Eckhart met director and writer Neil LaBute who cast him in several of LaBute's original plays. Five years later, Eckhart made a debut as an unctuous sociopathic ladies' man in LaBute’s black comedy film In the Company of Men (1997). Under LaBute's guidance, he worked in the director's films Your Friends & Neighbors (1998), Nurse Betty (2000), and Possession (2002). Eckhart has chosen roles in an eclectic range of movies, from science fiction films such as The Core (2003) and Paycheck (2003) to romantic dramas like Conversations with Other Women (2006) and No Reservations (2007).

In 2000, Eckhart gained wide recognition as George in Steven Soderbergh's critically acclaimed film Erin Brockovich. In 2006, he received a Golden Globe nomination for Best Actor for his portrayal of Nick Naylor in Thank You for Smoking. In 2008, he starred in the big-budget studio film The Dark Knight as District Attorney Harvey Dent and the villain he becomes, Two-Face.

Eckhart was born in Cupertino, California, and is the youngest of three sons born to Mary Eckhart (née Lawrence), a poet and children's author, and James C. Eckhart "Jim Senior", a computer executive. His brothers are James Lawrence Eckhart (born 1963) and Adam Eckhart (born 1966). Eckhart was raised as a Mormon in The Church of Jesus Christ of Latter-day Saints. He served a two year mission in both France and Switzerland.

In 1981, the Eckhart family moved to England where they resided in Walton-on-Thames, Surrey, and where Eckhart attended American Community School, now known as ACS International Schools, where he had his first acting experiences, starting in a school production as Charlie Brown. In 1985, he moved to Sydney, Australia, where he attended American International School of Sydney for his high school senior year; he further developed his acting skills in productions like Waiting for Godot, where he admits that he did a "terrible" production. In the fall of his senior year, Eckhart left the school in order to take a job working at a mall movie theater. He eventually earned his diploma through an adult education course when he returned to the United States. This also allowed Eckhart time to enjoy a year surfing in Hawaii and the coastal waters of France. In 1988, Eckhart returned to the United States and enrolled as a film major at Brigham Young University (BYU). He graduated in 1994 with a Bachelor of Fine Arts degree.

While at Brigham Young, Eckhart appeared in the Mormon-themed film Godly Sorrow. At this time he met director/writer Neil LaBute, who cast him in several of LaBute's original plays, the role marked Eckhart's professional theatrical debut. After graduating from BYU, Eckhart moved to New York City and worked odd jobs, including bartending, bus driving, and construction work. Eckhart's first television roles were in commercials; in 1994, he appeared as an extra on Beverly Hills, 90210. He followed this small part with roles in documentary re-enactments, made-for-television movies, and short-lived programs like Aliens in the Family.

In 1997, Eckhart was approached by Neil LaBute to star in a film adaptation of LaBute's stage play In the Company of Men. Eckhart played a frustrated white-collar worker who planned to woo a deaf office worker, gain her affections, then suddenly dump her. Eckhart's performance was well-received by critics. Paul Tatara of CNN.com wrote, "Eckhart's Chad even has a couple of sarcastic diatribes that mock Cristine's halting, hollow-voiced way of speaking." In the Company of Men was a critical success, winning Best First Film at the 63rd annual New York Film Critics Circle Award. Eckhart's performance won him the Independent Spirit Award in the category of Best Debut Performance. The film was ranked as one of "The 25 Most Dangerous Movies" by Premiere magazine.

The following year, Eckhart starred in another LaBute film, Your Friends & Neighbors (1998), as Barry, a sexually frustrated husband in a dysfunctional marriage. For the role, Eckhart was required to gain weight. In 1999, he played a football coach, an offensive coordinator in Oliver Stone's Any Given Sunday. That same year, he starred in the lead role of Molly, in which he played the brother of an autistic woman who was cured by surgery.

Eckhart first gained wide exposure in 2000 as George, a pony-tailed biker, in Erin Brockovich. His performance was well-received; Critic Owen Gleiberman wrote: "Swathed in tattoos and an overgrown foliage of goatee and sideburns, may be playing a bit of an ideal but he makes goodness as palpable as he did yuppie evil in 'In the Company of Men'." Eckhart claimed that he had not worked for nearly a year before he was cast in the film. "I felt like I sort of was getting away from what I wanted to do as an actor," said Eckhart. "A lot of things fell through. I had nine months off, but it wasn't a vacation. Sure, I didn't earn any money for nine months, but every day I was reading scripts, I was producing my own material, I was taking meetings, I was working on my craft." After Erin Brockovich, he co-starred with Renée Zellweger in LaBute's Nurse Betty (2000). Eckhart next appeared in Sean Penn's The Pledge (2001), he played a young detective partnered with a veteran detective, played by Jack Nicholson. In 2002, Eckhart worked with LaBute in a film adaptation of the Man Booker Prize-winning novel Possession.

The following year on NBC's hit television series Frasier, Eckhart played a boyfriend of Charlotte, Dr. Frasier Crane's love interest. He then starred in E. Elias Merhige's Suspect Zero, a thriller about an FBI agent who tracks down a killer who murders serial killers. The movie generally earned negative reviews, but Eckhart's performance was well received. Newsday film critic Kevin Thomas wrote: "Eckhart is a classically handsome leading man... but Merhige demands of him complexity and anguish." Also in 2004, Eckhart starred on the London stage, opposite Julia Stiles, in David Mamet's Oleanna at the Garrick Theatre. The drama ran until mid-2004. For his performance, Eckhart received favorable critical reviews.

Internationally viewed as a sex symbol, he was named one of People magazines 50 Most Beautiful People in 2006. The next year, Eckhart was invited to join the Academy of Motion Picture Arts and Sciences. He starred in No Reservations (2007), a remake of the 2001 German romantic comedy Mostly Martha. He starred opposite Catherine Zeta-Jones as an up-and-coming hotshot chef. The film met with mixed reviews and was unfavorably compared to the original film.

Eckhart next appeared in Alan Ball's Towelhead, an adaption of the Alicia Erian novel of the same name, in which he played a Gulf War Army reservist who sexually abuses his 13-year-old Arab-American neighbor. The film was screened under the name Nothing is Private at the 2007 Toronto International Film Festival. When asked about the sex scenes, Eckhart said: "Those were difficult times.... The way I did it was to really trust Alan. It was in the words. I really trusted Summer , and I tried to get her to trust me, to build a relationship when we were doing physical scenes. We'd really rehearse them mechanically, and I'd say, 'OK, I'm going to put my hand here, I'm going to do this.' ...I think I found it more difficult." When he was first approached for the role, Eckhart noted that he did not want to play a "pedophile".

