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Posted by bender 03/01/2009 @ 19:37

Tags : beck, rock and pop, artists, music, entertainment

News headlines
Rush Limbaugh on 'Glenn Beck' - FOXNews
This is a rush transcript from "Glenn Beck," May 21, 2009. This copy may not be in its final form and may be updated. GLENN BECK, HOST: Now, we go to the former head of the Republican Party — he did step down yesterday. Mr. Rush Limbaugh is with us....
GLENN BECK: The Mess in California Doesn't Deserve a Hollywood Ending - FOXNews
By Glenn Beck If you've seen the cover of my New York Times #1 best-selling book, you know I have…”complicated” feelings about the state of California. Oh—I guess I should be clear: I'm not talking about my New York Times #1 best-seller, “The Christmas...
Whoopi Destroys BECK on The View - Daily Kos
by griffin459 Glenn Beck appears to be a pathological liar given the way he tried to portray an incident that happened on Amtrak for his radio show.. Watch the clip below and decide for yourself.. Beck also says he is a "Commentator" and not a reporter...
Habitat Loss Pushing World's Reefs To 'Functional Extinction' - RedOrbit
Mike Beck, adjunct Professor with the Global Marine Initiative at The Nature Conservancy and lead author of the report, said that the group's research showed that oyster reefs have been the habitats most devastated by modern fishing and development...
Glenn Beck comedy show comes to local theaters - Aurora Beacon News
NCM Fathom and Mercury Radio Arts present "Glenn Beck's Common Sense Tour Live" from the Midland Theatre in Kansas City to more than 440 movie theaters nationwide. This live event takes place at 7 pm June 4 and will be repeated June 11....
Belton pushed to the brink: Yanker outduels Beck as Tyler Lee ... - Temple Daily Telegram
(Brandon Wade/Special to the Telegram) DUNCANVILLE - For the second straight outing, Belton's John Beck pitched the best game of his career. Unfortunately for Beck and the Tigers, Tyler Lee's Jacob Yanker was even better. Belton mustered just five hits...
Dr. Carl Beck - Jamestown Sun
Dr. Carl Albert “Pete” Beck, 73, Virginia Beach, Va., formerly of Carrington, ND, died Thursday, May 14, 2009, at his home. Dr. Beck was born Oct. 10, 1935, the son of Henry and Esther (Retzlaf) Beck. He grew up and graduated from Carrington High...
Penn takes on Glenn - Los Angeles Times
Another Fox show Jillette appeared on was "Glenn Beck," where he turned the questioning around, forcing Beck to answer questions about gay marriage and other social conservative causes. What is interesting is Penn exposes Beck as theoretically agreeing...
Glenn Beck on ACORN and Drummond Pike's Tides Foundation - American Spectator
By Matthew Vadum on 5.21.09 @ 7:23PM The "Glenn Beck Program" had a segment today on Fox News about the connection between ACORN and the Tides Foundation. (I can't find a video clip of the segment online yet.) He said that Drummond Pike,...
Mikhail Saakashvili, President of Georgia - FOXNews
This is a rush transcript from "Glenn Beck," May 20, 2009. This copy may not be in its final form and may be updated. JUDGE ANDREW NAPOLITANO, GUEST HOST: Two days of talks aimed at mending rifts from last August's war between the country of Georgia...

Jeff Beck

Jeff Beck performing at the Crossroads Guitar Festival 2007

Geoffrey Arnold "Jeff" Beck (born 24 June 1944) is an English rock guitarist. He was one of the three noted guitarists — the others being Eric Clapton and Jimmy Page — to have played with The Yardbirds. He was ranked the 14th on Rolling Stone Magazine's list of the "100 Greatest Guitarists of All Time".

Much of Beck's recorded output has been instrumental, and his releases have spanned genres ranging from blues-rock, heavy metal, jazz fusion and (currently) a blend of guitar-rock and electronica. Beck has earned wide critical praise and four Grammy awards for Best Rock Instrumental Performance, and had two hit albums in the mid-1970s as a solo act. However, Beck has not been able to establish and maintain a broad following or the sustained commercial success of many of his collaborators and bandmates.

Beck has been nominated for 2009 induction into the Rock and Roll Hall of Fame and was promptly chosen for induction for the April 4, 2009 ceremony.

Beck is cited as saying that the first electric guitar player he singled out as impressing him was Les Paul. Similarly Cliff Gallup, lead guitarist with Gene Vincent and the Blue Caps was also an early musical influence, followed by Chuck Berry and Steve Cropper. Upon leaving school he attended Wimbledon Art College, then he briefly worked as a painter and decorator, a groundsman on a golf course and spray painting cars. Beck's sister would also play an instrumental role in introducing him to another teen hopeful named Jimmy Page.

