Ellen Page

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Posted by r2d2 04/15/2009 @ 10:10

Tags : ellen page, actors and actresses, entertainment

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Ellen Page - Radar Online
When Lisa has trouble fitting in, Bart starts a rumor the she's BFF's with pop superstar Alaska Nebraska, voiced by Juno teen queen, Ellen Page. Then Family Guy goes all “The Hills” on us when Brian gets wasted after hearing about Jillian's engagement...
Reviewing Ellen Brown's "Web of Debt:" Part VI - OpEdNews
by Stephen Lendman Page 1 of 8 page(s) This is the sixth and final article on Ellen Brown's superb 2007 book titled "Web of Debt," now updated in a December 2008 third edition. It tells "the shocking truth about our money system, (how it) trapped us in...
Cillian Murphy, Ellen Page and Josh Lucas in the Hitchcockian ... - MTV.com
“Peacock” co-stars Ellen Page, Susan Sarandon, Bill Pullman and Lucas, as John's friend. “For me it's fascinating because I have interactions with him as both the female version of himself and the male version of himself,” said Lucas....
Bill and Ellen King nuptials 60 years ago - Willits News
In 1948, Bill, a Nebraska native, met Ellen Page in Willits. Ellen was a Willits native who graduated from Willits High School in 1944. The couple wed in Reno, Nevada, May 14, 1949, while accompanied by close friends Bill and Cecil Benish....
Come Celebrate Ellen Bode - Berthoud Recorder
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• Ellen Page spoofs Hannah Montana on 'The Simpsons' - Show Patrol
Ellen Page of “Juno” fame guest stars on this Sunday's “The Simpsons,” playing Alaska Nebraska, a young music sensation not unlike Hannah Montana. Well, I shouldn't say that because I've never met Hannah Montana, or Miley Cyrus....
Drew Barrymore's Whip It! Coming in October - Paste Magazine
Earlier last year, Barrymore snagged Juno's Ellen Page to co-star along with Juliette Lewis, Jimmy Fallon, and Eve. The film is based on the book Derby Girl by Shauna Cross, where the blue-haired protagonist Bliss, played by Page, finds a way to deal...
If American Idol finalist Adam Lambert came out, it would be bad ... - Examiner.com
Coming out as gay isn't always a career-killer. kd lang and Ellen DeGeneres came out midway through their careers and actually blossomed into bigger stars once they admitted to being different. Elton John has certainly not suffered since admitting to...
Ellen Page gets animated for 'The Simpsons' - hellomagazine.ca
Halifax-born Ellen Page was a guest on The Simpsons this week, taking on the animated role of Alaska Nebraska - clearly spoofing Miley Cyrus' character Hannah Montana. In the episode, titled “Waverly Hills 9021-Do'h”, Lisa Simpson makes false claims...
Grey's Anatomy: Season Finale Part 2 "Now or Never" Recap (Page 1/4) - BuddyTV
Yang (Sandra Oh), Karev (Justin Chambers), bald Izzie (Katherine Heigl), George (TR Knight), and Meredith (Ellen Pompeo) - our original interns, aw - are all sleeping and waiting for Izzie to wake up after the surgery. Bailey (Chandra Wilson) comes in...

Ellen Page

Ellen Page.jpg

Ellen Philpotts-Page (born February 21, 1987), known professionally as Ellen Page, is an Academy Award-nominated Canadian actress, best known for her role as the title character in the 2007 film Juno. For this performance, Page received both Golden Globe and Academy Award nominations for Best Actress.

She is also known for her starring roles in Hard Candy (2005), Smart People (2008), and as Katherine "Kitty" Pryde in X-Men: The Last Stand (2006). She also received attention in her native Canada for award-winning roles in Pit Pony and Marion Bridge, as well as television shows Trailer Park Boys and ReGenesis.

In 2008, Page was nominated for Time's 100 Most Influential People list and placed #61 on FHM's Sexiest Women in the World list. In June 2008, Page was named to Entertainment Weekly's future A-List stars list.