Eckhart's next film was the comedy Meet Bill (2008), in which he played the eponymous character, a sad executive working at his father-in-law's bank. He gained 30 pounds and donned a fat suit for the role. He is set to appear alongside Jennifer Aniston in a romantic drama, Traveling, as a motivational speaker coming to terms with his own grief.

Eckhart has signed on to star in Jonathan Liebesman's science fiction film, Battle: Los Angeles, where he will play the lead role. The story centers around a Marine platoon, who battle alien invaders right in the middle of Los Angeles. Eckhart will play the platoon commander. He is also set to appear alongside Johnny Depp, Richard Jenkins, and Amber Heard in Hunter S. Thompson's novel adaptation The Rum Diary, directed by Bruce Robinson. In the film, Eckhart will play Sanderson, a wealthy landowner, who believes everything has a price and introduces Paul Kemp (Depp) to a different standard of living. For the future, among the actors Eckhart hopes to work with are Jeff Bridges and Angelina Jolie.

Eckhart was engaged to actress Emily Cline, whom he met during filming of In the Company of Men, but separated from her in 1998. From 2006 to 2007, he was in a relationship with SheDaisy's Kristyn Osborn. In 2007, he dated Ashley Wicks, though the two have ended their relationship. During filming of No Reservations, tabloids reported that Eckhart and co-star Catherine Zeta-Jones were having an affair. On the alleged affair, he said, "Maybe they do this to sell papers or to sell the movie. In general, my life has not been interesting to gossip papers. I'm not your big movie star... Nobody follows me around. But with Catherine, yes, it was different... Well it's just not true." He has been reluctant in speaking about his relationships in interviews.

In various interviews Eckhart has talked about his beliefs, his way of life, and his future career ambitions. Talking to Entertainment Weekly regarding his Mormon faith, he revealed: "I'm sure people think I'm a Mormon, but I don't know that I'm a Mormon anymore, you know? To be honest, to be perfectly clear, I'd be a hypocrite if I did say that I was, just because I haven't lived that lifestyle for so many years." In other interviews he has divulged that, through hypnosis, he quit drinking, smoking, and partying, that in his spare time he enjoys photography, and that he is a fan of the National Football League (NFL) team, the Oakland Raiders. In an interview with Parade magazine, Eckhart revealed that before he discovered acting he wanted to become a songwriter.

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The Dark Knight (film)

Aaron Eckhart with make-up and motion capture markers on set. Below is the finished Two-Face effect

The Dark Knight is a 2008 superhero film directed and co-written by Christopher Nolan. Based on the DC Comics character Batman, the film is part of Nolan's Batman film series and a sequel to 2005's Batman Begins. Christian Bale reprises the lead role. The film follows Bruce Wayne/Batman (Bale), District Attorney Harvey Dent (Aaron Eckhart), Assistant D.A. Rachel Dawes (Maggie Gyllenhaal), and Police Commissioner James Gordon (Gary Oldman) and their struggles and journey in combating the new threat of the Joker (Heath Ledger). The Joker's identity is left a mystery in the film, while Dent's transformation from heroic district attorney to disfigured killer Two-Face is presented entirely. Nolan's inspiration for the film was the Joker's comic book debut in 1940, and the 1996 series The Long Halloween, which retold Two-Face's origin. The Dark Knight was filmed primarily in Chicago, as well as in several other locations in the United States, the United Kingdom, and Hong Kong. Nolan used an IMAX camera to film some sequences, including the Joker's first appearance in the film.

On January 22, 2008, after he had completed filming The Dark Knight, Heath Ledger died from a toxic combination of prescription drugs, leading to intense attention from the press and moviegoing public. Warner Bros. had initially created a viral marketing campaign for The Dark Knight, developing promotional websites and trailers highlighting screen shots of Ledger as the Joker, but after Ledger's death, the studio refocused its promotional campaign. The film was released on July 16, 2008 in Australia, on July 18, 2008 in North America, and on July 24, 2008 in the United Kingdom. Before its box office debut in North America, record numbers of advanced tickets were sold for The Dark Knight. It was greeted with positive reviews upon release, and became only the second film to earn more than $500 million at the North American box office, setting numerous other records in the process. It is also the fourth highest grossing film worldwide, and only the fourth film to earn more than $1 billion. Following its critical and commercial success, The Dark Knight has gone to garner multiple awards ranging from Best Picture to Best Special Effects.

In Gotham City, the Joker robs a mob bank with his accomplices, whom he tricks into killing one another, ultimately killing the last one himself. That night, Batman and Lieutenant James Gordon contemplate including new district attorney Harvey Dent in their plan to eradicate the mob. However, Batman wonders if Dent can be trusted. Bruce runs into Rachel Dawes and Dent, who are dating, and after talking to Dent, he realizes Dent's sincerity and decides to host a fundraiser for him.

Mob bosses Sal Maroni, Gambol and the Chechen meet with other underworld gangsters to discuss both Batman and Dent, who have been cracking down on the mobster's operations. Lau, a Chinese mafia accountant, informs them that he has hidden their money and fled to Hong Kong in an attempt to pre-empt Gordon's plan to seize the mobsters' funds. In Hong Kong, Batman captures Lau and delivers him to the Gotham City police, where Lau agrees to testify against the mob. In retaliation, the mobsters hire the Joker to kill Batman and Lau. The Joker issues an ultimatum to Gotham, stating that if Batman does not reveal his identity to the public, people will die each day. When Commissioner Gillian B. Loeb, Judge Surillo and Gordon are murdered by corrupt police, the public's increasing pressure prompts Bruce to decide to reveal his identity. Before Bruce can turn himself in, Dent announces at a press conference that he is Batman and is arrested as part of a plan to draw the Joker out of hiding. The Joker attempts to ambush the police convoy carrying Dent, but Batman and Gordon, who had feigned death at Loeb's memorial to protect his family's safety, intervene and capture him. In recognition of his actions, Gordon is appointed the new police commissioner, succeeding the assassinated Loeb.

Later that night, Dent and Rachel disappear. At the police station, Batman interrogates the Joker, who reveals that Dent and Rachel are in warehouses rigged with explosives on opposite sides of the city — far enough apart so that Batman cannot save them both. Batman leaves to save Rachel, while Gordon and the police head after Dent. With the aid of a smuggled bomb, the Joker escapes police custody with Lau. Batman arrives to save Rachel but instead finds Dent. Batman, furious with himself, successfully saves Dent, but the ensuing explosion disfigures Dent's face. Gordon arrives at Rachel's location too late, and she perishes when the bomb detonates.

