Dean Martin

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Posted by r2d2 03/21/2009 @ 07:15

Tags : dean martin, actors and actresses, entertainment

News headlines
Picking cast members for new "Sinatra" movies - Chicago Tribune
Variety is reporting that Martin Scorsese, who once was very close to making a Dean Martin/Rat Pack picture, will shortly begin a big-screen epic production about the life of Frank Sinatra. The title will be "Sinatra." Yes, the music will be Sinatra...
Frank Lee Martin Library at MU celebrates rededication - Columbia Missourian
"He's a living symbol of Dean Martin's lifelong work on behalf of a free press," Dean Mills said of Montague. Speakers and honored guests at the ceremony included Dean Mills, dean of the School of Journalism; Brian Foster, MU's provost; William Taft,...
Laguna Seca: Series race notes - Motorsport.com
59 Rehagen Racing Ford Mustang GT co-driven by Dean Martin its first Grand-Am KONI Sports Car Challenge Grand Sport victory of the season at Mazda Raceway Laguna Seca. The Street Tuner race also went down to the final restart, where Will Turner passed...
'Thelma and Louise' ride again - Paragould Daily Press
By Carol Haynes They play off of each like Jerry Lewis and Dean Martin or Rowen and Martin or €” in their own words €” Thelma and Louise. And playing is what retiring Greene County Tech teachers and sisters Sharon Camp and Brenda Lakey plan to do...
Arizona treasurer says state in the red again - Forbes
AP , 05.14.09, 08:02 AM EDT Arizona Treasurer Dean Martin says the state is back in the red and again is being forced to rely on short-term borrowing to pay its bills. Martin told legislators that the state's worsening cash-flow situation put its...
Demetri Martin is Taking Woodstock to Cannes - TheInsider.com
Taking Woodstock is set in 1969 the movie follows a down-on-his-luck interior designer who moves upstate and inadvertently helps stage Woodstock on the grounds of his neighbor's farm in White Lake, NY. It's directed by Ang Lee. Jeffrey Dean Morgan...
Sands, Michaels bring Rat Pack duo to Jordan's for two shows - Ocean City Today
(May 15, 2009) Though they've been gone a few years, Frank Sinatra and Dean Martin will again entertain fans this month when Tony Sands and Dave Michaels bring "Reflections of Frank & Dean" to Jordan's Rooftop this month....
MU Journalism Library to be Rededicated to Freedom of the Press ... - Kansas City infoZine
"We are particularly happy that Mr. Montague will be able to join the celebration," said Dean Mills, dean of the Missouri School of Journalism. "He's a living symbol of Dean Martin's lifelong work on behalf of a free press." When Martin accepted the...
West Bromwich Albion 0 Liverpool 2: Chris Lepkowski's Big Match ... - BirminghamMail.net
The Reds skipper raced towards goal and lifted the ball over Dean Kiely. The keeper, retaining his place at the expense of Scott Carson, kept his side in the game with an excellent stop just before the interval when he tipped Fernando Torres' header...
Vesty does dirty work as Tigers roar again - Independent
Martin Corry, a warrior soul who stands alongside Dean Richards and Martin Johnson as one of the most revered Tigers of the modern era, was fit to play. The question Cockerill had to ask himself was whether he was good enough to play ahead of Tom Croft...

Dean Martin

Dean Martin in Rio Bravo

Dean Martin (born Dino Paul Crocetti; June 7, 1917 – December 25, 1995) was an American singer, film actor and comedian of Italian descent. He was one of the best known musical artists of the 1950s and 1960s. Martin's hit singles included "Memories Are Made Of This", "That's Amore", "Everybody Loves Somebody", "Mambo Italiano", "Sway", "Volare" and "Ain't That A Kick In The Head?" One of the organizers of "The Rat Pack", he was a major star in four areas of show business: concert stage, recordings, motion pictures, and television. Dean Martin has since became a pop culture figure for his womanizing ways, his trademark charm, and his drinking and alleged alcoholism. He was much respected wherever he went, and became a sort of unofficial ambassador to the Italian-American community.

Born in Steubenville, Ohio, Martin dropped out of school in the 10th grade because he thought that he was smarter than his teachers. He delivered bootleg liquor, served as a speakeasy croupier, wrote crafty anecdotes, was a blackjack dealer, worked in a steel mill and boxed as welterweight. At the age of 15, he was a boxer who billed himself as "Kid Crochet" (Kro-Shey). His prizefighting years earned him a broken nose (later fixed), a permanently split lip, and many sets of broken knuckles (a result of not being able to afford the tape used to wrap boxers' hands). He won just one of his 12 bouts. For a time, he roomed with Sonny King, who like Martin, was just starting in show business and had little money. Martin and King held bare-knuckle matches in their apartment, fighting until one of them was knocked out; people paid to watch.