Like many rock musicians in the early 1960s, he began his career working as a session guitarist. In 1965, Eric Clapton left the Yardbirds for John Mayall's Bluesbreakers, and Beck was recruited to replace him on the recommendation of Jimmy Page, who had been their initial choice. It was during his tenure with the Yardbirds that they recorded most of their hits.

Stories about Beck's volatile temper began to circulate early. His perfectionism, coupled with the faulty equipment often in use during the 1960s, led to many stories about his willingness to take out frustrations on his equipment, though not in the form of smashing a guitar. The 1966 movie Blow-up contains a scene where the Yardbirds perform "Stroll On", and Beck becomes so enraged by equipment problems that he smashes his guitar. However, this scene was staged for the movie, as it was a re-creation of an actual event that director Michelangelo Antonioni witnessed at a concert of The Who.. This was also spoofed in the movie This is Spinal Tap. In fact it is widely regarded that Nigel Tufnel from the film is based quite heavily on Beck.

His time with The Yardbirds was short, allowing Beck only one full album, "Yardbirds" a.k.a Roger the Engineer (1966); Beck left after 18 months, partly for health reasons. For a few months he shared the dual-lead guitar role with Jimmy Page, who had joined the Yardbirds as a bass player, but quickly moved to co-lead guitar, with Chris Dreja moving on bass.

Jimmy Page recalled years later. “Relf looked at him with total astonishment and Beck said, ‘Why did you make me do that?’ Fucking hell. Everyone said, ‘My goodness gracious, what a funny chap.’ We went back to the hotel and Beck showed me his tonsils, said he wasn’t feeling well and was going to see a doctor. He left for L.A., where we were headed anyway. When we got there, though, we realized that whatever doctor he was claiming to see must’ve had his office in the Whiskey. He was actually seeing his girlfriend, Mary Hughes, and had just used the doctor bit as an excuse to cut out on us.

The following year, after recording the one-off song "Beck's Bolero" (with Jimmy Page, John Paul Jones, Nicky Hopkins, and Keith Moon) and having two solo vocals hit singles in the UK ("Hi Ho Silver Lining" and "Tallyman"), Beck formed a new band called The Jeff Beck Group, which featured him on lead guitar, Rod Stewart on vocals, Ronnie Wood on bass, Nicky Hopkins on piano, and Micky Waller on drums.

The group produced two albums, Truth (August, 1968) and Beck-Ola (June, 1969). Both albums are highly acclaimed. Truth, released five months before the first Led Zeppelin album, features a cover of "You Shook Me", a song first recorded by Willie Dixon which was also covered on the Led Zeppelin debut. It sold well (reaching #15 on the Billboard charts) and received great critical praise, Beck-Ola while well-received, was less successful both commercially and critically. Resentment, coupled with touring-related incidents, led the group to dissolve.

After the breakup, Beck decided to continue working with Stewart, and team up with bassist Tim Bogert and drummer Carmine Appice, the rhythm section of the Vanilla Fudge. This project was sidelined when Beck suffered head injuries in a car crash, and left the music scene for over a year. Rod Stewart left to team up with Ronnie Wood and the Small Faces; and Bogert and Appice formed Cactus instead.

When Beck regained his health, he reformed a band with entirely new members. The new ensemble — Bobby Tench on vocals and guitar, Max Middleton on piano and keyboards, Clive Chaman on bass and Cozy Powell on drums — although still known as the "Jeff Beck Group" featured a substantially different sound from the first lineup.

For the album Rough and Ready (1971), Beck wrote or co-wrote six of the album's seven tracks (the exception written by pianist Middleton). The album included elements of Soul, Rhythm and Blues and Jazz, foreshadowing the direction Beck's music would take later in the decade.

The follow-up, Jeff Beck Group, (1972) was recorded in Memphis, at the studio used by Booker T. & the M.G.'s; their guitarist, Steve Cropper, produced the album. The album, unsurprisingly, displayed a strong Soul influence. Five of the nine tracks were covers of American artists; one ("I Got To Have A Song") was the first of Beck's four covers of compositions written by Stevie Wonder.

Shortly after this release, Cactus broke up, leaving Bogert and Appice available. Beck dissolved the band in order to achieve his ambition to work with them, forming Beck, Bogert & Appice.

The long-awaited lineup worked together for less than two years and released only one US album Beck, Bogert & Appice. While critics acknowledged the band's instrumental prowess, the album was not well received, except for its cover of Wonder's "Superstition". Beck left the group during recording sessions for the second album in 1974 and a double-album Beck, Bogert & Appice Live in Japan was released, followed by a second live album At last Rainbow. At last Rainbow was unusual, not only as a record of the last recorded work by the band, but for previewing songs that were intended for a second studio album.

In October 1974, Beck began recording instrumentals at AIR studios backed by pianist Max Middleton (from the second Jeff Beck Group), bassist Phil Chen, and drummer Richard Bailey, with George Martin producing and providing string arrangements.