Aboard a cargo ship, the Joker burns Lau to death atop a pile of the mob's money and has the Chechen killed, before taking control of his men. The Joker goes to the hospital and frees Dent from his restraints, convincing him to exact revenge on the people responsible for Rachel's death, as well as Batman and Gordon for not saving her. The Joker destroys the hospital on his way out, and then escapes with a hijacked bus full of hospital patients.

Out of the hospital, Dent goes on a personal vendetta, confronting Maroni and the corrupt cops one by one. The Joker announces to the public that anyone left in Gotham at nightfall will be subject to his rule. With the bridges and tunnels out of the city closed due to a bomb threat by the Joker, authorities begin evacuating people by ferry. The Joker places explosives on two of the ferries—one ferry with convicts, who were evacuated in an effort to keep the Joker from freeing them, and the other with civilians—telling the passengers the only way to save themselves is to trigger the explosives on the other ferry; otherwise, he will destroy both at midnight. Batman locates the Joker and the hostages he has taken. Realizing the Joker has disguised the hostages as his own men, Batman is forced to attack both Gordon's SWAT team and the Joker's henchmen in order to save the real hostages.

The Joker's plan to destroy the ferries fails after the passengers on both decide not to destroy each other. Batman locates and subdues the Joker, preventing him from destroying both ferries. The Joker acknowledges that Batman is truly incorruptible, but that Dent was not, and that he has unleashed Dent upon the city. Leaving the Joker for the SWAT team, Batman leaves in search of Dent.

At the remains of the building where Rachel died, Batman finds Dent holding Gordon and his family at gunpoint. Dent judges the innocence of Batman, himself, and Gordon's son through three coin tosses. Because of the first two flips, he shoots Batman in the abdomen and spares himself. Before Dent can determine the boy's fate, Batman, who was wearing body armor, tackles him over the side of the building. Gordon's son is saved, but Dent and Batman fall to the ground below resulting in Dent's death. Batman and Gordon realize that the morale of the city will suffer if Dent's murders become known, so Batman persuades Gordon to preserve Dent's image by holding Batman responsible for the murders. Gordon smashes the Bat-Signal, and a manhunt for Batman begins.

Heath Ledger as The Joker: Before Ledger was confirmed to play the Joker in July 2006, Paul Bettany, Lachy Hulme, Adrien Brody, Steve Carell, and Robin Williams publicly expressed interest in the role. But Nolan had wanted to work with Ledger on a number of projects in the past (though he had been unable to do so), and was agreeable to Ledger's anarchic interpretation of the character. When Ledger saw Batman Begins, he had realized a way to make the character work consistent with the film's tone: he described his Joker as a "psychopathic, mass murdering, schizophrenic clown with zero empathy".

To prepare for the role, Ledger lived alone in a hotel room for a month, formulating the character's posture, voice, and personality, and kept a diary, in which he recorded the Joker's thoughts and feelings. While he initially found it difficult, Ledger eventually generated a voice unlike Jack Nicholson's character in Tim Burton's 1989 Batman film. He was also given Batman: The Killing Joke and Arkham Asylum: A Serious House on Serious Earth, which he "really tried to read and put it down". Ledger also cited A Clockwork Orange and Sid Vicious as "a very early starting point for Christian and I. But we kind of flew far away from that pretty quickly and into another world altogether." "There’s a bit of everything in him. There’s nothing that consistent," Ledger said, and added, "There are a few more surprises to him." Ledger was allowed to shoot and mostly direct the videos the Joker sends out as warnings. Each take Ledger made was different from the last. Nolan was impressed enough with the first video shoot that he chose to not be present when Ledger shot the video with a kidnapped reporter (Anthony Michael Hall).

On January 22, 2008, after he had completed filming The Dark Knight, Ledger died of an accidental prescription drug overdose, leading to intense press attention and memorial tributes. "It was tremendously emotional, right when he passed, having to go back in and look at him every day ," Nolan recalled. "But the truth is, I feel very lucky to have something productive to do, to have a performance that he was very, very proud of, and that he had entrusted to me to finish." All of Ledger's scenes appear as he completed them in the filming; in editing the film, Nolan added no "digital effects" to alter Ledger's actual performance posthumously. Nolan has dedicated the film in part to Ledger's memory.

Gary Oldman as James Gordon: Lieutenant of the Gotham City Police Department and one of the few police officers who is not corrupt. He forms a tenuous, unofficial alliance with Batman and Dent. When the Joker assassinates Police Commissioner Loeb, Mayor Garcia gives Gordon the position. Oldman described his character as "incorruptible, virtuous, strong, heroic, but understated". Nolan explained that "The Long Halloween has a great, triangular relationship between Harvey Dent and Gordon and Batman, and that's something we very much drew from." Oldman added that "Gordon has a great deal of admiration for him at the end, but is more than ever now the dark knight, the outsider. I'm intrigued now to see: If there is a third one, what he's going to do?" On the possibility of another sequel, he said that "returning to is not dependent on whether the role was bigger than the one before".

Aaron Eckhart as Harvey Dent / Two-Face: The Gotham district attorney who is hailed as Gotham's "White Knight"; Dent's battle with the Joker transforms Dent into a murderous, disfigured vigilante called "Two-Face". Bruce sees Dent as his heir, demonstrating his realization that Batman will be a lifelong mission, and furthering the tragedy of Dent's downfall. Nolan and David S. Goyer had originally considered using Dent in Batman Begins, but they replaced him with the new character Rachel Dawes when they realized they "couldn’t do him justice". Before Eckhart was cast in February 2007, Liev Schreiber, Josh Lucas, and Ryan Phillippe had expressed interest in the role, while Mark Ruffalo auditioned. Hugh Jackman was also considered for the part of Dent. Nolan chose Eckhart, whom he had considered for the lead role in Memento, citing his "extraordinary" ability as an actor, his embodiment of "that kind of chiselled, American hero quality" projected by Robert Redford, and his subtextual "edge".