Eventually, Martin gave up boxing. He worked as a roulette stickman and croupier in an illegal casino behind a tobacco shop where he had started as a stock boy. At the same time, he sang with local bands. Calling himself "Dino Martini" (after the then-famous Metropolitan Opera tenor, Nino Martini), he got his first break working for the Ernie McKay Orchestra. He sang in a crooning style influenced by Harry Mills (of the Mills Brothers), among others. In the early 1940s, he started singing for bandleader Sammy Watkins, who suggested he change his name to Dean Martin.

In October 1941, Martin married Elizabeth Anne McDonald. During their marriage (ended by divorce in 1949), they had four children. Nick Tosches states in his 1992 biography Dino: Living High in the Dirty Business of Dreams (Delta, USA ) the cause of their divorce was Martin's constant physical abuse of his wife. Martin worked for various bands throughout the early 1940s, mostly on looks and personality until he developed his own singing style. Martin famously flopped at the Riobamba when he succeeded Frank Sinatra there in 1943, but it was the setting for the men's introduction.

Martin repeatedly sold 10 percent shares of his earnings for up front cash. He apparently did this so often that he found he had sold over 100 percent of his income. Such was his charm that most of his lenders forgave his debts and remained friends.

Drafted into the United States Army in 1944 during World War II, Martin served a year stationed in Akron, Ohio. He was then reclassified as 4-F (possibly due to a double hernia; Jerry Lewis referred to the surgery Martin needed for this in his autobiography) and was discharged.

By 1946, Martin was doing relatively well, but was still little more than an East Coast nightclub singer with a common style, similar to that of Bing Crosby. He drew audiences to the clubs he played, but he inspired none of the fanatic popularity enjoyed by Sinatra.

A biography on Martin titled Dean Martin: King of the Road by Michael Freedland alleges he had links to the Mafia early in his career. Martin allegedly was given help with his singing career by mob bosses who owned saloons in Chicago, Illinois. In return, he later performed in shows hosted by these bosses when he was a star. The mob bosses were Tony Accardo and Sam Giancana. The author suggests Martin felt little sympathy for the Mafia and only did them small favors if it was not inconvenient for him. Reportedly, the FBI's bugs once picked up a mafioso making plans to injure or even kill Martin because of a perceived lack of gratitude. Another book, The Animal in Hollywood by John L. Smith, depicted Dean Martin's longtime friendship with Mafia mobsters Johnny Roselli and Anthony Fiato. The author suggests Anthony Fiato (a/k/a "the Animal") did Dean Martin many favors, such as getting back money from two swindlers who had cheated Betty Martin, Dean's ex-wife, out of thousands of dollars of her alimony.

Martin attracted the attention of Metro-Goldwyn-Mayer and Columbia Pictures, but a Hollywood contract was not forthcoming. He seemed destined to remain on the nightclub circuit until he met a comic named Jerry Lewis at the Glass Hat Club in New York, where both men were performing. Martin and Lewis formed a fast friendship which led to their participation in each other's acts and the ultimate formation of a music-comedy team. More than a few people dubbed them "The Organ Grinder and the Monkey".

Martin and Lewis' official debut together occurred at Atlantic City's 500 Club on July 24, 1946, and they were not well received. The owner, Skinny D'Amato, warned them that if they did not come up with a better act for their second show later that night, they would be fired. Huddling together in the alley behind the club, Lewis and Martin agreed to "go for broke", to throw out the pre-scripted gags and to improvise. Dean sang and Jerry came out dressed as a busboy, dropping plates and making a shambles of both Martin's performance and the club's sense of decorum until Lewis was chased from the room as Martin pelted him with breadrolls. They did slapstick, reeled off old vaudeville jokes, and did whatever else popped into their heads at the moment. . This time, the audience doubled over in laughter. This success led to a series of well-paying engagements on the Eastern seaboard, culminating in a triumphant run at New York's Copacabana. Patrons were convulsed by the act, which consisted primarily of Lewis interrupting and heckling Martin while he was trying to sing, and ultimately the two of them chasing each other around the stage and having as much fun as possible. The secret, both said, is that they essentially ignored the audience and played to one another.

A radio series commenced in 1949, the same year Martin and Lewis were signed by Paramount producer Hal Wallis as comedy relief for the movie My Friend Irma.

Martin liked California which, because of its earthquakes, had few tall buildings. Suffering as he did from claustrophobia, Martin almost never used elevators, and climbing stairs in Manhattan's skyscrapers was not his idea of fun.