The resulting album, Blow by Blow (1975), displayed Beck's technical prowess in a jazz-rock format. The album reached #4 on the charts. It is Beck's most commercially successful release.

Wired, which followed a year later, paired Beck with drummer-composer Narada Michael Walden and keyboardist Jan Hammer. It is a more straightforward work of jazz-rock fusion (sounding similar to the work of his two collaborators). A live album with Hammer followed.

1980's There and Back, featured three compositions from Hammer and five with keyboardist Tony Hymas.

In 1981 he made a series of historic, joint live appearances with his Yardbirds predecessor Eric Clapton at the Amnesty International The Secret Policeman's Other Ball benefit shows. He appeared with Clapton on "Crossroads", "Further On Up The Road", and his own arrangement of Stevie Wonder's "Cause We've Ended As Lovers". Beck also featured prominently in the all-star band finale performance of "I Shall Be Released" with Clapton, Sting, Phil Collins, Donovan and Bob Geldof. Beck's contributions were seen and heard in the resulting album and film, both of which achieved worldwide success in 1982. Another benefit show, the ARMS Concert for Multiple Sclerosis featured a jam with Jeff, Eric and Jimmy Page performing "Tulsa Time", and "Layla". This is the only time all of the 1963-1968 Yardbirds lead guitarists appeared on stage together.

During the 1980s and 1990s, Jeff Beck recorded sporadically (due largely to a long battle with noise-induced tinnitus): There and Back (1980, featuring Simon Phillips, Tony Hymas, Jan Hammer and Mo Foster), Flash (1985, including performances with Rod Stewart and Jan Hammer), Jeff Beck's Guitar Shop (1989, with Terry Bozzio and Tony Hymas), Crazy Legs (1993), Who Else! (1999), and You Had It Coming (2001). He also accompanied Paul Rodgers of Bad Company on the album Muddy Water Blues: A Tribute to Muddy Waters in 1993. Jeff Beck won his third Grammy Award, this one for 'Best Rock Instrumental Performance' for the track "Dirty Mind" from You Had It Coming. The 2003 release of Jeff showed that the new electro-guitar style he used for the two earlier albums would continue to dominate. The song "Plan B" from this release earned him his fourth Grammy Award, again, for 'Best Rock Instrumental Performance'.

In the past few years, Jeff Beck has performed on new albums by Roger Waters, Les Paul and Cyndi Lauper. Beck also is featured on one track on Queen guitarist Brian May's album Another World. He also appears on ZZ Top's album XXX. Beck made a cameo appearance in the movie Twins starring Arnold Schwarzenegger and Danny DeVito.

Jeff Beck continues to perform shows on a regular basis, including opening for B.B. King in the summer of 2003, backed by Terry Bozzio and Tony Hymas.

Beck's recent tours in 2005 and 2006 have included Jason Rebello on keyboards, Vinnie Colaiuta on drums and Pino Palladino on bass (replaced by Randy Hope-Taylor due to Palladino's prior commitment to The Who). An Official Bootleg USA'06 from the tour has been released through Beck's website.

Jeff Beck accompanied Kelly Clarkson as the guitarist for her cover of Patty Griffin's song, "Up To The Mountain", during the 2007 Idol Gives Back episode of American Idol, with both artists receiving a standing ovation from the audience. The performance, recorded live, was released for sale afterwards.

Beck was featured at Eric Clapton's Crossroads Guitar Festival in 2004 and 2007, however, in the 2007 tour, he was accompanied by Vinnie Colaiuta on drums, Jason Rebello on keyboards, and Tal Wilkenfeld on bass guitar. Unfortunately, her name was omitted on some of the performances, and some viewers mistook her for Beck's daughter, due to her youth; she is a petite woman and was only 21 years old at the time of the tour.

Beck has announced a tour of Japan in early 2009 through his website. Tickets went on sale for an Australian tour in January 2009.

While Beck was not the first rock guitarist to experiment with electronic distortion, he nonetheless helped to redefine the sound and role of the electric guitar in rock music. Beck's work with The Yardbirds and The Jeff Beck Group's 1968 album Truth were seminal influences on heavy metal music, which emerged in full force in the early 1970s. Jeff Beck is still highly influential with many modern guitarists, who cite him as a major influence on their playing.

Jeff Beck does not rely heavily on electronic effects. Beck stopped regular use of a pick (plectrum) in the 1980s. He produces a wide variety of sounds by using his fingers and the vibrato bar on his signature Fender Stratocaster, although he frequently uses a wah-wah pedal both live and in the studio. As Eric Clapton once said, "With Jeff, it’s all in his hands". Along with Fender Stratocasters, Beck occasionally plays Fender Telecaster and Gibson Les Paul models as well. His amplifiers are primarily by Fender and Marshall Amplification. In his earlier days with the Yardbirds, Beck also used a Fender Esquire guitar through Vox AC30s. He has also played through a variety of fuzz pedals and echo-units along with this set-up and has used the Pro Co RAT distortion pedal.