Eckhart was "interested in good guys gone wrong", and had played corrupt men in films such as The Black Dahlia, Thank You For Smoking and In the Company of Men. Whereas Two-Face is an evil villain in the comics, Nolan chose to portray him as a twisted vigilante to emphasize his role as Batman's counterpart. Eckhart explained, " is still true to himself. He's a crime fighter, he's not killing good people. He's not a bad guy, not purely." For Dent, Eckhart "kept on thinking about the Kennedys", particularly Robert F. Kennedy, who was "idealistic, held a grudge and took on the Mob". He had his hair lightened and styled to make him appear more dashing. Nolan told Eckhart to not make Two-Face "jokey with slurping sounds or ticks".

Maggie Gyllenhaal as Rachel Dawes: The Gotham assistant D.A. and childhood friend of Bruce Wayne. Before the events of the film, she told Bruce that if he ever decided to stop being Batman, they would be together. She is one of the few people to know the identity of Batman. Gyllenhaal took over the role from Katie Holmes, who played it in Batman Begins. In August 2005, Holmes was reportedly planning to reprise the role, but she eventually turned it down to do Mad Money with Diane Keaton and Queen Latifah. By March 2007, Gyllenhaal was in "final talks" for the part. Gyllenhaal has acknowledged her character is a damsel in distress to an extent, but says Nolan sought ways to empower her character, so "Rachel's really clear about what's important to her and unwilling to compromise her morals, which made a nice change" from the many conflicted characters whom she has previously portrayed.

Michael Caine as Alfred Pennyworth: Bruce Wayne's trusted butler and advisor who tends to Bruce's penthouse. His supply of useful advice to Bruce and his likeness to a fatherly figure to him has led to him being labeled as "Batman's batman".

Morgan Freeman as Lucius Fox: The recently promoted CEO of Wayne Enterprises who, now fully aware of his employer's double life as Batman, serves more directly as Bruce's armorer in addition to his corporate managerial duties.

Eric Roberts as Sal Maroni: A gangster who has taken over Carmine Falcone's mob and consents with his associates to let the Joker try to eliminate Batman. Bob Hoskins and James Gandolfini previously auditioned for the role.

Colin McFarlane as Gillian B. Loeb: The Police Commissioner of Gotham until his murder at the hands of the Joker.

The film's Gotham officials and authorities include Nestor Carbonell as Mayor Anthony Garcia, Keith Szarabajka as Detective Gerard Stephens, Monique Curnen as Anna Ramirez, and Ron Dean as Detective Michael Wuertz. While Stephens is an honest and good cop, the latter two are two corrupt officers who betray Harvey Dent and Rachel Dawes to the Joker. The film also casts Anthony Michael Hall as Gotham Cable News reporter Mike Engel, Nydia Rodriguez Terracina as Judge Janet Surrillo, Joshua Harto as Coleman Reese, Melinda McGraw and Nathan Gamble as Gordon's wife and son, and Tom "Tiny" Lister, Jr. as a prison inmate on one of the bomb-rigged ferries. The film's criminals include Chin Han as Chinese business accountant Lau, Michael Jai White as gang leader Gambol, Ritchie Coster as the Chechan and William Fichtner as the Gotham National Bank Manager. David Banner originally auditioned for the role of Gambol. Cillian Murphy returns in a cameo as Jonathan Crane / Scarecrow, who is captured early on in the film by Batman.

Musician Dwight Yoakam was approached for the roles of either the manager or a corrupt cop, but he chose to focus on his album Dwight Sings Buck. Another cameo was United States Senator Patrick Leahy, a Batman fan who was previously an extra in the 1997 Batman & Robin and also was a guest voice actor on Batman: The Animated Series. Leahy cameos as a guest who defies the Joker at a fundraiser thrown by Bruce Wayne.

After much research, Nolan's brother and co-writer, Jonathan, suggested the Joker's first two appearances, published in the first issue of Batman (1940), as the crucial influences. Jerry Robinson, one of the Joker's co-creators, was consulted on the character's portrayal. Nolan decided to avoid divulging an in-depth origin story for the Joker, and instead portray his rise to power so as to not diminish the threat he poses, explaining to MTV News, "the Joker we meet in The Dark Knight is fully formed...To me, the Joker is an absolute. There are no shades of gray to him—maybe shades of purple. He's unbelievably dark. He bursts in just as he did in the comics." Nolan reiterated to IGN, "We never wanted to do an origin story for the Joker in this film", because "the arc of the story is much more Harvey Dent's; the Joker is presented as an absolute. It's a very thrilling element in the film, and a very important element, but we wanted to deal with the rise of the Joker, not the origin of the Joker." Nolan suggested Batman: The Killing Joke influenced a section of the Joker's dialogue in the film, in which he says that anyone can become like him given the right circumstances.

According to Nolan, an important theme of the sequel is "escalation", extending the ending of Batman Begins, noting "things having to get worse before they get better". While indicating The Dark Knight would continue the themes of Batman Begins, including justice vs. revenge and Bruce Wayne's issues with his father, Nolan emphasized the sequel would also portray Wayne more as a detective, an aspect of his character not fully developed in Batman Begins. Nolan described the friendly rivalry between Bruce Wayne and Harvey Dent as the "backbone" of the film. He also chose to compress the overall storyline, allowing Dent to become Two-Face in The Dark Knight, thus giving the film an emotional arc the unsympathetic Joker could not offer. Nolan acknowledged the title was not only a reference to Batman, but also the fallen "white knight" Harvey Dent.

Warner Bros. chose to film in Chicago for thirteen weeks, because Nolan had had a "truly remarkable experience" filming part of Batman Begins there. Instead of using the Chicago Board of Trade Building as the location for the headquarters of Wayne Enterprises, as Batman Begins did, The Dark Knight used the Richard J. Daley Center. While filming in Chicago, the film was given the false title Rory's First Kiss to lower the visibility of production, but the local media eventually uncovered the ruse. Richard Roeper of The Chicago Sun-Times commented on the absurdity of the technique, "Is there a Bat-fan in the world that doesn't know Rory's First Kiss is actually The Dark Knight, which has been filming in Chicago for weeks?" Production of The Dark Knight in Chicago generated $45 million in the city's economy and created thousands of jobs. For the film's prologue involving the Joker, the crew shot in Chicago from April 18, 2007 to April 24, 2007. They returned to shoot from June 9, 2007 to early September. Shooting locations included Navy Pier, 330 North Wabash, James R. Thompson Center, LaSalle Street, The Berghoff, Millennium Station, Hotel 71, the old Brach's factory, the old Van Buren Street Post Office and Wacker Drive. Pinewood Studios, near London, was the primary studio space used for the production. Marina City was in the background throughout the movie.