Their agent, Abby Greshler, negotiated for them one of Hollywood's best deals: although they received only a modest $75,000 between them for their films with Wallis, Martin and Lewis were free to do one outside film a year, which they would co-produce through their own York Productions. They also had complete control of their club, record, radio and television appearances, and it was through these endeavors that they earned millions of dollars.

Although there had been hugely successful film teams before, Hollywood had not seen anything like Martin and Lewis. The fun they had together set them apart from everything else done at the time. Both were talented entertainers, but the fact that they were good friends on and off stage took their act to a new level.

Martin and Lewis were the hottest act in America during the early 1950s, but the pace and the pressure took its toll. Most critics underestimated Dean's contribution to the team, as he had the thankless job of the straight man, and his singing had yet to develop into the unique style of his later years. Critics praised Lewis, and while they admitted that Martin was the best partner he could have, most claimed Lewis was the real talent and could succeed with anyone. However, Lewis always praised his partner, and while he appreciated the attention he was getting, he has always said the act would never have worked without Dean Martin. In Dean & Me, he calls Martin one of the great comic geniuses of all time. But the harsh comments from the critics, as well as frustration with the formulaic similarity of Martin & Lewis movies, which producer Hal Wallis stubbornly refused to change, led to Martin's dissatisfaction. He put less enthusiasm into the work, leading to escalating arguments with Lewis. They finally could not work together, especially after Martin told his partner he was "nothing to me but a dollar sign". The act broke up in 1956, 10 years to the day from the first official teaming.

Splitting up their partnership was not easy. It took months for lawyers to work out the details of terminating many of their club bookings, their television contracts, and the dissolution of York Productions. There was intense public pressure for them to stay together.

Lewis had no trouble maintaining his film popularity alone, but Martin, unfairly regarded by much of the public and the motion picture industry as something of a spare tire, found the going hard. His first solo film, Ten Thousand Bedrooms, was a box office failure. He was still popular as a singer, but with rock and roll surging to the fore, the era of the pop crooner was waning. It looked like Martin's fate was to be limited to nightclubs and to be remembered as Jerry Lewis's former partner. The CBS film, "Martin and Lewis", a made for TV movie about the famous comedy duo, starred Jeremy Northam as Martin, and Sean Hayes as Lewis. It depicted the years from 1946-1956.

Never totally comfortable in films, Martin wanted to be known as a real actor. Though offered a fraction of his former salary to co-star in a war drama, The Young Lions (1957), he agreed so he could learn from Marlon Brando and Montgomery Clift. Tony Randall already had the part, but talent agency MCA realized that with this movie, Martin would become a triple threat: they could make money from his work in night clubs, movies, and records. Martin replaced Randall in one of the best dramatic roles of the decade and the film turned out to be the beginning of Martin's spectacular comeback. Success would continue as Martin starred alongside Frank Sinatra for the first time in a highly acclaimed Vincente Minnelli drama, Some Came Running. By the mid '60s, Martin was a top movie, recording, and nightclub star, while Lewis's film career declined. Martin was acclaimed for his performance as Dude in Rio Bravo (1959), directed by Howard Hawks and also starring John Wayne and singer Ricky Nelson. He teamed up again with Wayne in The Sons of Katie Elder (1965), somewhat unconvincingly cast as brothers.

Martin played a satiric variation of his own womanizing persona as Vegas singer "Dino" in Billy Wilder's adult comedy Kiss Me, Stupid (1964) with Kim Novak, and he was not above poking fun at his image in films such as the Matt Helm spy spoofs of the 1960s, in which he was a co-producer.

As a singer, Martin copied the styles of Bing Crosby and Perry Como until he developed his own and could hold his own in duets with Sinatra and Crosby. Like The Beatles, he could not read music, but he recorded more than 100 albums and 600 songs. His signature tune, "Everybody Loves Somebody", knocked The Beatles' "A Hard Day's Night" out of the number-one spot in the United States in 1964. This was followed by the similarly-styled "The Door is Still Open to My Heart", which reached number six later that year. Elvis Presley was said to have been influenced by Martin, and patterned "Love Me Tender" after his style. Martin, like Elvis, was influenced by country music. By 1965, some of Martin's albums, such as The Hit Sound Of Dean Martin, Welcome To My World and Gentle On My Mind were composed of country and western songs made famous by artists like Johnny Cash, Merle Haggard, and Buck Owens. Martin hosted country performers on his TV show and was named "Man Of the Year" by the Country Music Association in 1966. "Ain't That a Kick in the Head," a song Martin performed in Ocean's Eleven that never became a hit at the time, has enjoyed a spectacular revival in the media and pop culture (which can be traced to its usage in 1993's A Bronx Tale).