During the ARMS charity concerts in 1983, Jeff used his battered Fender Esquire along with a 1954 Fender Stratocaster and a Jackson Soloist. On the Crazy Legs album of 1993, he played a Gretsch Duo Jet, his signature Fender Stratocaster and various other guitars. Recently, Fender created a Custom Shop Tribute series version of his beat-up Fender Esquire as well as his Artist Signature series Stratocaster. The Seymour Duncan SH-4 JB guitar pickup was designed for him, however the "JB" stands for "jazz/blues" and not Jeff Beck as many have speculated.

On July 3, 1973, Beck guested on David Bowie's last concert featuring the Spiders from Mars. Beck's appearance was due, at least in part to the fact that Mick Ronson, the Spiders' lead guitarist, was a huge fan. Even though the show was recorded, filmed, and eventually commercially released, all editions are without "The Jean Genie/Love Me Do" and "Round and Round", the two numbers on which Beck played. A 1974 ABC-TV airing of selections from this concert did include "The Jean Genie/Love Me Do", but apparently not with Beck's permission. Rumoured reasons for Beck's absence on the various releases are his unhappiness with his performance and/or clothing.

Beck also rehearsed with Guns N' Roses for their concert in Paris in 1992, however he did not play in the actual concert as his ears were severally damaged in sound check after Matt Socrum hit a cymbal next to Beck causing him to become temporarily deaf.

Beck is credited as playing guitar on the third track of Morrissey's ninth solo album, "Years of Refusal", released on February 17, 2009 and recorded in Los Angeles in 2008.

Jeff Beck had several opportunities to join famous bands. Following Mick Taylor's resignation, Beck was invited to an audition for the The Rolling Stones. After staying for a couple of days at a hotel in Amsterdam, where the Stones had rented a studio, Jeff and his manager decided to leave because they got tired of waiting around for a phone call from the Stones. Subsequently, the Stones hired Ronnie Wood to play guitar on their 1975 Tour.

Pink Floyd originally considered Beck to replace Syd Barrett after the latter became difficult to work with. However, as Nick Mason recalls in his autobiography, 'none of us had the nerve to ask him. Roger finally managed it twenty years later'. David Gilmour became Pink Floyd's guitarist instead.

When not touring or recording, Beck rarely plays guitar. Instead, he spends most of his time working on his classic 'Chevy' hot rods.

Beck is a vegetarian.

Beck has appeared in several films; he appears in the movie Blow Up with The Yardbirds performing "Stroll On" and appears in the movie Twins with Nicolette Larson.

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Beck's Brewery

Becks Logo.png

Beck's Brewery (Brauerei Beck & Co) is a brewery in the north German city of Bremen. Owned by local families until February 2002, it was then sold to Interbrew for 1.8 billion euros (2.1 billion U.S. dollars). The brewery was formed under the name Kaiserbrauerei Beck & May o.H.G. on 27 June 1873 by Lüder Rutenberg (8 February 1816—14 June 1890), Heinrich Beck, and Thomas May. On 1 October 1875, Thomas May left the brewery which then became known as Kaiserbrauerei Beck & Co.

The main brand is Beck's which has for many years also been brewed under license in Namibia, which prior to World War I was a German colony. It is also today brewed in Bulgaria, Australia, Ukraine, Serbia, Montenegro, China, Nigeria, Romania, Turkey and the Federation of Bosnia and Herzegovina.

Beck & Co. has always been a strong exporter, and the beer thus has a taste more akin to other internationally marketed brands than to mainstream German beers. After 1842, the way beer was brewed changed drastically with the advent of the brewing style perfected in the Bohemian city of Pilsen. Beck's birthplace is Bremen, lying on the North German plain connected to the sea by the Weser river.

Beck's label, a key, is the mirror image of the coat of arms of Bremen. Since Beck's is located on the river of a port city, it was easy to ship out its beer to the world at large and become an international beer powerhouse. Beck's is known for its pale lager consisting of the following ingredients: two row spring barley from the south of England, a special strain of yeast, ice-age glacier water from the "Rotenburger Rinne," Hallertau hops from southern Germany. Beck's marketing material claims that it follows the strict Reinheitsgebot, the German Purity Law of 1516. As with virtually all modern beers, cultured yeast is an ingredient, which was later approved in an amendment to the original purity law. The Reinheitsgebot of 1516 is frequently cited in advertising and marketing material, but modern commercial breweries do not adhere to its requirement. Beck's was the first German beer company to use green bottles. This causes the beer to acquire a "skunky" aroma if exposed to sunlight or fluorescent lighting.

