Campbell Soup Company

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Posted by motoman 02/27/2009 @ 15:03

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Campbell Soup Company Announces the Webcast of Its Third Quarter ... - Trading Markets (press release)
A copy of the earnings release and any accompanying materials will be available in the Investor Center section of Campbell's website, www.campbellsoupcompany.com, under the News & Events caption. Campbell Soup Company Media: Anthony Sanzio 856-968-4390...
Ezra Dabah, The Children's Place's Largest Stockholder and Former ... - PR Newswire (press release)
Prior to joining RAB, Mr. Fingerman served as President of the US Soup Division of Campbell Soup Company from 2002 to 2004. Mr. Fingerman joined the Campbell Soup Company in 1993. During his tenure with the Campbell Soup Company, Mr. Fingerman served...
Campbell Soup: Good Dividend Income, but High Risk Stock - Seeking Alpha
Campbell Soup Company (CPB), and its subsidiaries, does business in manufacture and marketing of branded convenience food products worldwide. It has four business segments, viz., (1) US Soup, Sauces, and Beverages; (2) Baking and Snacking;...
At Campbell Soup, age-appropriate models for leadership - SmartBrief
... along their corporate journey, writes Carol Hymowitz, as she profiles four women in management roles at Campbell Soup. She argues that as a leader matures, she must learn to delegate everyday tasks and develop a long-term vision for the company....
Leadership At Every Age - Forbes
For Denise Morrison, being 55 and senior vice president and president, North America, Soup, Sauces & Beverages, Campbell Soup ( CPB - news - people ), is a time of being at the top of her game--and articulating a vision for her company's growth....
A Classic Soup Stock Looks Tasty - Barron's
By ALEXANDER EULE Campbell Soup lacks the buzz of Monster energy-drink maker Hansen Natural. But its proven staying power makes it the better stock bet. WHEN CAMPBELL SOUP AND HANSEN NATURAL showed up on opposite ends of the 52-week high and low list...
CAMPBELL SOUP COMPANY: V8 V-Fusion(R) Introduces Two New On-Trend ... - Trading Markets (press release)
"While our product continues to be popular among adults, we are hearing from more and more moms that they purchase V8 V-Fusion 100% juice for the entire family," says Sophia Arsenlis, brand manager, V8 V-Fusion, Campbell Soup Company....
Campbell Soup among best places to work in NJ - Reliable Plant Magazine
Campbell Soup Company was recently named as one of the Best Places to Work in New Jersey by NJBIZ. Campbell ranked No. 3 on the list of large companies honored with the award. Nancy Reardon, senior vice president and chief human resources and...
Campbell Soup introduces two new V8 V-Fusion juice varieties - Drinks Business Review
By Datamonitor staff writer Campbell Soup Company has announced that its V8 V-Fusion 100% juice is introducing two new varieties: Goji Raspberry and Passionfruit Tangerine. The company claimed that each 8-ounce glass of the juice provides a serving of...

Campbell Soup Company

Campbell Soup Company logo.svg

Campbell Soup Company (NYSE: CPB) (also known as Campbell's) is a well-known American producer of canned soups and related products. Campbell's products are sold in 120 countries around the world. It is headquartered in Camden, New Jersey.

Campbell's was founded in 1869 by Joseph A. Campbell and Abraham Anderson, an icebox manufacturer. The company was originally called the "Joseph A. Campbell Preserve Company" and produced canned tomatoes, vegetables, jellies, soups, condiments, and minced meats.

By 1896, Anderson left the partnership, leaving Campbell to reorganize and form a new company, Joseph Campbell & Co. In 1897, a nephew of one of the new Campbell partners, Dr. John T. Dorrance, began working for the company at a wage of $7.50 a week. Dorrance, a gifted chemist with degrees from MIT and Göttingen University, Germany, developed a commercially viable method for condensing soup by halving the quantity of its heaviest ingredient: water.

Soup was not a popular staple in the American diet at the turn of the 20th century, but it was in Europe. However, Dorrance's condensed soups quickly became successful among the public for their convenience and their price, 10 cents a can. The product competed at the Paris Exposition in 1900 and was awarded a gold medal, an image of which still appears on the label.

In 1898, Herberton Williams, a Campbell's executive, convinced the company to adopt a cherry red and bright white color scheme, because he was taken by the crisp colors of the Cornell University football team's uniforms.To this day, the layout of the can, with its red and white design and the metallic gold medal seal from the 1900 Paris Exhibition, has changed very little.

Campbell Soup became one of largest food companies in the world under the leadership of William Beverly Murphy. He was elected executive vice president of Campbell Soup in 1949 and was president and CEO from 1953 to 1972. While at Campbell's Soup Company, he took the corporation public and increased its brand portfolio to include Pepperidge Farm's breads, cookies, and crackers, Franco-American's gravies and pastas, V8 vegetable juices, Swanson broths, and Godiva's chocolates.

Campbell Soup invested heavily in advertising since its inception, and many of its promotional campaigns have proven value in the Americana collectible advertising market. Perhaps best known are the "Campbell Kids" who though color scheme represented the recognizable soup. Ronald Reagan was a spokesman for V8 when it was first introduced. A "pretty groovy deal" in 1968 offered a paper Souper Dress available for $1.00 and two labels. Also produced were Campbell's Menu Books and Help for the Hostess series of cookbooks. One of the longest lasting recipes, but certainly odd to modern tastebuds, is the recipe for a maroon colored Tomato Soup Cake.

In addition to collectible advertising, the company has also had notable commercial sponsorships. Among these was The Campbell Playhouse, which had previously been Orson Welles' Mercury Theatre On The Air. Campbell's took over as sponsor of the radio theatre program in December of 1938.

In the UK and Ireland, the cans will be rebranded as Batchelors Condensed Soup from March 2008(since the license for the brand name expires in mid 2008) but labels will carry: "Formerly Campbell's. Same great taste." Premier Foods, St. Albans, Hertfordshire bought Campbell Soup Company in the UK and Ireland, for £ 450m ($ 830m), but not the brand. 22 flavours will be branded as Batchelors but recipes will remain the same. Also, US-based Campbell Soup Company will still produce Campbell's Condensed Soup but cannot sell the product in the UK for another 5 years. Over the years various flavors were created to eat at the table or to go.

The ubiquitous red-and-white icon became fodder for Andy Warhol, the 1960s pop counter-culture artist, in his famous series of iconic Campbell's Soup Can images from 1962 to 1968. Each can, hand painted to perfection and almost machine like in quality glorified the simplistic white and red cans with their gold seal as an American icon. Every detail was considered just as the original down to the gold and black script of the word ‘SOUP’ to the simple red print of each flavor. These images are some of the artist's best work, many of which are on display at the Andy Warhol Museum in Pittsburgh, Pennsylvania.

To celebrate this, in 2004, the company released a series of four limited edition cans, with different labels than the regular red and white. The new ones were in silkscreen colors, the top half being one shade and bottom another. Orange and pink were one combination, and shades of blue another. This marked one of the few times thus far in the company's 100+ year history that the labels have deviated from their standard look.

The cans appeared on the east coast and slowly made their way as far west as Ohio via Giant Eagle supermarkets.