His footprints were immortalized at Grauman's Chinese Theater in 1964. Martin has not one but three stars on the Hollywood Walk of Fame: One at 6519 Hollywood Blvd. (for movies), one at 1817 Vine (for recordings) and one at 6651 Hollywood Boulevard (for television).

Martin received a posthumous Grammy award for Lifetime Achievement on February 8, 2009.

As Martin's solo career grew, he and Frank Sinatra became close friends. In the late 1950s and early 1960s, Martin and Sinatra, along with friends Joey Bishop, Peter Lawford, and Sammy Davis, Jr. formed the legendary Rat Pack, so called by the public after an earlier group of social friends, the Holmby Hills Rat Pack centered on Humphrey Bogart and Lauren Bacall, of which Sinatra had been a member.

The Martin-Sinatra-Davis-Lawford-Bishop group referred to themselves as "The Summit" or "The Clan" and never as "The Rat Pack," although this has remained their identity in the popular culture. The men made films together, formed an important part of the Hollywood social scene in those years, and were politically influential (through Lawford's marriage to Patricia Kennedy, sister of President John F. Kennedy).

The Rat Pack were legendary for their Las Vegas performances, which were almost never preannounced. For example, the marquee at the Sands Hotel might read DEAN MARTIN---MAYBE FRANK---MAYBE SAMMY. Las Vegas rooms were at a premium when the Rat Pack would appear, with many visitors sleeping in hotel lobbies or cars to get a chance to see the three men together. Their act (always in tuxedo) consisted of each singing individual numbers, duets and trios, along with much seemingly improvised slapstick and chatter. In the socially-charged 1960s, their jokes revolved around adult themes, such as Sinatra's infamous womanizing and Martin's legendary drinking, as well as many at the expense of Davis's race and religion. Davis famously practiced Judaism and used Yiddish phrases onstage, eliciting much merriment from both his stage-mates and his audiences. It was all good-natured male bonding, never vicious, rarely foul-mouthed, and the three had great respect for each other. The Rat Pack was largely responsible for the integration of Las Vegas. Sinatra and Martin steadfastly refused to appear anywhere that barred Davis, forcing the casinos to open their doors to African-American entertainers and patrons, and to drop restrictive covenants against Jews.

Posthumously, the Rat Pack has experienced a popular revival, inspiring the George Clooney/Brad Pitt "Ocean's" trilogy. An HBO film, "The Rat Pack," starred Joe Mantegna as Martin, Ray Liotta as Sinatra and Don Cheadle as Davis. It depicted their contribution to JFK's election in 1960.

In 1965, Martin launched his weekly NBC comedy-variety series, The Dean Martin Show, which exploited his public image as a lazy, carefree boozer. It was there that he perfected his famous laid-back persona of the half-drunk crooner suavely hitting on beautiful women with hilarious remarks that would get anyone else slapped, and making snappy if slurred remarks about fellow celebrities during his famous roasts. During an interview he stated, and this may have been tongue-in-cheek, that he had someone record them on cassette tape so he could listen to them; this is evidenced by his comments to this effect on the British TV documentary 'Wine, Women and Song' which was aired in 1983.

The TV show was a huge hit. Dean prided himself on memorizing whole scripts – not merely his own lines. He disliked rehearsing because he firmly believed his best performances were his first. The show's loose format prompted quick-witted improvisation from Dean and the cast. On occasion, he made remarks in Italian, some mild obscenities that brought angry mail from offended, Italian-speaking viewers. This prompted a battle between Martin and NBC censors, who insisted on more scrutiny of the show's content. The show was often in the Top Ten. Martin, deeply appreciative of the efforts of the show's producer, his friend Greg Garrison, later made a handshake deal giving Garrison, a pioneer TV producer in the 1950s, 50% ownership of the show. However, the validity of that ownership is currently the subject of a lawsuit brought by NBC Universal.

Despite Martin's reputation as a heavy drinker — a reputation perpetuated via his vanity license plates reading 'DRUNKY' — he was remarkably self-disciplined. He was often the first to call it a night, and when not on tour or on a film location liked to go home to see his wife and children. Shirley MacLaine in her autobiography confirmed that Martin was sipping apple juice (not liquor) most of the time onstage. He borrowed the lovable-drunk shtick from Joe E. Lewis, but his convincing portrayals of heavy boozers in Some Came Running and Howard Hawks's Rio Bravo led to unsubstantiated claims of alcoholism. More often than not, Martin's idea of a good time was playing golf or watching TV, particularly westerns – not staying with Rat Pack friends Frank Sinatra and Sammy Davis, Jr. into the early hours of the morning.