While planning a stunt with the Batmobile in a special effects facility near Chertsey, England in September 2007, technician Conway Wickliffe was killed when his car crashed. The film is dedicated to both Ledger and Wickliffe. The following month in London at the defunct Battersea Power Station, a rigged 200-foot fireball was filmed, reportedly for an opening sequence, prompting calls from local residents who feared a terrorist attack on the station. A similar incident occurred during the filming in Chicago, when an abandoned Brach's candy factory (which was Gotham Hospital in the film) was demolished.

Filming took place in Hong Kong from November 6 to November 11, 2007, at the Central-Mid-Levels escalators, Queen's Road, The Center, and International Finance Centre. The city's walled city of Kowloon influenced the Narrows in Batman Begins. The shoot hired helicopters and C-130 aircraft. Officials expressed concern over possible noise pollution and traffic. In response, letters sent to the city's residents promised that the sound level would approximate noise decibels made by buses. Environmentalists also criticized the filmmakers' request to tenants of the waterfront skyscrapers to keep their lights on all night in order to enhance the cinematography, describing it as a waste of energy. Cinematographer Wally Pfister found the city officials a "nightmare", and ultimately Nolan had to create Batman's jump from a skyscraper (which Bale had looked forward to performing) digitally.

Costume designer Lindy Hemming described the Joker's look as reflecting his personality — that "he doesn't care about himself at all"; she avoided designing him as a vagrant but still made him appear to be "scruffier, grungier", so that "when you see him move, he's slightly twitchier or edgy." Nolan noted, "We gave a Francis Bacon spin to . This corruption, this decay in the texture of the look itself. It's grubby. You can almost imagine what he smells like." In creating the "anarchical" look of the Joker, Hemming drew inspiration from such countercultural pop culture artists as Pete Doherty, Iggy Pop, and Johnny Rotten. During the course of the film, the Joker only once removes his make-up, causing it to become more unkempt and resemble an infection as it worsens. Ledger described his "clown" mask, made up of three pieces of stamped silicone, as a "new technology", taking much less time for the make-up artists to apply than more-conventional prosthetics usually requires — the process took them only an hour — and said that he felt he was barely wearing any make-up.

Designers improved on the design of the Batsuit from Batman Begins, adding wide elastic banding to help bind the costume to Bale, and suggest more sophisticated technology. It was constructed from 200 individual pieces of rubber, fiberglass, metallic mesh, and nylon. The new cowl was modeled after a motorcycle helmet and separated from the neck piece, allowing Bale to turn his head left and right and nod up and down. The cowl is equipped to show white lenses over the eyes when the character turns on his sonar detection, which gives Batman the white eyed look from the comics and animation. The gauntlets have retractable razors which can be fired. Though the new costume is eight pounds heavier, Bale found it more comfortable and less hot to wear. The original suit was also worn during part of the film, where Batman employs hydraulic assistance on the gauntlets to bend a gun barrel and cut through steel.

The film introduces the Batpod, which is a recreation of the Batcycle. Production designer Nathan Crowley, who designed the Tumbler for Batman Begins, designed six models (built by special effects supervisor Chris Corbould) for use in the film's production, because of necessary crash scenes and possible accidents. Crowley built a prototype in Nolan's garage, before six months of safety tests were conducted. The Batpod is steered by shoulder instead of hand, and the rider's arms are protected by sleeve-like shields. The bike has 508-millimeter (20-inch) front and rear tires, and is made to appear as if it is armed with grappling hooks, cannons, and machine guns. The engines are located in the hubs of the wheels, which are set 3 1/2 feet (1067 mm) apart on either side of the tank. The rider lies belly down on the tank, which can move up and down in order to dodge any incoming gunfire that Batman may encounter. Stuntman Jean-Pierre Goy doubled for Christian Bale during the riding sequences in The Dark Knight.

Nolan designed Two-Face's appearance in the film as one of the least disturbing, explaining, "When we looked at less extreme versions of it, they were too real and more horrifying. When you look at a film like Pirates of the Caribbean – something like that, there's something about a very fanciful, very detailed visual effect, that I think is more powerful and less repulsive." Framestore created 120 computer-generated shots of Two-Face's scarred visage. Nolan felt using make-up would look unrealistic, as it adds to the face, unlike real burn victims. Framestore acknowledged they rearranged the positions of bones, muscles and joints to make the character look more dramatic. For each shot, three 720-pixel HD cameras were set up at different angles on set to fully capture Aaron Eckhart's performance. Eckhart wore markers on his face and a prosthetic skullcap, which was acted as a lighting reference. A few shots of the skullcap were kept in the film. Framestore also integrated shots of Bale and Eckhart into that of the exploding building where Dent is burned. It was difficult simulating fire on Eckhart because only having half of something being burned is inherently unrealistic.

Batman Begins composers Hans Zimmer and James Newton Howard returned to score the sequel. Composition began before shooting, and during filming Nolan received an iPod with ten hours of recordings. Their nine-minute suite for the Joker, "Why So Serious?", is based around two notes. Zimmer compared its style to that of Kraftwerk, a band from his native Germany, as well to bands like The Damned. When Ledger died, Zimmer felt like scrapping and composing a new theme, but decided that he could not be sentimental and compromise the "evil projects". Howard composed Dent's "elegant and beautiful" themes, which are brass-focused.

During the 2007 Comic-Con International, 42 Entertainment launched WhySoSerious.com, sending fans on a scavenger hunt to unlock a teaser trailer and a new photo of the Joker. On October 31, 2007, the film's website morphed into another scavenger hunt with hidden messages, instructing fans to uncover clues at certain locations in major cities throughout the United States, and to take photographs of their discoveries. The clues combined to reveal a new photograph of the Joker and an audio clip of him from the film saying "And tonight, you're gonna break your one rule." Completing the scavenger hunt also led to another website called Rory's Death Kiss (referencing the false working title of Rory's First Kiss), where fans could submit photographs of themselves costumed as the Joker. Those who sent photos were mailed a copy of a fictional newspaper called The Gotham Times, whose electronic version led to the discovery of numerous other websites.

The Dark Knight's opening sequence, (showing a bank raid by the Joker) and closing montage of other scenes from the film, was screened with selected IMAX screenings of I Am Legend, which was released on December 14, 2007. A theatrical teaser was also released with non-IMAX showings of I Am Legend, and also on the official website. The sequence was released on the Blu-ray Disc edition of Batman Begins on July 8, 2008. Also on July 8, 2008, the studio released Batman: Gotham Knight, a direct-to-DVD animated film, set between Batman Begins and The Dark Knight and featuring six original stories, directed by Bruce Timm, co-creator and producer of Batman: The Animated Series. Each of these segments, written by Josh Olson, David S. Goyer, Brian Azzarello, Greg Rucka, Jordan Goldberg, and Alan Burnett, presents its own distinctive artistic style, paralleling numerous artists collaborating in the same DC Universe.