Many canned soups, including Campbell's condensed and Chunky varieties, contain relatively high quantities of sodium and thus are not desirable for those on low-sodium diets. However, Campbell's Chunky, Healthy Request and other soups, as well as their V-8 and Tomato juices, have reduced sodium levels.. These soups use sea salt as one of the methods in lowering sodium. In the fall of 2007, Campbell's was awarded a Certificate of Excellence for their efforts in lowering sodium levels, from Blood Pressure Canada.. By autumn 2009, Campbell's claims it will have lowered the sodium content in 50% of its soups range.

Campbell's owns numerous brands, categorized for different lines. Many of Campbell's brands are listed below.

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Pepperidge Farm

Pepperidge Farm milano cookies (mint chocolate flavor)

Pepperidge Farm was founded in 1937 by Margaret Rudkin, who named the brand after her family's property in Fairfield, Connecticut, which in turn was named for the pepperidge tree, Nyssa sylvatica. In 1961, the company was purchased by the Campbell Soup Company.

Its products include Milano, Dark Chocolate and Nantucket cookies, Goldfish crackers, and varieties of bread.

Margaret Rudkin began baking bread in 1937 for her youngest son Mark who had asthma and was allergic to most commercially processed foods. She developed a recipe without preservatives or artificial ingredients which her son could eat and which also tasted good. Her son's doctor encouraged her to bake more bread and recommended it to his other patients. She approached the owner of a local grocery store to see if he would be willing to sell her "Pepperidge Farm" bread, named after the Fairfield, Connecticut, farm where she and her family lived. The grocer was skeptical until she cut him a slice. After tasting it, he took all the loaves she had brought and placed an order for more. Her husband Henry, a Wall Street broker, began taking loaves of bread with him to New York to be sold in specialty stores. She soon moved the growing business out of her kitchen and into her garage, then into a factory in 1940. Rationing during World War II forced her to cut back production because she would not use inferior substitutes for her top-quality ingredients. Finally, in 1947 Margaret opened a state-of-the-art commercial bakery in Norwalk.

On a trip to Europe in the 1950s, Rudkin discovered fancy chocolate cookies that she believed would be very popular in the United States. She bought the rights to produce and sell them, and the Distinctive Cookies line was born. Under her management, Pepperidge Farm continued to expand into other products, including frozen pastry items and the Goldfish snack cracker. In 1961 she sold the business to the Campbell Soup Company and became the first woman to serve on the board. She drew on her knowledge and experience to write The Margaret Rudkin Pepperidge Farm Cookbook in 1963, which was the first cookbook to make the bestseller list of the New York Times.

In an episode of The Golden Girls, Sophia complained about the high price of Pepperidge Farm cookies and said not to buy them with her money.

In 2004, experimental music group Animal Collective sampled a 1985 Pepperidge Farm commercial featuring an old man talking about blueberry muffins in the song "Muffins", which they performed live occasionally. The most prominently heard line is "simple things make better muffins." In 2005 the song was released on the Grass single retitled as "Must Be Treeman" a variation of the first line the old man says, "must be dreaming".

Items with an asterisk denote a discontinued or seasonal product, or a product sold only in collections.

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Andy Warhol

Andy Warhol 1977.jpg

Andrew Warhola (August 6, 1928 – February 22, 1987), more commonly known as Andy Warhol, was an American painter, filmmaker and conceptual artist, who was a leading figure in the movement known as pop art. After a successful career as a commercial illustrator, Warhol became famous worldwide for his work as a painter, avant-garde filmmaker, record producer, author, and public figure known for his membership in wildly diverse social circles that included bohemian street people, distinguished intellectuals, Hollywood celebrities and wealthy aristocrats.

Warhol has been the subject of numerous retrospective exhibitions, books, and feature and documentary films.

Warhol coined the concept of "15 minutes of fame", which refers to the fleeting condition of fame in the modern world, mainly attributed to mass media and transience in human beings.

Andy Warhol was born in Pittsburgh, Pennsylvania. He was the third child of his parents, Andrij (Andrew) Warhola and Ulja (Julia). His parents were working-class immigrants of Rusyn ethnicity from Miková, Austro-Hungarian Empire (now in northeastern Slovakia). Warhol's father immigrated to the US in 1914, and his mother joined him in 1921, after the death of Andy Warhol's grandparents. Warhol's father worked in a coal mine. The family lived at 55 Beelen Street and later at 3252 Dawson Street in the Oakland neighborhood of Pittsburgh. The family was Byzantine Catholic and attended St. John Chrysostom Byzantine Catholic Church. Andy Warhol had two older brothers, John and Paul, who were born in today's Slovakia.

In third grade, Warhol had St. Vitus' dance, a nervous system disease that causes involuntary movements of the extremities, which is believed to be a complication of scarlet fever and causes skin pigmentation blotchiness. He became somewhat of a hypochondriac, developing a fear of hospitals and doctors. Often bed-ridden as a child, he became an outcast among his school-mates and bonded strongly with his mother. When in bed he drew, listened to the radio and collected pictures of movie stars around his bed. Warhol later described this period as very important in the development of his personality, skill-set and preferences.

Warhol showed early artistic talent and studied commercial art at the School of Fine Arts at Carnegie Institute of Technology in Pittsburgh (now Carnegie Mellon University). In 1949, he moved to New York City and began a successful career in magazine illustration and advertising. During the 1950s, he gained fame for his whimsical ink drawings of shoe advertisements. These were done in a loose, blotted ink style, and figured in some of his earliest showings in New York at the Bodley Gallery. With the concurrent rapid expansion of the record industry and the introduction of the vinyl record, Hi-Fi, and stereophonic recordings, RCA Records hired Warhol, along with another freelance artist, Sid Maurer, to design album covers and promotional materials.

His first one-man gallery exhibition as a fine artist was on July 9, 1962, in the Ferus Gallery of Los Angeles, California. The exhibition marked the West Coast debut of pop art. Andy Warhol's first New York solo Pop exhibit was hosted at Eleanor Ward's Stable Gallery November 6-24th, 1962. The exhibit included the works Marilyn Diptych, 100 Soup Cans, 100 Coke Bottles and 100 Dollar Bills. At the Stable Gallery exhibit the artist met for the first time John Giorno who would star in Warhol's first film, Sleep, in 1963.

It was during the 1960s that Warhol began to make paintings of iconic American products such as Campbell's Soup Cans from the Campbell Soup Company and Coca-Cola bottles, as well as paintings of celebrities such as Marilyn Monroe, Troy Donahue, and Elizabeth Taylor. He founded "The Factory," his studio during these years, and gathered around himself a wide range of artists, writers, musicians, and underground celebrities. He switched to silkscreen prints which he produced serially, seeking not only to make art of mass-produced items but to mass produce the art itself. By minimizing the role of his own hand in the production of his work and declaring that he wanted to be "a machine," Warhol sparked a revolution in art. His work quickly became popular as well as controversial.