Page was born and raised in Halifax, Nova Scotia, Canada, the daughter of Martha Philpotts, a teacher, and Dennis Page, a graphic designer. She attended the Halifax Grammar School until grade 10, spent some time at Queen Elizabeth High School, and graduated from the Shambhala School in 2005. She also spent two years in Toronto, Ontario studying in the Interact Program at Vaughan Road Academy along with close friend and fellow Canadian actor Mark Rendall. Growing up, Page enjoyed playing with action figures and climbing trees.

Page began acting at age 10, appearing in the telefilm Pit Pony, which would later spin-off a television series. This led to roles in a number of small Canadian films and television series—notably playing Treena Lahey in Season 2 of Trailer Park Boys. At 16, she was cast in an independent film shot in Europe, Mouth to Mouth.

Page starred in the 2005 movie Hard Candy, and gained praise for "one of the most complex, disturbing and haunting performances of the year". She also appeared in X-Men: The Last Stand as Kitty Pryde (Shadowcat), the girl who can walk through walls. In the previous X-Men movies, the part had been used in brief cameos played by other actresses, but never as a main character.

As the title-character star of Juno, Page garnered substantial praise; A. O. Scott of the New York Times noted her as being "frighteningly talented" and Roger Ebert said, "Has there been a better performance this year than Ellen Page's creation of Juno? I do not think so". Page was nominated for an Academy Award for Best Actress for her performance in Juno, but lost to Marion Cotillard in La Vie En Rose. The role, however, did win her several awards, including a Canadian Comedy Award, Independent Spirit Award and Satellite Award.

Page starred in Smart People, which premiered at the 2008 Sundance Film Festival and received a wide release on April 11, 2008. Although released after Juno, Smart People was shot earlier. Page has roles in three films unreleased as of January 2008: An American Crime, which premiered at the 2007 Sundance Film Festival; The Tracey Fragments, which was released in November 2007 in Canada and May 2008 in the U.S.; and The Stone Angel. Page is also attached to star in Jack and Diane opposite Olivia Thirlby, with whom she co-starred in Juno.

Page stars in Michael Lander's Peacock, opposite Cillian Murphy, Susan Sarandon, Bill Pullman and Josh Lucas. The film will be released in 2009. She also stars in Drew Barrymore's directorial debut, Whip It! starring along side Juliette Lewis, Marcia Gay Harden, Drew Barrymore and Kristin Wiig. The film is currently in post-production.

In the fall of 2008, Page began shooting an adaptation of Charlotte Brontë's Jane Eyre, playing the title character.

Page hosted Saturday Night Live on March 1, 2008.

Page will reportedly play Stacie Andree in an upcoming film about Laurel Hester. Page will also guest star in an episode of The Simpsons as a character named Alaska Nebraska.

A self-identified pro-choice feminist, Page resides in her hometown of Halifax, and has a dog named Patti, named after one of her idols, Patti Smith. She is prone to walk and talk in her sleep. In 2008, Page was one of 30 celebrities who participated in an online ad series for U.S. Campaign for Burma, calling for an end to the military dictatorship in Burma.

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Kitty Pryde

Ellen Page as Kitty Pryde in X-Men: The Last Stand

Katherine "Kitty" Pryde is a fictional character that appears in comic books published by Marvel Comics. The character first appeared in Uncanny X-Men #129 (Jan. 1980) and was created by writer-artist John Byrne.

A mutant, Pryde possesses a "phasing" ability that essentially allows her and objects or people with which she is in contact to become intangible. This power also disrupts any electrical field she passes through, and lets her simulate levitation. At the time of her membership, under the codename Shadowcat, Pryde was the youngest person invited to join the team of mutant superheroes the X-Men. Pryde also used the names Sprite and Ariel briefly.

During her early years, she is portrayed as a "kid sister" to many older members of the X-Men, filling the role of literary foil to the more established characters. In the years since her introduction, she has aged and matured, and has become a main character on her own.

Kitty Pryde was portrayed by actress Ellen Page in the 2006 superhero film, X-Men: The Last Stand.