The St. Pauli Girl Brewery is housed within the Brewery in Bremen. Consequently Beck's and St. Pauli Girl beers are very similar in nature. St. Pauli Girl is not consumed in Germany and is only exported to the United States where it is marketed as an exotic and prestigious German beer. In the past three years, Beck's has introduced new flavored beers into its selection such Beck's Green Lemon, Beck's Level 7, Beck's Chilled Orange, Beck's Gold, Beck's Ice, Beck's Green Lemon Alcohol Free.

In the 2006 movie Beerfest, Beck's is erroneously referred to as the third best beer in Bavaria, probably due to its international recognizability, although it isn't from Bavaria at all. Beck's is the number one German export beer by volume and is sold in over 100 countries. The largest markets for Beck's outside Germany are the United Kingdom, the USA, Italy, Australia, Ukraine, Romania, and Russia.

Beck's - the main brand, a pale lager; Beck's Gold; Beck's Green Lemon; Beck's Green Lemon Alcohol Free; Beck's Chilled Orange; Beck's Level 7; Beck's Ice; Beck's Vier; Beck's Dark; Beck's Oktoberfest; Haake Beck Maibock - a bock beer which is sold only from February till May.

Beck's beer has previously sponsored the Beck's Futures British art prize given to contemporary artists.

Beck's sponsors the Beck's Fusions event. In 2007 the first Beck's Fusions on Trafalgar Square in London was headlined by The Chemical Brothers. In 2008, Beck's Fusions is moving to Manchester. Extending to a three day event headlined by Massive Attack.

As part of the Beck's Fusions event, Beck's are running the Beck's Live Studio competition. Artists from various art communities (including YCN) are invited to create a Beck's label inspired, and in time to, a music track - Dawn of the Dead by Does it Offend You, Yeah?.

Selected winners will have their artwork featured at the Beck's Fusions event in September.

A larger shortlist of winners will be invited to take part in a Beck's Live Studio online event in the autumn of 2008. They will create live art pieces inspired by music mixed by people contributing to the project on the Beck's website.

The recent online 'Daily Different' campaign has attracted widespread interest and a fair amount of intrigue. This is due to the interesting, controversial and distinctive format which keeps the viewer hooked on a daily basis. The protagonist of this campaign is a English/Iranian stand-up comic who refers to himself simply as Darius.

In the UK, Scottish and Newcastle own the licence to market and distribute Beck's. However, they have recently negotiated InBev to do it instead in exchange for royalties lasting until 2012.

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Beck plays at the Sasquatch Music Festival in George, Washington. The screens show puppets that emulated the band throughout the show.

Beck Hansen (born Bek David Campbell, July 8, 1970) is an American musician, singer-songwriter, and multi-instrumentalist known by the stage name Beck. With a pop art collage of musical styles, oblique and ironic lyrics, and postmodern arrangements incorporating samples, drum machines, live instrumentation and sound effects, Beck has been hailed by critics and the public throughout his musical career as being amongst the most creative and idiosyncratic musicians of 1990s and 2000s alternative rock.

He rose to underground popularity with his early works, which combined social criticism (as in "MTV Makes Me Want to Smoke Crack" and "Deep Fried Love") with musical and lyrical experimentation. He first earned wider public attention for his breakthrough single "Loser", a 1994 hit.

Beck has cited The Cars, Bob Dylan, Mantronix, Gary Wilson, Bruce Haack, Pussy Galore, Willie Dixon, Bill Broonzy, Daniel Johnston, and Sonic Youth among his influences. Two of Beck's most popular and acclaimed recordings were Odelay (1996) and Sea Change (2002). Odelay was awarded Album of the Year by American magazine Rolling Stone and by UK publications NME and Mojo. Odelay also received a Grammy nomination for Best Album.

Beck was born in Los Angeles, California to David Campbell, a Canadian musician, and Bibbe Hansen, a visual artist. His maternal grandfather was Al Hansen, a visual collage artist of the Fluxus school of art. His paternal grandfather was a Presbyterian minister, while his maternal grandmother was half Jewish; Beck himself is a Scientologist, as are his wife and his father. Beck's mother also has Norwegian and Swedish ancestry. When his parents separated, Beck stayed with his mother and brother in Los Angeles, where he was influenced by the city's diverse musical offerings—everything from hip hop to Latin music and his mother's art scene—all of which would later reappear in his recorded and published work. After dropping out of high school in the mid-1980s, Beck traveled to Europe and developed his musical talent by busking. In Germany, he spent time with his grandfather Al Hansen. The late 1980s found him in New York City, involved in the punk-influenced anti-folk music movement.