Martin also starred in and co-produced a series of four Matt Helm superspy comedy adventures. A fifth, The Ravagers was planned starring Sharon Tate and Martin in a dual role, one as a serious killer, but due to the murder of Tate and the decline of the spy genre the film was never made.

By the early 1970s, Martin seemed to have the Midas touch, The Dean Martin Show was still earning solid ratings, and although he was no longer a Top 40 hitmaker, his record albums continued to sell well. His name on a marquee could guarantee casinos and nightclubs a standing-room-only crowd. He found a way to make his passion for golf profitable by offering his own signature line of golf balls. Shrewd investments had greatly increased Martin's personal wealth; at the time of his death, Martin was reportedly the single largest minority shareholder of RCA stock. Martin even managed to cure himself of his claustrophobia by reportedly locking himself in the elevator of a tall building and riding up and down for hours until he was no longer panic-stricken.

Despite his success Martin retreated from show business by the early 1970s. The final (1973-74) season of his variety show would be retooled into one of celebrity roasts, requiring less of Martin's involvement. After the show's cancellation, NBC continued to air the Dean Martin Celebrity Roast format in a series of TV specials through 1984. In those 11 years, Dean and his panel of pals successfully ridiculed and made fun of legendary stars like Bob Hope, Jack Benny, Lucille Ball and Ronald Reagan, to name a few. For nearly a decade, Dean had recorded as many as four albums a year for Reprise Records. That stopped in November 1974, when Martin recorded his final Reprise album - Once In A While, released in 1978. His last recording sessions were for Warner Brothers Records. An album titled The Nashville Sessions was released in 1983, from which he had a hit with "(I Think That I Just Wrote) My First Country Song," which was recorded with Conway Twitty and made a respectable showing on the country charts. A follow up single "L.A. is my home / Drinking Champagne" came in 1985. The 1975 film Mr. Ricco marked Martin's final starring role, and Martin limited his live performances to Las Vegas and Atlantic City.

Martin seemed to suffer a mid-life crisis. In 1972, he filed for divorce from his second wife, Jeanne. A week later, his business partnership with the Riviera was dissolved amid reports of the casino's refusal to agree to Martin's request to perform only once a night. He was quickly snapped up by the MGM Grand Hotel and Casino, and signed a three-picture deal with MGM Studios. Less than a month after his second marriage had been legally dissolved, Martin married 26-year-old Catherine Hawn on April 25, 1973. Hawn had been the receptionist at the chic Gene Shacrove hair salon in Beverly Hills. They divorced November 10, 1976. He was also briefly engaged to Gail Renshaw, Miss USA-World 1969.

Eventually, Martin reconciled with Jeanne, though they never remarried. He also made a public reconciliation with Jerry Lewis on Lewis' Labor Day Muscular Dystrophy Association telethon in 1976. Frank Sinatra shocked Lewis and the world by bringing Martin out on stage. As Martin and Lewis embraced, the audience erupted in cheers and the phone banks lit up, resulting in one of the telethon's most profitable years. Lewis reported the event was one of the three most memorable of his life. Lewis brought down the house when he quipped, "So, you working?" Martin, playing drunk, replied that he was "at the Meggum" – this reference to the MGM Grand Hotel convulsed Lewis. This, along with the death of Martin's son Dean Paul Martin a few years later, helped to bring the two men together. They maintained a quiet friendship but only performed together again once, in 1989, on Dean's 72nd birthday.

On December 1, 1983 while gambling at the Golden Nugget casino in Atlantic City, Martin and Sinatra intimidated the dealer and several employees into breaking New Jersey laws by making the dealer deal the cards by hand instead of by a shoe, as is required by law. Although Sinatra and Martin were implicated as the cause of the violation, neither was fined by the New Jersey Casino Control Commission. The Golden Nugget, on the other hand, received a $25,000 fine and four employees including the dealer, a supervisor and pit boss were suspended from their jobs without pay. It's said that Sinatra and Martin picked up the tab for the suspended employees' pay.

Martin returned to films briefly with appearances in the two all-star Cannonball Run movies, but being a movie star no longer excited him and he found life on the set to be more tedious than ever. He did step back into a recording studio to score a minor hit single with "Since I Met You Baby" and made his first music video, which appeared on MTV. The video was created by Martin's youngest son, Ricci.