Uncanny X-Men artist John Byrne said he named Kitty Pryde after a classmate he met in art school in Calgary in 1973, telling her he liked her name and receiving permission to use it for his first original comics character. Also, Byrne had drawn the character to slightly resemble an adolescent Sigourney Weaver. The fictional Kitty Pryde first appeared in Uncanny X-Men #129 (Jan. 1980), by writer Chris Claremont and artist Byrne, as a highly intelligent, 13-year-old girl. Claremont said several elements of the character's personality were derived from those of the daughter of Claremont's and Byrne's acquaintance Louise Simonson, Julie. Claremont and Byrne made the new character a full-fledged X-Man in issue #139, where she was codenamed "Sprite". She was the main character in the issues #141-142, the Days of Future Past storyline, where she is possessed by her older self, who time travels into the past to prevent the mass extermination of mutants. The six-issue miniseries Kitty Pryde and Wolverine (1984–1985), written by Claremont, was a coming-of-age storyline in which she matures from a girl to a young woman and receives the new name "Shadowcat".

The fictional Kitty Pryde also had a profound effect on the real-life Kitty Pryde: the latter became so overwhelmed by attention from Shadowcat fans after the publication of the X-Men comics that she abbreviated her name to K.D. Pryde to avoid association with her fictional counterpart. She has since stated that she has mixed feelings about her fame, saying that she values Byrne's comics for their entertainment and artistic value, but wishes that more people would appreciate her as more than just Shadowcat's namesake.

Katherine Anne "Kitty" Pryde was born in Deerfield, Illinois to Carmen and Theresa Pryde. Of Jewish descent, her paternal grandfather, Samuel Prydeman, was held in a Nazi concentration camp during World War II. Kitty started to have headaches at age thirteen, headaches which signaled the emergence of her mutant powers. She was approached by both the X-Men's Charles Xavier and the Hellfire Club's White Queen, Emma Frost, both of whom hoped to recruit her for their respective causes. Kitty was unnerved by Frost, observing that the White Queen had looked at her as if she were "something good to eat." She got along better with Xavier and the three X-Men who escorted him to his meeting with her and her parents, becoming fast friends with Ororo Munroe. Ororo told Kitty who she really was and about the X-Men, which made the teenager even more enthusiastic about attending Xavier's school.

Their conversation was cut short, however, when they (along with Wolverine and Colossus) were attacked by armored mercenaries in the employ of Frost and the Hellfire Club. The X-Men defeated their assailants, but were subdued by the White Queen's telepathic powers immediately after. In the confusion, Kitty had become separated from the X-Men and therefore was not captured along with them. She managed to contact Cyclops, Phoenix, and Nightcrawler. With the help of Dazzler and Pryde, those X-Men rescued their teammates and Xavier (who had also been captured) from the Hellfire Club.

The White Queen appeared to perish in the battle, which meant she was no longer competing with Xavier for the approval of Kitty's parents. Unfortunately, Kitty's parents hadn't heard from her in more than a day, because during that time she was first being pursued by the Hellfire Club's men and then working with the X-Men to save their friends. All they knew was that Kitty had left with Xavier's "students" to get a soda, there had been reports that the soda shop had been blown up, and that Kitty had been missing since. Understandably, they were angry at Xavier when he finally returned with Kitty in tow. At first, it seemed like there was no chance of Kitty being allowed to attend the school and join the X-Men. Phoenix then decided to use her considerable telepathic power to erase the memories of Kitty's parents and plant false ones, resulting in a complete shift in their attitude towards Xavier. Questions concerning the morality of tampering with minds in such a fashion aside, Kitty was then allowed to enroll at Xavier's school with her parents' blessing. She was the youngest person to join the X-Men up to that point.

Kitty joined the X-Men, and assumed the costumed identity of Sprite. Early in her career as an X-Man, Kitty's adult self from an alternate future took possession of her body in the present to help X-Men thwart the assassination of Senator Robert Kelly by the second Brotherhood of Evil Mutants. Kitty then single-handedly defeated a N'Garai demon. Kitty also briefly attended the White Queen's Massachusetts Academy.