What's great about this country is that America started the tradition where the richest consumers buy essentially the same things as the poorest. You can be watching TV and see Coca Cola, and you know that the President drinks Coca Cola, Liz Taylor drinks Coca Cola, and just think, you can drink Coca Cola, too. A coke is a coke and no amount of money can get you a better coke than the one the bum on the corner is drinking. All the cokes are the same and all the cokes are good. Liz Taylor knows it, the President knows it, the bum knows it, and you know it.

This quotation both expresses his affection for popular culture, and evidences an ambiguity of perspective that cuts across nearly all of the artist's statements about his own work.

New York's Museum of Modern Art hosted a Symposium on pop art in December 1962 during which artists like Warhol were attacked for "capitulating" to consumerism. Critics were scandalized by Warhol's open embrace of market culture. This symposium set the tone for Warhol's reception. Throughout the decade it became more and more clear that there had been a profound change in the culture of the art world, and that Warhol was at the center of that shift.

A pivotal event was the 1964 exhibit The American Supermarket, a show held in Paul Bianchini's Upper East Side gallery. The show was presented as a typical U.S. small supermarket environment, except that everything in it from the produce, canned goods, meat, posters on the wall, etc. were created by six prominent pop artists of the time including the controversial (and like-minded) Billy Apple, Mary Inman, and Robert Watts. Warhol's painting of a can of Campbell's soup cost $1,500 while each autographed can sold for $6. The exhibit was one of the first mass events that directly confronted the general public with both pop art and the perennial question of what is art.

As an advertisement illustrator in the 1950s, Warhol used assistants to increase his productivity. Collaboration would remain a defining (and controversial) aspect of his working methods throughout his career; in the 1960s, however, this was particularly true. One of the most important collaborators during this period was Gerard Malanga. Malanga assisted the artist with producing silkscreens, films, sculpture, and other works at "The Factory", Warhol's aluminum foil-and-silver-paint-lined studio on 47th Street (later moved to Broadway). Other members of Warhol's Factory crowd included Freddie Herko, Ondine, Ronald Tavel, Mary Woronov, Billy Name, and Brigid Berlin (from whom he apparently got the idea to tape record his phone conversations).

During the 60s, Warhol also groomed a retinue of bohemian eccentrics upon whom he bestowed the designation "Superstars", including Edie Sedgwick, Viva, and Ultra Violet. These people all participated in the Factory films, and some, like Berlin, remained friends with Warhol until his death. Important figures in the New York underground art/cinema world, such as writer John Giorno and film-maker Jack Smith, also appear in Warhol films of the 1960s, revealing Warhol's connections to a diverse range of artistic scenes during this period. By the end of the decade, Andy Warhol was himself a celebrity, appearing frequently in newspapers and magazines alongside Factory cohorts like Sedgwick.

On June 3, 1968, Valerie Solanas shot Warhol and art critic and curator Mario Amaya at Warhol's studio.

Before the shooting, Solanas had been a marginal figure in the Factory scene. She founded a "group" called S.C.U.M. (Society for Cutting Up Men) and authored the S.C.U.M. Manifesto, a separatist feminist attack on patriarchy. Over the years, Solanas' manifesto has found a following. Solanas appears in the 1968 Warhol film I, A Man. Earlier on the day of the attack, Solanas had been turned away from the Factory after asking for the return of a script she had given to Warhol. The script, apparently, had been misplaced.

Amaya received only minor injuries and was released from the hospital later the same day. Warhol however, was seriously wounded by the attack and barely survived (doctors opened his chest and massaged his heart to help stimulate its movement again). He suffered physical effects for the rest of his life. The shooting had a profound effect on Warhol's life and art.

Solanas was arrested the day after the assault. By way of explanation, she said that "He had too much control over my life," following which she was eventually sentenced to 3 years under the control of the department of corrections. After the shooting, the Factory scene became much more tightly controlled, and for many this event brought the "Factory 60s" to an end.

Warhol had a re-emergence of critical and financial success in the 1980s, partially due to his affiliation and friendships with a number of prolific younger artists, who were dominating the "bull market" of '80s New York art: Jean-Michel Basquiat, Julian Schnabel, David Salle and other so-called Neo-Expressionists, as well as members of the Transavantgarde movement in Europe, including Francesco Clemente and Enzo Cucchi.

Many people think of Warhol as "asexual" and merely a "voyeur", but these notions have been debunked by biographers (such as Victor Bockris), explored by other members of The Factory scene such as Bob Colacello, and by scholars like art historian Richard Meyer. The question of how Warhol's sexuality influenced his work and shaped his relationship to the art world is a major subject of scholarship on the artist, and is an issue that Warhol himself addressed in interviews, in conversation with his contemporaries, and in his publications (e.g. Popism: The Warhol Sixties).

Throughout his career, Warhol produced erotic photography and drawings of male nudes and one rare one of a woman "pati palomeras". Many of his most famous works (portraits of Liza Minnelli, Judy Garland, and Elizabeth Taylor, and films like Blow Job, My Hustler, and Lonesome Cowboys) draw from gay underground culture and/or openly explore the complexity of sexuality and desire. Many of his films premiered in gay porn theaters. That said, some stories about Warhol's development as an artist revolved around the obstacle his sexuality initially presented as he tried to launch his career. The first works that he submitted to a gallery in the pursuit of a career as an artist were homoerotic drawings of male nudes. They were rejected for being too openly gay. In Popism, furthermore, the artist recalls a conversation with the film maker Emile de Antonio about the difficulty Warhol had being accepted socially by the then more famous (but closeted) gay artists Jasper Johns and Robert Rauschenberg. De Antonio explained that Warhol was "too swish and that upsets them." In response to this, Warhol writes, "There was nothing I could say to that. It was all too true. So I decided I just wasn't going to care, because those were all the things that I didn't want to change anyway, that I didn't think I 'should' want to change… Other people could change their attitudes but not me". In exploring Warhol's biography, many turn to this period – the late 1950s and early 1960s – as a key moment in the development of his persona. Some have suggested that his frequent refusal to comment on his work, to speak about himself (confining himself in interviews to responses like "Um, No" and "Um, Yes", and often allowing others to speak for him), and even the evolution of his Pop style can be traced to the years when Warhol was first dismissed by the inner circles of the New York art world.

Warhol was a practicing Byzantine Catholic. He regularly volunteered at homeless shelters in New York, particularly during the busier times of the year, and described himself as a religious person. Several of Warhol's later works depicted religious subjects, including two series, Details of Renaissance Paintings (1984) and The Last Supper (1986). In addition, a body of religious-themed works was found posthumously in his estate.

During his life, Warhol regularly attended Mass, and the priest at Warhol's church, Saint Vincent's, said that the artist went there almost daily. His art is noticeably influenced by the eastern Christian iconographic tradition which was so evident in his places of worship.

Warhol died in New York City at 6:32 a.m. on February 22, 1987. According to news reports, he had been making good recovery from a routine gallbladder surgery at New York Hospital before dying in his sleep from a sudden post-operative cardiac arrhythmia. Prior to his diagnosis and operation, Warhol delayed having his recurring gallbladder problems checked, as he was afraid to enter hospitals and see doctors.