In 1988, Beck recorded a cassette entitled Banjo Story, which has since become available in bootleg form. He returned to Los Angeles at the turn of the decade. To support himself, he took a variety of low-paying, dead-end jobs and lived in a shed, all the while continuing to develop his music. Beck also sought out (or snuck onto) stages at venues all over Los Angeles, from punk clubs to coffee shops and busking on the streets. During this time, he met Chris Ballew (founder of The Presidents of the United States of America). They performed on the streets as a duo for a while. Some of his earliest recordings were achieved by working with Tom Grimley at Poop Alley Studios, a part of WIN Records.

The founders of Bong Load Custom Records, Tom Rothrock, Rob Schnapf, and Bradshaw Lambert discovered Beck, signing him to their fledgling label. "Loser", a collaboration between hip hop nuance producer Carl Stephenson and Beck, created a sensation when radio host Chris Douridas played the song on Morning Becomes Eclectic, the flagship music program from Santa Monica College radio station KCRW. That exposure and a subsequent live performance on the show July 23, 1993, led to a bidding war among labels to sign Beck. Eventually, he chose Geffen Records, who offered him terms that included an allowance for the release of independent albums while under contract. Of all the record labels to offer Beck a contract, Geffen offered him the least amount of money, but the greatest amount of creative freedom.

Geffen's official debut release in 1994 of Mellow Gold—culled from sessions with Rothrock, Schnapf, and Stephenson—made Beck a mainstream success. At the same time, he released Stereopathetic Soulmanure on Flipside Records and One Foot in the Grave on independent K Records. Beck took his act on the road in 1994 with a worldwide tour, followed by a spot on the main stage of the 1995 Lollapalooza tour. Some critics still panned him as a one-hit wonder, and audiences' familiarity with "Loser" (especially at Lollapalooza), along with their apparent lack of interest in his other work, only reinforced his image as such.

When the time came to record his follow-up to Mellow Gold, Beck enlisted Rothrock and Schnapf as producers and began recording an album of moody, low-key acoustic numbers to showcase his songwriting. Eventually, Beck shelved the album and pursued a more upbeat approach. Beck was introduced to the Dust Brothers, producers of the Beastie Boys' album Paul's Boutique, whose cut-and-paste, sample-heavy production suited Beck's vision of a more fun, accessible album.

The result, 1996's Odelay, would put the "one-hit wonder" criticisms to rest. The lead single, "Where It's At," received much airplay, and its video was in heavy rotation on MTV. Within the year Odelay received praise from Rolling Stone magazine, appeared on countless "Best of" lists (it topped the Pazz & Jop Critics Poll for "Album of the Year"), received double-platinum status, and earned a number of industry awards, including two Grammys. Besides "Where It's At", three other singles were released from the album: "Devils Haircut", "Jack-Ass" and "The New Pollution".

Beginning in 1993, "Loser" co-writer and Mellow Gold co-producer Carl Stephenson embarked on an experimental trip hop project which eventually resulted in Forest for the Trees, releasing a self-titled album in 1997 followed by an EP in 1999. Beck contributed to both records, providing spoken word, harmonica, and various other instruments.

Odelay was followed in 1998 by the release of Mutations. Though the album was originally slated for release by Bong Load Records, Geffen intervened and issued the record against Beck's wishes. The artist then sought to void his contracts with both record labels, and in turn the labels sued him for breach of contract. The litigation went on for years and it remains unclear to this day if it has ever been completely resolved. Mutations was produced by Beck and Nigel Godrich (frequent producer and collaborator with Radiohead) and is believed to have been intended as a stopgap measure before the proper next album. Recorded over two weeks, during which Beck recorded one song a day, the sessions produced fourteen songs. Mutations was a departure from the electronic density of Odelay and shows heavy folk and blues influences. Tracks on the album consisted of older songs, some dating back as early as 1994.

In 1999, Beck was awarded Best Alternative Music Performance for Mutations at the 42nd Grammy Awards.

In November, Geffen released the much-anticipated Midnite Vultures, which was supported by an extensive world tour. For Beck, it was a return to the high-energy performances that had been his trademark as far back as Lollapalooza. The live stage set included a red bed that descended from the ceiling for the song "Debra", and the touring band was complemented by a brass section. Midnite Vultures was nominated for Best Album at the 43rd Annual Grammy Awards. Beck released a number of B-sides and soundtrack-only songs as well, including "Deadweight" from the A Life Less Ordinary soundtrack, "Midnite Vultures" (curiously, not on the album of the same name), a cover of The Korgis' "Everybody's Got to Learn Sometime" which appeared in the 2004 movie Eternal Sunshine of the Spotless Mind and David Bowie's "Diamond Dogs" from Moulin Rouge! He is also credited on the French band Air’s 2001 album 10 000 Hz Legend for vocals on the songs "Don't Be Light" and "The Vagabond" (as well as harmonica on the latter). He duetted with Emmylou Harris on Return of the Grievous Angel: A Tribute to Gram Parsons, performing "Sin City".