During her teen years, Kitty fostered a number of close relationships with others at the school and in the X-Men. She developed a crush on Colossus and became close friends with his little sister Illyana Rasputin. Initially uneasy around Nightcrawler and other mutants with physical deformities, Kitty finally overcame her fears and became close friends with him. Kitty also befriended Lockheed, a highly intelligent alien resembling a dragon, who followed her home after a mission in outer space. Lockheed is extremely loyal to Kitty, and the two of them share a psychic bond. Wolverine became something of a mentor to Kitty despite his usually gruff personality. Storm came to view Kitty as the daughter she never had.

Kitty was later assigned to the New Mutants, a team of younger mutants established in the absence of the X-Men while they were in outer space. Kitty convinced Professor Xavier to allow her to remain a full member of the X-Men on the basis of her high intelligence, maturity, and the fact that she was already a fully-trained member of the team. Kitty was later abducted by the Morlocks and nearly forced to wed Caliban. She was then abducted by the White Queen, but rescued by the New Mutants.

During this time, Kitty began to "date" Colossus, but this did not last long. Colossus developed feelings for an alien woman named Zsaji whom he met on the Beyonder's planet in the first Secret Wars. Colossus' feelings toward Zsaji were primarily a side effect of her own unique healing abilities, which she had used on him after he became injured. Regardless, Colossus' feelings were real and he returned to Earth consumed with grief after Zsaji's death. He admitted to Kitty that he loved Zsaji, which hurt her deeply and ended the budding romantic relationship. Kitty had made good friends with a local boy from Salem Central named Doug Ramsey around this time, but her feelings for him never went as deep as his for her, and they never actually dated, though they remained close, even more so after Doug's status as a mutant was revealed and he joined the New Mutants under the codename Cypher. They remained friends until his death some time later.

During the 1985 Kitty Pryde and Wolverine miniseries, Kitty is possessed by a demon, the ninja Ogun. Ogun psychically bestows upon Kitty a virtual lifetime of martial arts training. Kitty was brainwashed by Ogun into becoming a ninja assassin, and was sent to attack Wolverine. Kitty is able to resist Ogun's influence with Wolverine's help and the two form a strong teacher/student bond. Kitty returns to the X-Men, no longer the innocent girl they once knew, and officially adopts the codename Shadowcat.

Kitty was badly injured by Harpoon's energy spear during the Mutant Massacre story arc, in the massacre of the Morlocks, with the result that she lost control of her power and was stuck in an intangible state and could not regain her solidity. She was rushed to Muir Island along with other surviving casualties of the Massacre to be tended to by Moira MacTaggert. MacTaggert was able to keep Kitty's condition from deteriorating to the point where she completely lost physical substance and ceased to exist, but wasn't able to do any more to help her. At this time, Kitty's natural state was to be intangible. Where she once had to make a conscious effort to phase, she could now only maintain her solidity through an act of conscious will. She was saved by Reed Richards, Mister Fantastic of the Fantastic Four, but not without trouble. The X-Men had gone to Richards for aid, but he had initially refused because he was not sure he would be able to help (Reed was in a struggle with the rest of the Fantastic Four about their origins. They thought that Reed deliberately caused their accident which turned them into the Fantastic Four, thus making him very uncertain about his personal motives and abilities). Having nowhere else to go, the X-Men turned to Richards' enemy Doctor Doom. This created a moral dilemma for both the X-Men and the Fantastic Four. Both teams fought each other because the Fantastic Four were trying to stop the treatment while the X-Men were determined to save Kitty's life. In the end, both the personal crisis of the Fantastic Four and the life of Shadowcat were saved. It was Franklin Richards, with the help of Lockheed, who brought both teams to their senses. Kitty has since recovered from this state and now has full control over her power again.