Warhol's body was taken back to Pittsburgh by his brothers for burial. The wake was at Thomas P. Kunsak Funeral Home and was an open-coffin ceremony. The coffin was a solid bronze casket with gold plated rails and white upholstery. Warhol wore a black cashmere suit, a paisley tie, a platinum wig, and sunglasses. He was holding a small prayer book and a red rose. The funeral liturgy was held at the Holy Ghost Byzantine Catholic Church on Pittsburgh's North Side. The eulogy was given by Monsignor Peter Tay. Yoko Ono also made an appearance. The coffin was covered with white roses and asparagus ferns. After the liturgy, the coffin was driven to St. John the Baptist Byzantine Catholic Cemetery in Bethel Park, a south suburb of Pittsburgh. At the grave, the priest said a brief prayer and sprinkled holy water on the casket. Before the coffin was lowered, Paige Powell dropped a copy of Interview magazine, an Interview t-shirt, and a bottle of the Estee Lauder perfume "Beautiful" into the grave. Warhol was buried next to his mother and father. Weeks later a memorial service was held in Manhattan for Warhol on April 1, 1987 at St. Patrick's Cathedral, New York.

Warhol's will dictated that his entire estate, with the exception of a few modest legacies to family members, would go to create a foundation dedicated to the "advancement of the visual arts." Warhol had so many possessions that it took Sotheby's nine days to auction his estate after his death; the auction grossed more than US$20 million. His total estate was worth considerably more, in no small part due to shrewd investments over the years.

The Artists Rights Society is the U.S. copyright representative for the Andy Warhol Foundation for the Visual Arts for all Warhol works with the exception of Warhol film stills. The U.S. copyright representative for Warhol film stills is the Warhol Museum in Pittsburgh. Additionally, the Andy Warhol Foundation for the Visual Arts has agreements in place for their image archive. All digital images of Warhol are exclusively managed by Corbis, while all transparency images of Warhol are managed by Art Resource.

The Andy Warhol Foundation released its 20th Anniversary Annual Report as a three-volume set in 2007: Vol. I, 1987-2007; Vol. II, Grants & Exhibitions; and Vol. III, Legacy Program. The Foundation remains one of the largest grant-giving organizations for the visual arts in the U.S.

By the beginning of the 1960s, Warhol was a very successful commercial illustrator. His detailed and elegant drawings for I. Miller shoes were particularly popular. These illustrations consisted mainly of "blotted ink" drawings (or monoprints), a technique which he applied in much of his early art. Although many artists of this period worked in commercial art, most did so discreetly. Warhol was so successful, however, that his profile as an illustrator seemed to undermine his efforts to be taken seriously as an artist.

In the early 1960s, Warhol tried to exhibit some of his drawings using these techniques in a gallery, only to be turned down. He began to rethink the relationship between his commercial work and the rest of his art. Instead of treating these things as opposites, he merged them, and began to take commercial and popular culture more explicitly as his topic.

Pop Art was an experimental form that several artists were independently adopting; some of these pioneers, such as Roy Lichtenstein, would later become synonymous with the movement. Warhol, who would become famous as the "Pope of Pop," turned to this new style, where popular subjects could be part of the artist's palette. His early paintings show images taken from cartoons and advertisements, hand-painted with paint drips. Those drips emulated the style of successful abstract expressionists (such as Robert Rauschenberg). Eventually, Warhol pared his image vocabulary down to the icon itself – to brand names, celebrities, dollar signs – and removed all traces of the artist's "hand" in the production of his paintings.

To him, part of defining a niche was defining his subject matter. Cartoons were already being used by Lichtenstein, typography by Jasper Johns, and so on; Warhol wanted a distinguishing subject. His friends suggested he should paint the things he loved the most. In his signature way of taking things literally, for his first major exhibition he painted his famous cans of Campbell's Soup, which he claimed to have had for lunch for most of his life. The work sold for $10,000 at an auction on November 17, 1971 at Sotheby's New York, which is a minimal amount for the artist whose paintings sell for over $6 million more recently.

He loved celebrities, so he painted them as well. From these beginnings he developed his later style and subjects. Instead of working on a signature subject matter, as he started out to do, he worked more and more on a signature style, slowly eliminating the hand-made from the artistic process. Warhol frequently used silk-screening; his later drawings were traced from slide projections. Warhol went from being a painter to being a designer of paintings. At the height of his fame as a painter, Warhol had several assistants who produced his silk-screen multiples, following his directions to make different versions and variations.

In 1979, Warhol was commissioned by BMW to paint a Group 4 Race Version of the then elite supercar BMW M1 for the fourth installment in the BMW Art Car Project. Unlike the three artists before him, Warhol declined the use of a small scale practice model, instead opting to immediately paint directly onto the full scale automobile. It was indicated that Warhol spent only a total of 23 minutes to paint the entire car.

Warhol produced both comic and serious works; his subject could be a soup can or an electric chair. Warhol used the same techniques – silkscreens, reproduced serially, and often painted with bright colors – whether he painted celebrities, everyday objects, or images of suicide, car crashes, and disasters, as in the 1962–63 Death and Disaster series. The Death and Disaster paintings (such as Red Car Crash, Purple Jumping Man, and Orange Disaster) transform personal tragedies into public spectacles, and signal the use of images of disaster in the then evolving media.

Warhol's The Last Supper cycle, a deeply religious body of work, was his last series, possibly his largest and "arguably his greatest". It is also the largest series of religious works by any U.S. artist.

Warhol worked across a wide range of media – painting, photography, drawing, and sculpture. In addition, he was a highly prolific filmmaker. Between 1963 and 1968, he made more than sixty films. One of his most famous films, Sleep, monitors poet John Giorno sleeping for six hours. The 35-minute film Blow Job, is one continuous shot of the face of DeVeren Bookwalter supposedly receiving oral sex from filmmaker Willard Maas, although the camera never tilts down to see this. Another, 1964's Empire, consists of eight hours of footage of the Empire State Building in New York City at dusk. The film Eat consists of a man eating a mushroom for 45 minutes. Warhol attended the 1962 premiere of the static composition by LaMonte Young called Trio for Strings and subsequently created his famous series of static films including Kiss, Eat, and Sleep (for which Young initially was commissioned to provide music). Uwe Husslein cites filmmaker Jonas Mekas, who accompanied Warhol to the Trio premiere, and who claims Warhol’s static films were directly inspired by the performance.

Batman Dracula is a 1964 film that was produced and directed by Warhol, without the permission of DC Comics. It was screened only at his art exhibits. A fan of the Batman series, Warhol's movie was an "homage" to the series, and is considered the first appearance of a blatantly campy Batman. The film was until recently thought to have been lost, until scenes from the picture were shown at some length in the 2006 documentary Jack Smith and the Destruction of Atlantis.

Warhol's 1965 film Vinyl is an adaptation of Anthony Burgess' popular dystopian novel A Clockwork Orange. Others record improvised encounters between Factory regulars such as Brigid Berlin, Viva, Edie Sedgwick, Candy Darling, Holly Woodlawn, Ondine, Nico, and Jackie Curtis. Legendary underground artist Jack Smith appears in the film Camp.