In 2001, the Beck EP, which consists of B-sides from the Midnite Vultures era, was released. The EP was only available from Beck's website, and only 10,000 copies were printed.

In 2002, Beck released Sea Change, which, like Mutations, was produced by Nigel Godrich. It became Beck's first US Top 10 album, reaching #8. The album also received critical acclaim, earning five stars from Rolling Stone (the magazine's highest rating) and placing second in the Pazz & Jop Critics Poll for 2002. Sea Change was conceptualized around one unifying theme: the end of a relationship. The album featured string arrangements by Beck's father, David Campbell, and a sonically dense mix reminiscent of Mutations. Although some radio singles were released, no commercial singles were made available to the public. In August 2002, prior to the release of Sea Change, Beck embarked on a solo acoustic tour of small theaters and halls, during which he played several songs from the forthcoming album. The post-release Sea Change tour featured The Flaming Lips as Beck's opening and backing band. A song Beck co-wrote with William Orbit, "Feel Good Time", was recorded by pop singer Pink for inclusion on the soundtrack of the 2003 film Charlie's Angels: Full Throttle. Beck also covered the Bruce Haack song titled "Funky Lil Song" for Dimension Mix, a tribute album dedicated to the music of electronic music pioneer Haack and his Dimension 5 Records, which his long time friend and collaborator Ross Harris produced to benefit Cure Autism Now. Beck is godfather to Ross's son, Banjo, who is autistic.

On February 1, 2005, Beck released an EP featuring four remixes of songs from Guero by independent artists who use sounds from various early 8-bit video game devices like the Nintendo Game Boy. The EP, GameBoy Variations, featured "Ghettochip Malfunction" and "GameBoy/Homeboy" , both remixed by the band 8-Bit, and also had "Bad Cartridge" and "Bit Rate Variation in B-Flat" , the last two being remixed by Paza {The X-Dump}. The EP cover art shows a long-haired person headbanging to his Game Boy, which is plugged into an amplifier like an electric guitar. This EP was featured in an issue of Nintendo Power. A music video for "Gameboy/Homeboy" was made by Wyld File.

Beck performed at the music and arts festival Bonnaroo in Manchester, Tennessee on June 17, 2006, with a set that featured many songs from Guero. In addition to his band, Beck was accompanied by a group of puppets, dressed as him and members of his band. Live video feed of the puppets' performance was broadcast on video screens to the audience. The puppet show was included throughout his 2006 world tour.

Beck's seventh major-label studio album, The Information, which again reunited him with Nigel Godrich, was released on October 3, 2006. The release marked the first time in seven years that Beck released studio albums in consecutive years. The album reportedly took more than three years to make and has been described as "quasi hip-hop". It came with a sheet of stickers, which were to be used to "make your own album cover." Because of this, The Information was disqualified by the Official Chart Company from entering the UK albums chart, but in the US it gave Beck his third straight Top 10 studio album peak on the Billboard 200, reaching #7. The lead US single, "Nausea," officially went to radio on September 5, 2006. In the UK, the first single was "Cellphone's Dead".

A non-album single, "Timebomb," was released on iTunes on August 21, 2007, and the limited edition vinyl 12" was released on November 2, 2007, with an instrumental version of the song on the B-side. In December, 2007, it was announced that "Timebomb" had been nominated for a Grammy in the category of Best Solo Rock Vocal Performance.

In February 2008, Beck stated in an interview with Rolling Stone that he had been working on a new album "with an unnamed producer" and that he expected it to be released by the end of the year. In early March 2008, the unnamed producer was revealed to be Danger Mouse. On May 5, 2008, revealed that Beck would release an as-yet untitled 10-song album within the next four to six weeks. It was also reported that singer Cat Power had contributed to the album. The new album Modern Guilt was released on Interscope in North America and on XL Records in the rest of the world. On May 19, Zane Lowe's BBC Radio 1 show premiered single "Chemtrails", and it was also made available on Beck's MySpace and website. In early June, Beck performed several songs from the new album at The Echo in Los Angeles. Modern Guilt was released in July 2008.

Beck's musical style has been considered alternative and indie. He has been known to play many of the instruments in his music himself. Beck has been known to synthesize several musical elements together in his music, including folk, hip-hop, funk, many types of rock and blues. He has also taken music from Los Angeles as a reference point in his songs.

Pitchfork Media applauded Midnite Vultures, saying, "Beck wonderfully blends Prince, Talking Heads, Paul's Boutique, "Shake Your Bon-Bon", and Mathlete on Midnite Vultures, his most consistent and playful album yet." The review continued to comment on Beck, saying that his mix of goofy piety and ambiguous intent helped the album. Sea Change was called "evocative music", with country rock roots. The songs on the album also had "a warm, enveloping sound" with the help of his acoustic guitar.