After the death of Heath Ledger, on January 22, 2008, Warner Bros. adjusted its promotional focus on the Joker, revising some of its websites dedicated to promoting the film and posting a memorial tribute to Ledger on the film's official website and overlaying a black memorial ribbon on the photo collage in WhySoSerious.com. On February 29, 2008, I Believe in Harvey Dent was updated to enable fans to send their e-mail addresses and phone numbers. In March 2008, Harvey Dent's fictional campaign informed fans that actual campaign buses nicknamed "Dentmobiles" would tour various cities to promote Dent's candidacy for district attorney.

On May 15, 2008, Six Flags Great America and Six Flags Great Adventure theme parks opened The Dark Knight roller coaster, which cost $7.5 million to develop and which simulates being stalked by the Joker. Mattel produced toys and games for The Dark Knight, action figures, role play costumes, board games, puzzles, and a special-edition UNO card game, which began commercial distribution in June 2008.

Warner Bros. devoted six months to an anti-piracy strategy that involved tracking the people who had a pre-release copy of the film at any one time. Shipping and delivery schedules were also staggered and spot checks were carried out both domestically and overseas to ensure illegal copying of the film was not taking place in cinemas. A pirated copy was released on the Web approximately 38 hours after the film's release. BitTorrent search engine The Pirate Bay taunted the movie industry over its ability to provide the movie free, replacing its logo with a taunting message.

Warner Bros. held the world premiere for The Dark Knight in New York City on July 14, 2008, screening in an IMAX theater with the film's composers James Newton Howard and Hans Zimmer playing a part of the film score live. Leading up to The Dark Knight's commercial release, the film had drawn "overwhelmingly positive early reviews and buzz on Heath Ledger's turn as the Joker". The Dark Knight was commercially released on July 16, 2008 in Australia, grossing almost $2.3 million in its first day.

In the United States and Canada, The Dark Knight was distributed to 4,366 theaters, breaking the previous record for the highest number of theaters held by Pirates of the Caribbean: At World's End in 2007. The number of theaters also included 94 IMAX theaters, with the film estimated to be played on 9,200 screens in the United States and Canada. Online, ticketing services sold enormous numbers of tickets for approximately 3,000 midnight showtimes as well as unusually early showtimes for the film's opening day. All IMAX theaters showing The Dark Knight were sold out for the opening weekend.

The Dark Knight set a new midnight record on the opening day of July 18, 2008 with $18.5 million, beating the $16.9 million record set by Star Wars Episode III: Revenge of the Sith in 2005. $640,000 of the record gross came from IMAX screenings. The Dark Knight ultimately grossed $67,165,092 on its opening day, beating the previous record of $59.8 million held by Spider-Man 3 in 2007. For its opening weekend in the United States and Canada, The Dark Knight accumulated a total of $158,411,483 from 9,200 screens at a record 4,366 theaters, for an average of $36,283 per theater, or $17,219 per screen, beating out the original weekend estimate by more than $3 million, and topping the previous record of $151,116,516 held by Spider-Man 3, while playing in 114 more theaters but on 800 fewer screens. The following Monday, it grossed another $24,493,313, and the following Tuesday it grossed $20,868,722. The Dark Knight also set a new record for opening weekend gross in IMAX theaters, accumulating $6.2 million to beat Spider-Man 3's previous record of $4.7 million.

Besides the United States and Canada, The Dark Knight premiered in 20 other territories on 4,520 screens, grossing $41.3 million in its first weekend. The film came in second to Hancock, which was in its third weekend, screening in 71 territories. The Dark Knight's biggest territory for the weekend was Australia, grossing $13.7 million over the weekend, the third largest Warner Bros. opening and the largest superhero film opening to date. The film also grossed $7 million from 1,433 screens in Mexico, $4.45 million from 548 screens in Brazil, and $2.12 million from 37 screens in Hong Kong. Citing cultural sensitivities to some elements in the film, and a reluctance to adhere to pre-release conditions, Warner Bros. declined to release the film in mainland China.

The Dark Knight sold an estimated 22.37 million tickets with today's average admission of $7.08, meaning the film sold more tickets than Spider-Man 3, which sold 21.96 million with the average price of $6.88 in 2007. It also broke the record for the biggest opening weekend ever. As of December 23, 2008, The Dark Knight has grossed $530,833,780 in the North American box office, breaking the previous record of the fastest film to hit $500 million and $465,993,073 in other countries. As of February 21, 2009, its total worldwide gross stands at $1,001,082,160, and is the fourth highest grossing film of all time. The Dark Knight is currently the highest grossing movie of 2008 in North American box office and worldwide. Unadjusted for inflation, it is now the second highest grossing film in North America of all time with a total of $533,090,262, behind only Titanic with $600,788,188. It was the second film in history to pass the $500 million barrier, also in the fastest time, in 43 days (compared to Titanic's 98 days). The Dark Knight´s theatrical run was very different from that of Titanic. While The Dark Knight broke records in its opening weekend, Titanic started out slowly (making $28.6 million in its opening weekend) and then increased ticket sales in the following weekends, The Dark Knight instead slowed down after the first few weekends; 50 other movies had better tenth weekends and 91 had better eleventh weekends. In its fifteenth weekend, The Dark Knight was at #26 at the box office.

Warner Bros. re-released the film in traditional theaters and IMAX theaters in the United States on January 23, 2009, at the height of the voting for the Academy Awards, in order to further the chances of the film winning Oscars, as well as attempt to cross $1 billion in worldwide gross, which it accomplished in February 2009.

The film was released on DVD and Blu-ray Disc in North America on December 9, 2008. Releases include a one-disc edition DVD; a two-disc Special Edition DVD; a two-disc edition Blu-ray; and a Special Edition Blu-ray package featuring a statuette of the Bat-pod. The Blu-ray version presents the film in a variable aspect ratio, with the IMAX sequences framed in 1.78:1, while scenes filmed in 35 mm are framed in 2.40:1. The DVD versions feature the entire film framed in a uniform 2.40:1 aspect ratio. Disc 2 of the two-disc Special Edition DVD features the IMAX sequences in the original 1.44:1 aspect ratio. In addition to the standard DVD releases, some stores released their own exclusive editions of the film.