Among the others injured and brought to Muir Isle were Colossus and Nightcrawler, although Colossus left the United Kingdom shortly after being released from MacTaggert's care to join the rest of the X-Men on their mission to battle the Adversary. The X-Men sacrificed their lives to defeat the Adversary, and the battle was televised and broadcast across the world. The X-Men were resurrected later, unknown to the world at large, but chose to keep a low profile and perpetuate the belief that they were still dead. This strategy was enforced to more effectively fight their enemies. This meant avoiding contact with friends and family, including Kitty. Thinking the X-Men were dead, Kitty and Nightcrawler joined Rachel Summers, Captain Britain, and Meggan to form the Britain-based team Excalibur. For a brief time, Kitty studied at St. Searle's school for girls in Britain. During her time with Excalibur, Kitty developed a crush on Professor Alistaire Stuart which went unreciprocated since Alistaire was attracted to Rachel. Later, she was romantically involved with former Black Air agent Pete Wisdom, but they ended their relationship a short time before Excalibur disbanded.

After Excalibur's dissolution, Shadowcat, Nightcrawler and Colossus return to the X-Men. While returning, they faced a group of imposters following Cerebro, in the guise of Professor X. While tracking Mystique, she stumbles onto prophetic diaries that belonged to Irene Adler, a precognitive. During the six-month gap, Kitty visited Genosha. Whatever she experienced there is unknown (although presumably connected to her father, living on Genosha at the time), but it had a profound effect on her. She cut her hair and began to act rebelliously, also using one of Wolverine's bone claws broken off during battle as a weapon. Kitty remained with the X-Men for a while before leaving after the apparent death of Colossus. Trying to give herself a normal life, she attended the University of Chicago. During this time, her father was killed when Cassandra Nova’s Sentinels destroyed Genosha. Kitty later finds a recording of his death due to exploring footage of the attack. She is also kidnapped by William Stryker, but the X-Treme X-Men team helped her escape and she assisted them on several missions.

At the start of Joss Whedon's run on Astonishing X-Men, Kitty once again rejoins the X-Men, despite having extreme reservations about working with the former White Queen, given their history. However, this was the primary reason why Frost herself wanted Kitty on the team, as a sort of "safety" should Frost ever revert to type. Frost reasoned that the person who trusted her least would be most likely to spot such behavior. On one of the team's first missions, Shadowcat discovered Colossus was alive. After some initial awkwardness, Kitty and Peter resumed dating.

Kitty Pryde appeared alongside Colossus in the "Blinded by the Light" arc in X-Men. They are the two X-Men left to look after the students while the rest of the X-Men leave for Mystique's home in Mississippi to check up on Rogue, during which they are ambushed by the Marauders. Kitty and Colossus, meanwhile, attempt to protect the students from a faction of the Marauders led by Exodus. It is revealed over the course of the story that Kitty, worried of the Destiny Diaries' safety, devised a plan with Cyclops and Emma Frost to hide them and have Emma wipe the location from her mind. The location could only be revealed by a code word spoken to Kitty. The arc concludes with a battle between Iceman and Cannonball against the Marauders for the diaries, during which they are destroyed by Gambit.

In the "Torn" arc, the latest incarnation of the Hellfire Club begin an assault on Xavier's School. Kitty fulfilled the role that Emma Frost envisioned, personally taking down Frost and imprisoning her, only to fall under a telepathic delusion created by Hellfire member Perfection, who claimed to be the true, unreformed Emma Frost. Under this delusion, Kitty was made to believe that she and Colossus had conceived a child, which was later taken away by the X-Men because its potential mutant abilities were supposedly dangerous. Kitty reacts in the delusion by attempting to rescue the child from a near-inescapable "box" in the depths of the school, unaware that in reality she is freeing an alien entity, "Stuff," who contains the trapped consciousness of Cassandra Nova, the apparent ringleader of this new Hellfire Club. A newly awakened Cyclops revealed that the new Hellfire Club, including Perfection and Nova, are actually mental projections created by a piece of Cassandra Nova's consciousness; which became lodged in Emma's mind during the X-Men's last confrontation with her, playing on her survivor's guilt over the Genoshan massacre, and utilizing Emma's telepathy to both confound the X-Men and orchestrate her (Nova's) escape from the "Stuff" body. As Cyclops killed the mental projections, Emma tried to force Kitty to kill her to get rid of Nova. Undeterred, Cassandra Nova switched her focus to attempt to transfer her mind to Hisako Ichiki. It appears that Nova did not succeed, as the team was transported to S.W.O.R.D.'s air station en route to Ord's Breakworld for the "Unstoppable" arc that concludes Whedon's run on Astonishing X-Men.