During 1998, Beck's art collaborations with his grandfather Al Hansen were featured in an exhibition entitled "Beck & Al Hansen: Playing With Matches", which showcased solo and collaborative collage, assemblage, drawing and poetry works. The show toured from the Santa Monica Museum of Art to galleries in New York City and Winnipeg, Manitoba, in Canada. A catalog of the show was published by Plug In Editions/Smart Art Press.

From 1991 to 2000, Beck was in a relationship with designer Leigh Limon. Their breakup is said to have inspired his 2002 album, Sea Change. He wrote most of the songs for the album in one week after the breakup. Beck married actress Marissa Ribisi, the twin sister of actor Giovanni Ribisi, in April 2004, shortly before the birth of their son, Cosimo Henri. Ribisi gave birth to their daughter, Tuesday, in 2007.

The 1986 punk rock musical Population: 1 features a young Beck in a small nonspeaking role alongside legendary rocker Tomata du Plenty of The Screamers.

Beck has also made appearances in the Adult Swim show Mission Hill. Accepting an award, he comes up on stage wearing the new "Spicy pants" trend. In consequence the main character begins throwing all of his "Beck" albums out his upper-story window.

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C. C. Beck

CC Beck-1982-Minneapolis.jpg

Charles Clarence Beck (June 8, 1910-November 22, 1989), was an American cartoonist and comic book artist, best known for his work on Captain Marvel.

C. C. Beck was born on June 8, 1910 in Zumbrota, Minnesota. He studied at the Chicago Academy of Fine Arts and the University of Minnesota after completing an art correspondence course. In 1933, he joined Fawcett Publications as a staff artist.

While working for Fawcett, Beck created pulp magazines. When the company began producing comic books in autumn 1939, Beck was assigned to draw a character created by writer Bill Parker called "Captain Thunder". Before the first issue of Whiz Comics came out, the character's name was changed to Captain Marvel. Besides Captain Marvel, Beck also drew other Fawcett series, including the adventures of Spy Smasher and Ibis the Invincible.

His early Captain Marvel stories set the style for the series. Beck favored a cartoony versus realistic rendering of character and setting, which also came to be reflected in the whimsical scripting (by Otto Binder and others). The Captain Marvel stories boasted a clean style which facilitated Beck's assistants and other Fawcett artists emulating Beck's style (one exception was Mac Raboy whose work on Captain Marvel, Jr. was more in the style of Alex Raymond).

The popularity of Captain Marvel allowed Fawcett to produce a number of spin-off comic books and Beck to open his own New York City comics studio in 1941. He later expanded his studio, adding one in Englewood, New Jersey. In this capacity Beck oversaw most of the artwork in the Marvel Family line of comics and ensured they adhered to the style he originated. They also did commercial art, most prominently a series of advertisements in comic strip form starring Captain Tootsie promoting Tootsie Roll. Done in the style of the Marvel Family books and similarly whimsical (this Captain had a large T on his shirt instead of a lightning bolt), the ads appeared in comic books (published by both Fawcett and its rivals) and in Sunday comic strip sections of newspapers.

After years of litigation due to a suit lodged by National Publications (publishers of DC Comics) against Fawcett for copyright infringement claiming that Captain Marvel was a copy of Superman, Fawcett in the early 1950s (partly in response to flagging sales) reached a settlement with DC in which it agreed to discontinue its comic line.

In 1947, Beck drew the cover art for Dell Comics Four Color #159, Donald Duck and the Ghost of the Grotto. The interior story was drawn by Carl Barks.

After Fawcett Comics folded, Beck produced infrequent work for comics, a few issues for the short lived Milson Publications in 1966 and a handful of issues of the new revival of Captain Marvel entitled Shazam!, ironically published by DC comics, in 1973 (Beck illustrated only the first 10 issues of the series before leaving due to "creative differences" regarding plotlines). In 1967 Beck created a new character named Fatman the Human Flying Saucer that appeared in three comic books. This character was almost the inverse of Captain Marvel in appearance and coloration, but with very different powers. Beck later relocated to Florida where, in his retirement, he produced a regular opinion column for The Comics Journal entitled "The Crusty Curmudgeon". One of his chief topics was his objections to what he saw as the growing realism in comics art (versus the simpler style he had employed).

In the 1980s, until he died, C. C. Beck published a newsletter called FCA/SOB, which stood for Fawcett Collectors of America/Some Opinionated Bastards (the latter phrase humorously referring to himself).

He died in Gainesville, Florida of a renal ailment.

Beck in his interview with Tom Heintjes published in Hogan's Alley #3 states he only scripted one Captain Marvel story, involving a visit to a Mayan temple.

He was recognized for his work with formal nomination as a finalist for the Jack Kirby Hall of Fame in 1990, and induction in 1997. He was also inducted into the Eisner Hall of Fame in 1993.

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Source : Wikipedia