His most popular and critically successful film was 1966's Chelsea Girls. The film was highly innovative in that it consisted of two 16 mm films being projected simultaneously, with two different stories being shown in tandem. From the projection booth, the sound would be raised for one film to elucidate that "story" while it was lowered for the other. The multiplication of images evoked Warhol's seminal silk-screen works of the early 1960s. The influence of the film's split-screen, multi-narrative style could be felt in such modern work as Mike Figgis' Timecode and, however indirectly, the early seasons of 24.

Other important films include Bike Boy, My Hustler, and Lonesome Cowboys, a raunchy pseudo-western. These and other titles document gay underground and camp culture, and continue to feature prominently in scholarship about sexuality and art. Blue Movie, a film in which Warhol superstar Viva makes love and fools around in bed with a man for 33 minutes of the film's playing-time, was Warhol's last film as director. The film was at the time scandalous for its frank approach to a sexual encounter. For many years Viva refused to allow it to be screened. It was publicly screened in New York in 2005 for the first time in over thirty years.

After his June 3, 1968 shooting, a reclusive Warhol relinquished his personal involvement in filmmaking. His acolyte and assistant director, Paul Morrissey, took over the film-making chores for the Factory collective, steering Warhol-branded cinema towards more mainstream, narrative-based, B-movie exploitation fare with Flesh, Trash, and Heat. All of these films, including the later Andy Warhol's Dracula and Andy Warhol's Frankenstein, were far more mainstream than anything Warhol as a director had attempted. These latter "Warhol" films starred Joe Dallesandro, who was more of a Morrissey star than a true Warhol superstar.

In the mid 1960s, Warhol adopted the band The Velvet Underground, making them a crucial element of the Exploding Plastic Inevitable multimedia performance art show. Warhol, with Paul Morrissey, acted as the band's manager, introducing them to Nico (who would perform with the band at Warhol's request). In 1966 he "produced" their first album The Velvet Underground and Nico, as well as providing its album art. His actual participation in the album's production amounted to simply paying for the studio time. After the band's first album, Warhol and band leader Lou Reed started to disagree more about the direction the band should take, and their artistic friendship ended.

Warhol designed many album covers for various artists starting with the photographic cover of John Wallowitch's debut album, This Is John Wallowitch!!! (1964). Warhol designed the cover art for The Rolling Stones albums Sticky Fingers (1971) and Love You Live (1977), and the John Cale album Honi Soit in 1981. In 1975, Warhol was commissioned to do several portraits of the band's frontman Mick Jagger while in 1982, he designed the album cover for the Diana Ross album Silk Electric.

Warhol was also friendly with many recording artists, including Deborah Harry, Grace Jones, Diana Ross and John Lennon - he designed the cover to Lennon's 1986 posthumously released Menlove Ave.. Warhol also appeared as a bartender in The Cars' music video for their single "Hello Again", and Curiosity Killed The Cat's video for their "Misfit" single (both videos, and others, were produced by Warhol's video production company).

Warhol strongly influenced the New Wave/punk rock band Devo, as well as David Bowie. Bowie recorded a song called "Andy Warhol" for his 1971 album Hunky Dory. Lou Reed wrote the song "Andy's Chest", about Valerie Solanas, the woman who shot Warhol, in 1968. He recorded it with the Velvet Underground, but this version wasn't officially released until the VU album appeared in 1985. He recorded a new version for his 1972 solo album Transformer, produced by Bowie and Mick Ronson.

Beginning in the early 1950s, Warhol produced several unbound portfolios of his work.

The first of several bound self-published books by Warhol was 25 Cats Name Sam and One Blue Pussy, printed in 1954 by Seymour Berlin on Arches brand watermarked paper using his blotted line technique for the lithographs. The original edition was limited to 190 numbered, hand colored copies, using Dr. Martin's ink washes. Most of these were given by Warhol as gifts to clients and friends. Copy #4, inscribed "Jerry" on the front cover and given to Geraldine Stutz, was used for a facsimile printing in 1987 and the original was auctioned in May 2006 for US $35,000 by Doyle New York.

Warhol created the fashion magazine Interview that is still published today. The loopy title script on the cover is thought to be either his own handwriting or that of his mother, Julia Warhola, who would often do text work for his early commercial pieces.

As stated, although Andy Warhol is most known for his paintings and films, he has authored works in many different media.

In many ways Warhol refined and expanded the idea of what it means to be an artist. Warhol frequently took on the position of a producer, rather than a creator – this is true not only of his work as a painter (he had assistants do much of the work of producing his paintings), it is true of his film-making and commercial enterprises as well. He liked to coin an idea and then oversee or delegate its execution. As he refined this element of his work The Factory evolved from an atelier into an office. He became (and still is) the public face of a company, and a brand.

He founded the gossip magazine Interview, a stage for celebrities he "endorsed" and a business staffed by his friends. He collaborated with others on all of his books (some of which were written with Pat Hackett.) He adopted the young painter Jean-Michel Basquiat, and the band The Velvet Underground, presenting them to the public as his latest interest, and collaborating with them. One might even say that he produced people (as in the Warholian "Superstar" and the Warholian portrait). He endorsed products, appeared in commercials, and made frequent celebrity guest appearances on television shows and in films (he appeared in everything from Love Boat to Saturday Night Live and the Richard Pryor movie, Dynamite Chicken).

In this respect Warhol was a fan of "Art Business" and "Business Art" – he, in fact, wrote about his interest in thinking about art as business in The Philosophy of Andy Warhol from A to B and Back Again. This was a radical new stance, as artists traditionally positioned themselves against commercialism. Warhol and other pop-artists helped redefine the artist's position as professional, commercial, and popular. He did this using methods, imagery and talents that were (or at least seemed to be) available to everyone. In this respect Pop Art has contributed to a philosophical and practical incorporation of art into popular culture and society, and art offered to us as a product of that society.

Two museums are dedicated to Andy Warhol. The Andy Warhol Museum, one of the Carnegie Museums of Pittsburgh, is located at 117 Sandusky Street in Pittsburgh, Pennsylvania. It is the largest American art museum dedicated to a single artist, holding more than 12,000 works by the artist himself.

The other museum is the Andy Warhol Museum of Modern Art, established in 1991 by Andy's brother John Warhola, the Slovak Ministry of Culture, and the Warhol Foundation in New York. It is located in the small town of Medzilaborce, Slovakia. Andy's parents were born 15 kilometers away in the village of Miková. The museum houses several originals donated mainly by the Andy Warhol Foundation in New York and also personal items donated by Warhol's relatives.

In 1979, Warhol appeared as himself in the film Cocaine Cowboys.

After his passing, Warhol was portrayed by Crispin Glover in Oliver Stone's film The Doors (1991), by David Bowie in Basquiat, a film by Julian Schnabel, and by Jared Harris in the film I Shot Andy Warhol directed by Mary Harron (1996). Warhol appears as a character in Michael Daugherty's 1997 opera Jackie O. Actor Mark Bringleson makes a brief cameo as Warhol in Austin Powers: International Man of Mystery (1997). Many films by avant-garde cineast Jonas Mekas have caught the moments of Andy's life. Sean Gregory Sullivan depicted Warhol in the 1998 film 54. Guy Pearce potrayed Warhol in the 2007 film, Factory Girl, about Edie Sedgwick's life.