In the United Kingdom, the film had combined sales of 513,000 units on its first day of release, of which 107,730 (21%) were Blu-ray discs, the highest number of first-day Blu-ray discs sold. In the United States, The Dark Knight set a sales record for most DVDs sold in one day, selling 3 million copies on DVD on its first day of release - 600,000 of which were Blu-ray discs.

The DVD and Blu-ray Disc editions were released in Australia on December 10, 2008. Releases were in the form of a one-disc edition on DVD; a two-disc edition on DVD; a two-disc edition including a Batmask on DVD; a two-disc Blu-ray edition; and a four-disc Batman Begins/The Dark Knight pack on DVD and Blu-ray disc. The DVD release is currently the top selling film in the Australian DVD Charts and is expected to break the Australian sales record set by Finding Nemo.

Based on 263 reviews collected by Rotten Tomatoes, The Dark Knight has an overall approval rating from critics of 94%, with an average score of 8.5/10. Among Rotten Tomatoes' Cream of the Crop, which consists of popular and notable critics from the top newspapers, websites, television and radio programs, the film holds an overall approval rating of 90%. By comparison, Metacritic, which assigns a normalized rating out of 100 top reviews from mainstream critics, the film has received an average score of 82, based on 39 reviews. CinemaScore polls reported that the average grade cinemagoers gave the film was "A" on an A+ to F scale, and that audiences skewed slightly male and older.

Roger Ebert of the Chicago Sun-Times describes The Dark Knight as a "haunted film that leaps beyond its origins and becomes an engrossing tragedy." He praises the performances, direction, and writing, and says the film "redefine the possibilities of the comic-book movie". He named it one of his twenty favorite films of 2008. Peter Travers of Rolling Stone writes that the film is deeper than its predecessor, with a "deft" script that refuses to scrutinize the Joker with popular psychology, instead pulling the viewer in with an examination of Bruce Wayne's psyche, Travers has praise for all the cast, saying each brings his or her "'A' game" to the film. He says Bale is "electrifying", evoking Al Pacino in The Godfather Part II, and that Eckhart's portrayal of Harvey Dent is "scarily moving". Ebert states that the "key performance" is by Heath Ledger, and pondered whether he would become the first posthumous Academy Award winner since Peter Finch in 1976 (Ledger ultimately did win the Oscar). Travers says the actor moves the Joker away from Jack Nicholson's interpretation into darker territory, and expresses his support for any potential campaign to have Ledger nominated for an Academy Award, a call echoed by filmmaker Kevin Smith.

Travers says that the filmmakers move the film away from comic book cinema and closer to being a genuine work of art, citing Nolan's direction and the "gritty reality" of Wally Pfister's cinematography as helping to create a universe that has something "raw and elemental" at work within it. In particular, he cites Nolan's action choreography in the IMAX-tailored heist sequence as rivaling that of Heat (1995). Emanuel Levy wrote Ledger "throws himself completely" into the role, Emanuel Levy proclaims that the film represents Nolan's "most accomplished and mature" work, and the most technically impressive and resonant of all the Batman films. He calls the action sequences some of the most impressive seen in an American film for years, and talks of the Hong Kong-set portion of the film as being particularly visually impressive. Emanuel Levy and Peter Travers conclude that the film is "haunting and visionary", while Levy goes on to say that The Dark Knight is "nothing short of brilliant".

David Denby of The New Yorker holds that the story is not coherent enough to properly flesh out the disparities. He says the film's mood is one of "constant climax", and that it feels rushed and far too long. Denby criticizes scenes which he argues are meaningless or are cut short just as they become interesting. Denby remarks that the central conflict is workable, but that "only half the team can act it", saying that Bale's "placid" Bruce Wayne and "dogged but uninteresting" Batman is constantly upstaged by Ledger's "sinister and frightening" performance, which he says is the film's one element of success. Denby concludes that Ledger is "mesmerising" in every scene. While Denby has praise for Pfister's cinematography, he does not rate the film as a remarkable piece of craftmanship. He puts forward that while a lot happens in the film, it is often difficult to follow due to the close, dark photography and editing. Denby says the film is too grim and is seemingly "jammed together". He surmises that the "heavy-handed" score and "thunderous" violence only serve to coarsen the property from Tim Burton's vision of the franchise into a "hyperviolent summer action spectacle", and that the film embraces the themes of terror that it purports to scrutinize.

The Dark Knight was ranked the 15th greatest film in history on Empire's 2008 list of the "500 Greatest Movies of All Time", based upon the weighted votes of 10,000 readers, 150 film directors, and 50 key film critics. Heath Ledger's interpretation of the Joker was also ranked number three on Empire's 2008 list of the "100 Greatest Movie Characters of All Time".

The film appeared on many critics' top ten lists of the best films of 2008.

Other critics have mentioned the theme of the triumph of evil over good. Harvey Dent is seen as Gotham's "White Knight" in the beginning of the film but ends up becoming seduced to evil. The Joker, on the other hand, is seen as the representation of anarchy and chaos. He has no motive, no orders, and no desires but to cause havoc and "watch the world burn". The terrible logic of human error is another theme as well. The ferry scene displays how humans can easily be enticed by iniquity.

So far, The Dark Knight has been nominated for over 150 awards recognizing several aspects of the film, (most notably the performance of Ledger), more than any other film of 2008. Of these nominations, the film has won 92.

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Neverwas

Neverwas was a 2005 English film written and directed by Joshua Michael Stern, starring, Ian McKellen, Aaron Eckhart, Brittany Murphy and Nick Nolte.

It was first shown at the 2005 Toronto International Film Festival.

Zach Riley (Aaron Eckhart) is a psychiatrist, who leaves a job at a prestigious university, to take up a job at the privately run mental institution, 'Millwood', belonging to Dr. Reed (William Hurt). What he doesn’t reveal at the time of his appointment is that this was the very place where his novelist father, T.L. Pierson (Nick Nolte), spent many years of his life, and later wrote a popular children’s classic, ‘Neverwas’.

Once there, he meets a schizophrenic patient, Gabriel Finch (Ian McKellen), and soon finds that more things link him to the story, to the book, and also to the recovery of the patient (who believes himself to be a character from the tale) than he ever thought. Ultimately he realises that this was the story he was meant to play a 'Hero' in.

Owing to its connection with fictional fairytale, it has often been compared with Finding Neverland (2004).