On March 21, 1987, Martin's son Dean Paul (formerly Dino of the 60s "teeny-bopper" rock group Dino, Desi & Billy) was killed when his jet fighter crashed while flying with the Air National Guard. A much-touted tour with Davis and Sinatra in 1988 sputtered. On one occasion, he infuriated Sinatra when he turned to him and muttered "Frank, what the hell are we doing up here?" Martin, who always responded best to a club audience, felt lost in the huge stadiums they were performing in (at Sinatra's insistence), and he was not the least bit interested in drinking until dawn after their performances. His final Vegas shows were at the Bally's Hotel in 1989. It was there he had his famous final reunion with Jerry Lewis on his 72nd birthday. His last television appearance was in 1990 on the Sammy Davis Jr 60th Anniversary Celebration special (also Sammy's last TV appearance.) By 1991, Martin had unofficially retired from performing.

In addition to never completely recovering from losing his son, Martin was suffering from emphysema. He kept his private life to himself, emerging briefly for a public celebration of his 77th birthday with friends and family.

In September 1993, Martin was diagnosed with lung cancer. He had been told he needed surgery on his kidneys and liver to prolong his life, but he refused. It was widely reported, though never confirmed, that Martin had been diagnosed with Alzheimer's disease in 1991.

At his side in his last years was ex-wife Jeanne (Biegger) Martin, whom he had divorced years earlier. The pair became close again, although they resisted suggestions that they wed.

Martin died of acute respiratory failure, at his home on Christmas morning 1995, at the age of 78. It is widely believed, and perpetuated by Jeanne herself, that she was by his side at the time of his death.

The lights of the Las Vegas Strip were dimmed in his honor. In 2005, Las Vegas renamed Industrial Road as 'Dean Martin Drive'.

Martin received a gold record in 2004 for his fastest-selling album ever, which also hit the iTunes Top 10. For the week ending December 23, 2006, the Dean Martin and Martina McBride duet of "Baby, It's Cold Outside" reached #7 on the R&R AC chart. It also went to #36 on the R&R Country chart - the last time Martin had a song this high in the charts was in 1965, with the song "I Will", which reached #10 on the Pop chart.

An album of duets, "Forever Cool," was released by Capitol/EMI in 2007. It features Martin's voice with Kevin Spacey, Shelby Lynne, Joss Stone, Big Bad Voodoo Daddy, Robbie Williams, McBride and more.

Martin was married three times. Martin's first wife, Betty McDonald, tried by all accounts to be a good wife and mother to their four children, but her efforts were ultimately undone by her alcoholism. It remains a matter of speculation whether Betty's alcoholism led to the failure of her marriage to Dean, or whether Dean's infidelities led to Betty's alcoholism. Subsequent to their divorce, Martin gained custody of their children; Betty lived out her life in quiet obscurity in San Francisco. In Martin and Lewis ( 2002 ) (TV) she is portrayed by Paula Cale.

Martin's second wife was Jeanne Biegger. A stunning blonde, Jeanne could sometimes be spotted in Martin's audience while he was still married to Betty. Their marriage lasted twenty-four years (1949-1973) and produced three children. She is portrayed by Kate Levering in Martin and Lewis ( 2002 ) ( TV ).

Martin's third marriage, to Catherine Hawn, lasted three years. One of Dean's managers had spotted the young beauty working the desk at a swank salon on Rodeo Drive, then arranged a meeting. Martin adopted Hawn's daughter, Sasha, but their marriage did not succeed. Dean initiated divorce proceedings.

Martin was the biological father of seven children and the adoptive father of one.

Dean Martin's uncle was Leonard Barr who appeared in several of his shows.

There was talk of a film biography called Dino, with Tom Hanks in the title role (Hanks previously portrayed the singer in an episode of Saturday Night Live) and Martin Scorsese directing. But as of 2009, the project has yet to happen.

Martin was portrayed by Joe Mantegna in an HBO movie about Sinatra and Martin titled The Rat Pack.

British actor Jeremy Northam also portrayed the late entertainer in a made-for-TV movie called Martin and Lewis, alongside Will & Grace's Sean Hayes as Jerry Lewis.

Danny Gans also portrayed Martin in the miniseries Sinatra.

For the week ending December 23, 2006, the Dean Martin and Martina McBride duet of "Baby, It's Cold Outside" reached #7 on the R&R AC chart. It also went to #36 on the R&R Country chart. The last time Martin had a song this high in the charts was in 1965, with the song "I Will," which reached #10 on the Pop chart.

A compilation album called Amore! debuted at Number One on Billboard magazine's Top Pop Catalog Albums chart in its February 21, 2009 issue.