Gus Van Sant was planning a version of Warhol's life with River Phoenix in the lead role just before Phoenix's death in 1993.

Two years after Warhol's death, Songs for Drella, a co-commissioned work by The Brooklyn Academy of Music and The Arts at St. Ann's in New York City, was staged as a concept album performed by Lou Reed and John Cale, alumni of The Velvet Underground. The performance was filmed and directed by Ed Lachman, on December 6, 1989, and released on VHS and laserdisc formats. It was released on CD in a black velveteen package in 1990 by Sire Records. Drella was a nickname coined by Warhol superstar Ondine for Warhol, a portmanteau of Dracula and Cinderella, used by Warhol's crowd.

Songs for Drella offers a kind of vie romancée of Warhol, focusing on his interpersonal relations. The songs fall roughly into three categories: Warhol's (semi-fictitious) first-person perspective, third-person narratives chronicling events and affairs, and first-person feelings towards and commentaries on Warhol by Reed and Cale themselves. On Drella, Reed apologizes to a departed Warhol and comes to terms with his part in their personal conflict.

On the twentieth anniversary of his death The Gershwin Hotel in New York City held a week-long series of events commemorating Warhol's art and his superstars. There was an award ceremony, a fashion show, and Blondie performed at the closing party. At the same time, The Carrozzini von Buhler Gallery in New York City held an exhibit titled, Andy Warhol: In His Wake. The exhibit featured the art of Warhol's superstars Ultra Violet, Billy Name, Taylor Mead, and Ivy Nicholson as well as art by a younger generation of artists who have been inspired by Warhol. One interactive sculpture in the exhibit, The Great Warhola, by Cynthia von Buhler, depicted Warhol as an arcade fortune-telling machine. The gallery was transformed to look like Warhol's silver factory. Factory Girl, a film about the life of Edie Sedgwick, starring Sienna Miller and Hayden Christensen, was also released one week before the anniversary of Warhol's death.

In 2007, the The Financial Times described British painter Stella Vine as "Warhol's descendent". Arifa Akbar of The Independent said Vine's examination of the culture of celebrity had been described as descending from the same tradition as Warhol. Vine feels a strong link with Warhol, commenting she is "the same type of person as him", and has done an in depth study of Warhol on a course at Tate Modern.

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Arnott's Biscuits Holdings

Biscuit tin on display in museum at Young, New South Wales

Arnott's Biscuits Holdings (commonly known as Arnott's), is a subsidiary of the Campbell Soup Company of America.

In Australia Arnott's is the largest producer of biscuits and the second-largest supplier of snack food.

The history of Arnott's Biscuits begins in 1865, when Scottish immigrant William Arnott opened a bakery on Hunter Street, Newcastle, New South Wales, providing biscuits and pies to townspeople and ships docking at the local port.

The company's logo is a colourful parrot, believed to have been drawn by William Arnott's daughter-in-law, Leslie Arnott. It was registered as a trademark in 1907.

Arnott's, in common with the majority of Australian biscuit manufacturers, operated primarily in its home state, New South Wales. In the 1960s, Arnott's instigated significant rationalisation of the biscuit business, by acquiring biscuit bakeries in other states, such as Menz in South Australia.

After Arnott's acquired other bakeries, it continued to bake the regional varieties, such as Menz Yo-Yo, Brockhoff Salada.

Robert Arnotts then took over the business from his grandfather, Charles Arnott, in the early 1960s and then created Iced Animals especially dedicated to his children who were not yet born and now are named Sarah and Nathan. Iced Animals became an international worldwide hit and bought pleasure to many young children of every culture and religion. Arnott's has been established for so long that it has become an essential part of Australian culture. In 1997, the Campbell Soup Company of North America, a shareholder of Arnott's since the 1960s, acquired Arnott's in full. Thus, in 1997, Arnott's Biscuits Ltd became a wholly owned subsidiary of The Campbell Soup Company. This caused a significant amount of controversy in Australia, based on the desire for such an Australian icon to remain in Australian hands, and a fear that Campbell's would Americanise the products.

Manufacturing of Arnott's biscuits, however, remained in Australia, and as part of a long-term expansion plan, Arnott's closed its Melbourne factory in September 2002. At the same time, it expanded its facilities in Sydney, Adelaide and Brisbane.

More recently, the company has started manufacturing and importing some product lines from China.

In 2002, Arnott's acquired Snack Foods Limited. As a result of the acquisition, brands such as CC's and Thins came under the Arnott's banner.

In 1997, Arnott's Biscuits was subject to an extortion bid by a Queensland extortioner who threatened to poison packets of Arnott's Monte Carlo biscuits in South Australia and Victoria. The company conducted a massive recall and publicity campaign, publishing the extortionist's threats and demands in full-page newspaper ads. The recall cost the company AUD $22 million, but Arnott's was praised for its openness and honesty in dealing with the crisis.

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John Thompson Dorrance

John Thompson Dorrance B.S. Ph.D. (November 11, 1873 – September 21, 1930) was a American chemist and soup businessman. Born in Bristol, Pennsylvania, he earned a Bachelor of Science degree from the Massachusetts Institute of Technology and a Ph.D. from Göttingen University in Germany. A nephew of one of the partners of the Joseph Campbell Preserve Company, he went to work there in 1897 and invented condensed soup that became the mainstay for the renamed Campbell Soup Company.

John Dorrance went on to become the president of Campbell Soup Company from 1914 to 1930, eventually buying out the Campbell family. He turned the business into one of America's great, and longest-lasting, brands. He was succeeded by his brother, Arthur Dorrance.

In 1906 he married Ethel Mallinckrot with whom he had five children. Their daughter, Margaret, married prominent Philadelphia stockbroker, George W. Strawbridge, Sr.

Dorrance died in 1930 and was buried in West Laurel Hill Cemetery in Bala Cynwyd, Pennsylvania. His estate in Radnor Township, Pennsylvania is now the home of Cabrini College.

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Camden, New Jersey

Census Bureau map of Camden, New Jersey

The City of Camden is the county seat of Camden County, New Jersey, in the United States. It is located just across the Delaware River from Philadelphia, Pennsylvania. As of the United States 2000 Census, the city had a total population of 79,904. It has been regularly ranked one of the most dangerous cities in the United States by the Federal Bureau of Investigation.

Camden was originally incorporated as a city on February 13, 1828, from portions of the now-defunct Newton Township, while the area was still part of Gloucester County. On March 13, 1844, Camden became part of the newly formed Camden County.

Fort Nassau (located within the present boundaries of nearby Gloucester City, New Jersey), was built by the Dutch West India Company in 1626, and was the first European attempt to settle the area now occupied by Camden. Initial European activity in the vicinity of present day Camden occurred along the banks of the Delaware River where the Dutch and the Swedish vied for control of the local fur trade. Europeans continued to settle in and improve the area during the seventeenth century. Much of the growth directly resulted from the success of another Quaker colony across the Delaware River known as Philadelphia, which was founded in 1682 and soon had enough population to attract a brisk trade from West Jersey and Camden. To accommodate the trade across the river, a string of ferries began operation.