The film was shot in Vancouver, British Columbia, Canada.

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No Reservations (film)

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No Reservations is a 2007 American romantic drama film directed by Scott Hicks. The screenplay by Carol Fuchs is an adaptation of an original script by Sandra Nettelbeck, which served as the basis for the 2001 German film Mostly Martha.

Master chef Kate (Catherine Zeta-Jones) lives her life like she runs the kitchen at the upscale Greenwich Village restaurant, 22 Bleecker: with an intensity that intimidates everyone around her. More at ease behind the scenes, she unwillingly leaves the kitchen's sanctuary only to accept compliments from a regular diner or, on rare occasions, to tangle with a customer who questions her expertise. Most nights find her in bed before midnight, set to rise at dawn to beat her competition to the fish market for the next day's freshest selections.

When her sister is killed in an accident, her niece, Zoe, (Abigail Breslin) unexpectedly comes to live with her. Meanwhile, brash, high-spirited sous-chef Nick (Aaron Eckhart) joins her staff. As time passes, Kate is unsure what bothers her more — that Nick's talent scores with 22 Bleecker's owner Paula and its discriminating clientèle, or that his easygoing charm quickly wins over the shy Zoe, who finds it easier to open up to him than to her aunt.

When Nick challenges the boundary between rivalry and romance, Kate finds herself questioning her many professional and personal beliefs that she has always embraced while also faced with difficult choices regarding Zoe's future.

After discovering that her boss was going to replace her with Nick, Kate quarrels with him and he quits. Later, Kate learns that Nick had declined the head chef's job. Without Nick visiting, Zoe starts to miss her mother more and runs away. Kate calls Nick, and they search for Zoe, finding her at the cemetery by her mother's grave.

After seeing them home, Nick tells Kate that he accepted a job in San Francisco. They part, and Kate returns to work at the restaurant, but quits after being unable to tolerate an unreasonable customer. She goes to see Nick and tells him that she cannot bear for him to leave. They get together and open a new restaurant, with Zoe helping out.

Rotten Tomatoes, an aggregate of reviews from published critics, showed only 35% reviewed it favorably .

No Reservations was released in 2,425 theaters in the US on July 27, 2007 and earned $11,704,357 and ranked fifth on its opening weekend. The film eventually grossed $43,052,274 in the US and $49,493,071 in foreign markets for a total worldwide box office of $92,601,050 .

Abigail Breslin was nominated for the Young Artist Award for Best Performance in a Feature Film by a Leading Young Actress for her performance as Zoe.

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Towelhead (film)

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Towelhead is a 2008 film written and directed by Alan Ball and based on Alicia Erian's novel of the same name. The film made its world premiere at the Toronto Film Festival on September 8, 2007 under the name Nothing is Private.

Towelhead tells the coming-of-age story of a young Lebanese American girl named Jasira (Summer Bishil). When her mother's live-in boyfriend becomes sexually interested in her, Jasira is sent from her mother's home in Syracuse, New York to live with her old-fashioned and domineering Lebanese-Christian father (Peter Macdissi) in Houston, Texas. Thirteen-year-old Jasira begins to have sexual feelings and at the same time must cope with the new men in her life who are sexually interested in her - her adult next-door neighbor (Aaron Eckhart) and a class-mate of her own age. Jasira is alienated from her father as he would rather spend time with his new girlfriend and whenever father and daughter are together, he demands blind obedience. When her father beats Jasira, another female neighbor (Toni Collette) offers Jasira her house as a refuge. Jasira eventually tells her father and the neighbors about being raped by her next-door neighbor, whose son she had been baby-sitting, and he is arrested. The film also deals with the racial attitudes of the people in Jasiras' life.

Several Middle-Eastern anti-defamation groups disagreed with the choice of the films' title. These groups believed the derogatory term used for the film's title is misleading since the main focus of the film is of sexual nature rather than about racism and was chosen solely to generate 'buzz' for the film. These topics are covered in some round-table talks which are included as extras on the DVD.

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Suspect Zero

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Suspect Zero is a 2004 thriller, directed by E. Elias Merhige. It opened to decidedly mixed reviews, and failed to earn back half of its estimated $27 million production costs at the box office. It has also been criticized for having a similar ending as the movie Se7en.

FBI Agent Thomas Mackelway (Aaron Eckhart) and Agent Fran Kulok (Carrie-Anne Moss) are put on the trail of Ben O'Ryan (Ben Kingsley), a serial killer who exclusively targets other serial killers. As the investigation proceeds, the agents begin to become aware of the possible existence of Suspect Zero, a mythical "super serial killer" responsible for hundreds of deaths across all 50 States who leaves no evidence behind to link his crimes together. The agents must decide if O'Ryan is the key that will allow them to catch Suspect Zero, or if he is Suspect Zero himself.

As it turns out, O'Ryan was part of a secret government experiment attempting to cultivate telepathic abilities in individuals for military purposes. The experiments gave O'Ryan the ability to see the actions of serial killers. These disturbing visions constantly torment O'Ryan, and drive him to find the killers and kill them. O'Ryan seeks out Mackelway because Mackelway shares his abilities to some degree and was involved in a controversial case that made headlines. O'Ryan hunts down Suspect Zero, whose child victims are giving O'Ryan even more nightmares.

Eventually, Mackelway and O'Ryan find Suspect Zero at his ranch. After a struggle outside, Suspect Zero is killed by a rock from Mackelway. O'Ryan is then shot by Kulok who believes O'Ryan is trying to harm Mackelway but instead is trying to fulfill the prophecy which was foreseen earlier in the film.

A major theme of the film is remote viewing, and the DVD's extra features include interviews with people who worked with the US military and intelligence agencies as part of those programs.

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Possession (2002 film)

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Possession is a 2002 motion picture written and directed by Neil LaBute, based on the novel of the same name by A. S. Byatt. The film tells the story of two scholars, Roland Michell (played by Aaron Eckhart) and Maud Bailey (Gwyneth Paltrow), who investigate the affair of fictional Victorian era poet Randolph Henry Ash (Jeremy Northam), described in letters between him and another fictional poet, Christabel LaMotte (Jennifer Ehle).

Early drafts of the film's screenplay were written by playwright David Henry Hwang in the nineties, but the project languished in pre-production for years (with directors like Sydney Pollack and Gillian Armstrong working on the film and eventually giving up) before LaBute came aboard. LaBute made drastic changes to the story, partially based on notes that Byatt had made on earlier drafts of the screenplay.

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Source : Wikipedia