The 1994 film: Pulp Fiction includes a scene where Vincent Vega and Mia Wallace visit a retro 50's restaurant called: Jackrabbit Slims. Mia orders a 5-dollar shake and the Waiter asks her if she wants it: "Martin and Lewis" or "Amos and Andy". The "Martin and Lewis" reference referring to the Dean Martin / Jerry Lewis partnership.

The 1986 film: Back to School features Ned Beatty as the university's dean David Martin. He is referred to numerous times simply as "Dean Martin".

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Q & A with Dean Martin

Q & A with Dean Martin is an album by Melbourne, Australia based rock band Something for Kate. It is a re-release of the 1996 Answer to both your questions EP together with the Dean Martin (Single), both of which were out of print and still in demand by fans. Despite a 50+ minute running time, Q & A with Dean Martin is considered to be a 'mini-album'.

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The Dean Martin Comedy World

The Dean Martin Comedy World was a variety comedy television series, seen on NBC during the summer of 1974, as a summer replacement for The Dean Martin Show. It was also that program's last summer replacement series. The show was hosted by Jackie Cooper, Nipsey Russell and Barbara Feldon.

Created by Dean Martin and his producer Greg Garrison, the premise of this series was that it traveled around the world to find new comedy acts and show them on the air. Clips from classic comedy films (like Charlie Chaplin's Modern Times) were also used, as were interviews with comedy legends like Jack Benny (in one of his last interviews before his December death) and Don Rickles. The hodge-podge, staccato-style of editing different comic bits didn't work out, and the show left the air by the end of the summer.

Notable among those who appeared was the debut television performance by comedy legend Andy Kaufman.

In addition, British comedy troupe Monty Python had its first primetime appearance on United States television on this show, with clips from several sketches and Terry Gilliam animations used. (It was Garrison's purchase of the rights to air Python clips that paid for the conversion of the BBC series from PAL to NTSC, which allowed Monty Python's Flying Circus to be sold to PBS later that year.) These clips did have to pass muster with American network censors, and so in the "Dull Life of a City Stockbroker" sketch the topless news agent was cut out.

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The Adventures of Dean Martin and Jerry Lewis

The Adventures of Dean Martin and Jerry Lewis is the title of a comic book published by DC Comics featuring the popular team of comedians Dean Martin and Jerry Lewis. The series ran for 40 issues from 1952 through 1957, at which time the title was renamed because of the real life breakup of the team. The title was continued as The Adventures of Jerry Lewis thereafter for issues #41-124.

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Chronological list of songs recorded by Dean Martin

This article contains a listing of Dean Martin's original LPs and collections from his career.

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Dean Martin Sings

Dean Martin Sings cover

Dean Martin Sings is the first studio album by Italian-American singer Dean Martin, released in 1953. It is the first long-play 10-inch album recorded by Martin for Capitol Records during two sessions recorded on the evening of November 20, 1952. The first session was recorded between 5 and 8 PM and it produced five songs featuring string arrangements. "There's My Lover" was recorded but not released. After a ninety minute break, Martin was joined by a brass arrangement to record the remaining four songs. Seven of the eight songs on this album appeared in the Martin & Lewis film, The Stooge. Two years later, the songs from this 10-inch album would be combined with four newly popular songs recorded between 1951 and 1953 to create a full-length 12-inch album. The 2005 Collectors' Choice reissue added four bonus songs recorded between 1949 and 1953 and was released with alternate cover artwork.

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The Dean Martin Show

Martin was initially reluctant to do the show, partially because he did not want to turn down movie and nightclub performances. His terms were deliberately outrageous: he demanded a high salary and that he need only show up for the actual taping of the show. To his surprise the network agreed, and Martin had to comply.

Martin believed that an important key to his popularity was that he did not put on airs. His act was that of a drunken playboy, although the ever-present old-fashioned glass in his hand often only had apple juice in it. The show was heavy on physical comedy rather than just quips. (He made his weekly entrance by sliding down a fireman's pole onto the stage.) Martin took his dialogue direct from cue cards. If he flubbed a line or forgot a lyric, he wouldn't do a retake, and the mistake — and his recovery from it — would remain in the show.

The Dean Martin Show was shot on color videotape beginning in 1965 at Studio 4 inside NBC's massive color complex in Burbank, California. The same studio was used for Frank Sinatra's yearly TV specials in the late 1960s, and Elvis Presley's 1968 "Comeback Special". Studio 4 is currently one of two used in the production of the soap opera "Days Of Our Lives".

Martin sang two solo numbers, one of them a serious ballad. He would join his weekly guests (Petula Clark, Lena Horne, Bing Crosby, etc.) in song medleys, trading lyrics back and forth. Some of these duets were deliberately played for laughs (Dean and Liberace, for example) with special lyrics by Lee Hale to suit the performers.