For over 150 years, Camden served as a secondary economic and transportation hub for the Philadelphia area. But that status began to change in the early 1800s. One of the United States' first railroads, the Camden and Amboy Railroad, was chartered in Camden in 1830. The Camden and Amboy Railroad allowed travelers to travel between New York City and Philadelphia via ferry terminals in South Amboy, New Jersey and Camden. The railroad terminated on the Camden waterfront, and passengers were ferried across the Delaware River to their final Philadelphia destination. The Camden and Amboy Railroad opened in 1834 and helped to spur an increase in population and commerce in Camden.

Originally a suburban town with ferry service to Philadelphia, Camden evolved into its own city, as industry and neighborhoods grew. Camden prospered during strong periods of manufacturing demand and faced distress during periods of economic dislocation.

Like most American cities, Camden suffered from decline in the 20th Century as the manufacturing base and many residents moved out to other locations. Currently, government, education, and health care are the three biggest employers in Camden; however, most employees commute to Camden and live in nearby suburbs such as Cherry Hill. Revitalization has occurred along the Camden Waterfront and in certain neighborhoods with access to Philadelphia.

From 1901 through 1929, Camden was headquarters of the Victor Talking Machine Company, and thereafter to its successor RCA Victor, the world's largest manufacturer of phonographs and phonograph records for the first two-thirds of the 20th century. RCA Victor contained one of the first commercial recording studios in the United States, where Enrico Caruso, among others, recorded. The General Electric Company reacquired RCA in 1986.

In 1992, the State of New Jersey under the Florio Administration made an agreement with GE to ensure that GE would not close the Camden site. The state of New Jersey would build a new high tech facility on the site of the old Campbell Soup factory and trade these new buildings to GE for the existing old RCA-Victor Buildings. Later, the new high tech buildings would be sold to Martin Marietta. In 1994, Martin Marietta merged with Lockheed to become Lockheed Martin. In 1997, Lockheed Martin divested the Camden Plant as part of the birth of L-3 Communications.

The famous "Nipper Building" depicting RCA's famous "His Master's Voice" trademark in its tower windows has since been renovated into a luxury apartment building called "The Victor." Building 8 is set to be rehabilitated into luxury condominiums called "Radio Lofts." Both projects are the work of Dranoff Properties, a well known Philadelphia development corporation that has specialized in these types of constructions. Another older building, Victor Building No. 2, is used to this day to house the Camden City Board of Education.

From 1899 to 1967, Camden was the home of New York Shipbuilding Corporation, which at its World War II peak was the largest and most productive shipyard in the world. Notable naval vessels built at New York Ship include the ill-fated cruiser USS Indianapolis and the aircraft carrier USS Kitty Hawk. In 1962, the first commercial nuclear-powered ship, the NS Savannah, was launched in Camden. The Fairview Village section of Camden (initially Yorkship Village) was a planned European-style garden village built by the Federal government during World War I to house New York Shipbuilding Corporation workers.

At Camden's peak, 10,000 workers were employed at RCA, while another 40,000 worked at New York Shipbuilding. RCA had 23 out of 25 of its factories inside Camden. Campbell Soup was also a major employer. By 1969, Camden had been losing jobs and residents for a quarter century due in large part to urban decay, highway construction, and racial tensions.

In Jefferson Cowie's "Capital Moves", Cowie refers to Camden City in the 1920s as the "Citadel of Republicanism". The decline of the Republican Party in Camden City overlapped the decline of Manufacturing.

Situated on the Delaware River, with access to the Atlantic Ocean, the Port of Camden handles breakbulk and bulk cargo. The port consists of two terminals: the Beckett Street Terminal and the Broadway Terminal (commonly known as the Port of Camden). The port receives hundreds of ships moving international and domestic cargo annually.

In 2005, the Port of Camden was subject to an unresolved criminal investigation and a state audit.

In December 2006, Governor Jon S. Corzine speculated on moving port operations further south to allow the community greater access to the waterfront.

Based on statistics reported to the Federal Bureau of Investigation, Camden was the third-most dangerous city in the United States during 2002, and has been ranked the nation's most dangerous city in 2004 and 2005. "Most dangerous city" is based on crime statistics in six categories: murder, rape, robbery, aggravated assault, burglary, and auto theft.

City Councilman Ali Sloan-El, responding to 2004 news about the 2003 statistics, cites Camden's poverty as an important contributing factor to its high crime rate. The demographic data from the Census indicates about a third of the city's residents live below the poverty line.

However, in 2005, homicides in Camden dropped sharply, to 34 — fifteen fewer murders than were reported in 2004. Though Camden's murder rate is still much higher than the national average, the reduction in 2005 was a drop of over thirty percent. Then in 2006, the numbers of murders climbed to 40. Murder rates are generally not static and change from year to year especially in smaller cities. The fact remains Camden is one of the most dangerous cities in the country.

Morgan Quitno Corporation has ranked Camden in the top ten most dangerous cities in America since 1998, when they first included cities with populations below 100,000. It was ranked the most dangerous overall in 2004 and 2005. It dropped down to the fifth spot for the 2006 and 2007 rankings but rose to number two in 2008.

Riverfront State Prison, which opened in August 1985, is located in downtown Camden on the north side of the Benjamin Franklin Bridge. It held 1,009 inmates in 2006.

Camden has historically been a stronghold of the Democratic Party. Voter turnout is very low; approximately 19% of Camden's voting age population participated in the 2005 gubernatorial election.

Since July 1, 1961, the City has operated under a Mayor-Council form of government. Under this form of government, the City Council consisted of seven Council members originally all elected at-large. In 1994, the City opted to modify the form of government to better address the changing needs of the citizenry. To that end, the City of Camden was divided into four councilman districts, instead of electing the entire Council at-large. One Council member was elected from each of the four districts. In 1995, the election was changed from a partisan election to a non-partisan Municipal Election.

Former mayor Milton Milan was infamous for his connections to organized crime. On June 15, 2001, Milan was sentenced to serve seven years in prison on 14 counts of corruption, including accepting mob payoffs and concealing a $65,000 loan from a drug kingpin.

Gwendolyn Faison is the Mayor of Camden. She is a member of the Mayors Against Illegal Guns Coalition, a bi-partisan group with a stated goal of "making the public safer by getting illegal guns off the streets." The Coalition is co-chaired by Boston Mayor Thomas Menino and New York City Mayor Michael Bloomberg.

Although not publicly elected, George Norcross III is the current political boss for the Democratic Party of Camden County, New Jersey.

Camden is in the First Congressional District and is part of New Jersey's 5th Legislative District.

New Jersey's First Congressional District, covering portions of Burlington County, Camden County and Gloucester County, is represented by Rob Andrews (D, Haddon Heights). New Jersey is represented in the Senate by Frank Lautenberg (D, Cliffside Park) and Bob Menendez (D, Hoboken).

For the 2008-2009 Legislative Session, the 5th district of the New Jersey Legislature is represented in the State Senate by Dana Redd (D, Camden) and in the Assembly by Nilsa Cruz-Perez (D, Barrington) and Joseph J. Roberts (D, Camden). The Governor of New Jersey is Jon Corzine (D, Hoboken).

Camden County is governed by a seven-member Board of Chosen Freeholders, elected at-large for staggered three-year terms by the residents of the county. As of 2008, Camden County's Freeholders are Freeholder Director Louis Cappelli, Jr. (Collingswood, term ends December 31, 2008), Freeholder Deputy Director Edward McDonnell (Pennsauken Township, 2010), Riletta L. Cream (Camden, 2008), Rodney A. Greco (Gloucester Township, 2009), Jeffrey L. Nash (Cherry Hill Township, 2009), Joseph Ripa (Voorhees Township, 2009) and Carmen Rodriguez (Merchantville, 2010).

According to the United States Census Bureau, the city has a total area of 10.4 square miles (27 km2); 8.8 square miles (23 km2) of it is land and 1.6 square miles (4.1 km2) of it is water. The total area is 15.03% water.

Camden borders Collingswood, Gloucester City, Haddon Township, Pennsauken, and Woodlynne. Just offshore of Camden is Pettys Island, which is officially part of Pennsauken Township.

Camden contains the U.S.'s first federally funded planned community, Yorkship Village (now called Fairview). The village was designed by Electus Darwin Litchfield, who was influenced by the "garden city" developments popular in England at the time.

As of the census of 2000, there were 79,904 people, 24,177 households, and 17,431 families residing in the city. The population density was 9,057.0 people per square mile (3,497.9/km²). There were 29,769 housing units at an average density of 3,374.3 units per square mile (1,303.2/km²).

The racial makeup of the city was 53.35% Black or African American, 16.84% White, 2.45% Asian, 0.54% Native American, , 0.07% Pacific Islander, and 22.83% from other races. 3.92% of residents were from two or more races. 38.82% of the population were Hispanic or Latino of any race. 8.9% of the population is foreign-born. 7.1% of the population were Whites of non-Hispanic ancestry.

There were 24,177 households out of which 42.2% had children under the age of 18 living with them, 26.1% were married couples living together, 37.7% had a female householder with no husband present, and 27.9% were non-families. 22.5% of all households were made up of individuals and 7.8% had someone living alone who was 65 years of age or older. The average household size was 3.12 and the average family size was 3.62.

In the city the population is quite young with 34.6% under the age of 18, 12.0% from 18 to 24, 29.5% from 25 to 44, 16.3% from 45 to 64, and 7.6% who were 65 years of age or older. The median age was 27 years. For every 100 females there were 94.3 males. For every 100 females age 18 and over, there were 90.0 males.

The per capita income for the city was $9,815. 35.5% of the population and 32.8% of families were below the poverty line. 45.5% of those under the age of 18 and 23.8% of those 65 and older were living below the poverty line.

Based on 2006 data from the United States Census Bureau, 44% of the city's residents live in poverty, the highest rate in the nation. The city had a median household income of $18,007, the lowest of all U.S. communities with populations of more than 65,000 residents, making it America's poorest city. A group of poor Camden residents were the subject of a 20/20 special on poverty in America broadcast on January 26, 2007. In the special, Diane Sawyer profiled the lives of three young children growing up in Camden. A follow up was shown on November 9, 2007.

In 2000, 28.85% of Camden residents identified themselves as being of Puerto Rican heritage. This was the third highest proportion of Puerto Ricans in a municipality on the United States mainland, behind only Holyoke, Massachusetts and Hartford, Connecticut, for all communities in which 1,000 or more people listed an ancestry group.

New Jersey Transit's Walter Rand Transportation Center is located at Martin Luther King Boulevard and Broadway. Besides being a major hub for New Jersey Transit (NJT) buses and Greyhound Lines, the Walter Rand Transportation Center is also a PATCO high-speed line and the recently-opened River LINE light rail station.

The PATCO Speedline offers frequent train service to Philadelphia and the suburbs to the east in Camden County, with stations at City Hall, Broadway (Walter Rand Transportation Center) and Ferry Avenue.

Since its opening in 2004, NJT's River LINE has offered frequent light rail service to towns along the Delaware north of Camden, and terminates in Trenton. Camden stations are 36th Street, Walter Rand Transportation Center, Cooper Street-Rutgers University, Aquarium and Entertainment Center.

NJT bus service is available to Philadelphia on the 313, 315, 317, and 318 and various 400 series lines, to Atlantic City is served by the 551 bus. Local service is offered on the 450, 451, 452, 453, and 457 lines.

Interstate 676 runs through Camden to the Benjamin Franklin Bridge on the north side of the city.

One of the most popular attractions of Camden is the city's waterfront, along the Delaware River. The waterfront is highlighted by its four main attractions, the USS New Jersey; the Susquehanna Bank Center; Campbell's Field; and the Adventure Aquarium.

The Adventure Aquarium was originally opened in 1992 as the New Jersey State Aquarium at Camden. In 2005 after extensive renovation the aquarium was reopened under the name Adventure Aquarium. The aquarium was one of the original centerpieces in Camden's plans for revitalizing their city.

The recently renamed Susquehanna Bank Center (formerly known as the Tweeter Center) is a 25,000 seat open air concert amphitheater that was opened in 1995.

Campbell's Field, opened in 2001, is home the Camden Riversharks Minor League Baseball team, of the Atlantic League; and the Rutgers-Camden baseball team.

The USS New Jersey (BB-62) was a United States Navy battleship that was intermitently active between the years 1943 and 1991. After its retirement the ship was turned into a museum along the Waterfront that opened in 2001. The New Jersey saw action in World War II, the Korean War, and the Vietnam War.

Other attractions at the Waterfront are the Wiggins Park Riverstage and Marina, One Port Center, The Victor Lofts, the Walt Whitman House, the Walt Whitman Cultural Arts Center, the Rutgers-Camden Center For The Arts and the Camden Children's Garden.

The Waterfront is also served by two modes of public transportation. New Jersey Transit services the Waterfront on its River Line, while people from Philadelphia can commute using the RiverLink Ferry, which connects the Waterfront with Old City Philadelphia.

Portions of Camden are part of an Urban Enterprise Zone . In addition to other benefits to encourage employment within the Zone, shoppers can take advantage of a reduced 3½% sales tax rate (versus the 7% rate charged statewide).

Camden had been passed over for redevelopment for many decades. The dawn of the 21st Century has brought new redevelopment plans. Campbell Soup Company has decided to go forward with a scaled down redevelopment of the area around its corporate headquarters in Camden, including an expanded corporate headquarters. The nearby Sears building was bought by a local developer, with plans for loft-style housing and commercial businesses. Cherokee Investment Partners had a grand plan to redevelop north Camden with 5,000 new homes and a shopping center on 450 acres. Cherokee dropped their plans in the face of local opposition and the slumping real estate market.

Camden's public schools are operated by Camden City Public Schools. The district is one of 31 Abbott Districts.

Holy Name School, Sacred Heart Grade School, San Miguel School, St. Anthony of Padua School, St. Joseph Pro-Cathedral School are elementary schools that operate under the auspices of the Roman Catholic Diocese of Camden.

Rutgers University and Rowan University, both of which are public universities, maintain campuses in downtown Camden. Additionally, the city is home to one of Camden County College's three campuses.

Camden is also home to Cooper University Hospital, which is nationally recognized as a leader in the area of trauma.

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Source : Wikipedia