One recurring segment was based on Martin's club act, in which Martin would begin to sing a popular song and suddenly sing a gag punchline. Martin often tried to make his pianist, Ken Lane, laugh hard enough to break his concentration. A continual gag on the show would have a knock from the closet door on the set, with Martin opening the door to reveal an unannounced celebrity guest. Often, even Martin did not know who the guest would be, to make it more of a surprise.

The finale of each program was a production number featuring Dean and the guest stars. Occasionally the finale was a musical sketch with Martin as Dino Vino, a disc jockey who played old records. A vintage record would then be heard, with Dean and his cronies mouthing the words and pantomiming outrageously for comic effect. During the show's last season, the finale was a selection of songs from a popular MGM film musical. Clips from the film in question would be shown, with Martin and the guests on the show singing a medley of tunes from the films. Among the films saluted were Easter Parade, Words and Music, Till the Clouds Roll By, and the 1951 film version of Show Boat.

When the show was cancelled in 1974, a series of Dean Martin celebrity roasts was produced in Las Vegas at the MGM Grand Hotel (a tradition started on the variety series' last season).

In later seasons, many regular performers were added, such as Dom DeLuise and Nipsey Russell in sketches set in a barbershop (always ending with Dean and company singing "When You Were Sweet Sixteen"), Kay Medford and Lou Jacobi in sketches set in a diner, Guy Marks, Tom Bosley, Marian Mercer, Charles Nelson Reilly, and Rodney Dangerfield. Bandleader Les Brown was also a regular.

During the 1965 season, The Krofft Puppets were seen regularly. Their stint, however, only lasted 8 episodes. Sid and Marty Krofft were fired because Martin felt he was being upstaged by their puppets.

Dean Martin's Thursday-night time slot was valuable to the network, and Martin's production crew created original summer programming (without Martin) to hold Martin's usual weekly audience. Rowan and Martin hosted one of Dean Martin's summer series in 1966, which was so successful that it spawned a long-running series, Rowan and Martin's Laugh-In.

In 1968 Martin's staff came up with a new format: a salute to the 1930s, with a variety show performed as if television existed at that time. Producer Greg Garrison recruited a dozen chorus girls, naming the group "The Golddiggers" after the Warner Brothers musicals of the '30s. The series, Dean Martin Presents the Golddiggers, starred Frank Sinatra, Jr. and Joey Heatherton as musical hosts, with comedy routines by Paul Lynde, Stanley Myron Handelman, Barbara Heller, comic impressionists Bill Skiles and Pete Henderson, and neo-vaudeville musicians The Times Square Two. The summer show was a hit, returning the following year with a new cast. Lou Rawls and Martin's daughter Gail Martin took over for Sinatra and Heatherton, and six-foot-six dancer Tommy Tune was featured.

The Golddiggers also toured the nation's nightclubs as a live attraction. Some of the members grew tired of traveling and dropped out, to be replaced by other hopefuls. After the summer series ran its course, the Golddiggers were seen on Martin's own program, and a select few were used in another group, the Ding-a-Ling Sisters.

Toward the end of the Thursday-night run, the summer series was devoted to European comedians. Marty Feldman was featured in Dean Martin's Comedy World, hosted by Jackie Cooper.

From 2003 until August 2007, a 29-volume Best of The Dean Martin Variety Show collection was sold by direct marketing firm Guthy-Renker via infomercials and a website.

In mid-2007, NBC Universal filed suit in U.S. District Court against several parties, including Guthy-Renker, claiming copyright infringement, forcing G-R to temporarily withdraw the DVDs from sale., The lawsuit was in regard to a dispute over rights to footage used in the DVD series , material to which NBC claimed it still held the copyright. The conflict was discovered when NBC Universal looked into plans to release its own DVD set.

Also named as one of the defendants in the lawsuit was longtime Dean Martin Show producer Greg Garrison, who, NBC claims, had rights to use only excerpts from selected episodes of The Dean Martin Show for the DVDs -- episodes which, according to NBC, Garrison purchased years earlier from the network for a syndicated run of The Dean Martin Show that aired worldwide from 1979 to 1981. Garrison died in 2005, before the lawsuit was brought forward.

A settlement among all of the parties to the suit was reached on January 2, 2008. As a consequence, the Guthy-Renker website once again began selling the collection, and infomercials advertising it returned to the small screen.

Unaffected by legal disputes were the Dean Martin Celebrity Roast specials, which continue to be marketed on DVD by Guthy-Renker.

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Source : Wikipedia