As the team prepares to end the confrontation with the Breakworld leader, the team splits up--with Kitty on the team appointed to stop the missile pointed at the earth. Kitty phases into the missile to disrupt its circuitry noting that it is composed of the same material as the rest of Breakworld, making it difficult and exhausting for her to phase through. After phasing for a mile into the missile, Kitty finds the center only to discover it empty. The missile is fired, causing Kitty to pass out inside of it as Beast discovers too late that due to its shape, trajectory, and lack of internal circuitry, the Breakworld's weapon is not a missile, but a bullet. As the bullet hurtles toward Earth, Kitty lies unconscious within it. As the situation becomes increasingly dire, Emma establishes mental contact with Kitty, reassuring her that she will come out of this fine, though it eventually becomes clear to both that the situation will be grim. Kitty and Emma come to an understanding and reconciliation, Emma stating that she never wanted something like this to happen to her. Kitty then phases the bullet through the earth, but is trapped within. At the end of Giant-Size Astonishing X-Men, Scott Summers mentions that Dr. Strange, Reed Richards, and some "top men" tried to save her, but believe she has fused to the bullet, as it continues to hurtle through space. Whether she is alive or dead is unknown, though the X-Men consider her lost to them.

Kitty expressed a romantic interest in Colossus early into her time with the X-Men. This did not sit well with Marvel Comics' editor-in-chief at the time, Jim Shooter, who disapproved of the suggestion that a 19 year-old was sleeping with a 14 year-old girl (which would constitute statutory rape). Kitty had in fact directly propositioned Colossus in Uncanny X-Men #165, when they were both infected with Brood embryos and seemingly doomed to die: Kitty, aware of the taboo of their relationship, made the plea that if she were older it would not be a problem, but Colossus refused—offering only a passionate kiss—saying, "However, little one, you are not older." This did not stop the relationship from continuing, as the two were spotted once again kissing in an apparent formalization of their involvement.

Shooter finally brought an end to the budding relationship in his Secret Wars limited series, in which Colossus developed feelings for an alien woman named Zsaji while on the Beyonder's Battleworld. Upon returning to Earth, Colossus would break up with Kitty.

After Colossus' resurrection in Joss Whedon's run on Astonishing X-Men, the two discuss their feelings and consummate the relationship.

Kitty is a mutant with the ability to pass through solid matter by altering the vibratory rates of her atoms: passing her atoms through the spaces between the atoms of the object through which she is moving. In this way she and the object through which she is passing can temporarily merge without interacting, and each is unharmed when Shadowcat has finished passing through the object. This process is called phasing, and it renders her almost completely intangible to physical touch. Shadowcat passes through objects at the same speed at which she is moving before she "enters" them. Since she is unable to breathe while "inside" an object, she can only continuously phase through solid objects (as when she travels underground) as long as she can hold her breath (Though disagreements were made about ex. she has phased miles within a object). When Kitty phases through a machine, it is usually destroyed.

Using her power began as an optional ability, but for a period (over ten years of published comics, approximately two years in-continuity) Kitty existed in a naturally "phased" state, and had to consciously choose to become solid. However, she has now returned to her original form; i.e. she is now naturally solid and must choose when to use her power . While phasing, she does not physically walk on surfaces, but rather interacts with the molecules of air above them, allowing her to ascend and descend, allowing her to seemingly walk on air. While phased, she is immune to most physical attacks, and has inconsistent showings of some resistance to telepathy. The density of some materials (such as adamantium) can prove deleterious to her phasing, causing her to be severely disoriented or experience pain if she tries to pass through them. Some energy attacks also prove problematic for Kitty. For example, an energy blast fired by Harpoon, a member of the Marauders caused her to lose her ability to become fully tangible for months. Magic and magical beings also prove to be an enigma in regards to Kitty's phasing, as proven in a battle with a N'Garai demon that showed it could cause harm to Kitty even while in her phased state--the demon's claws left no visible marks, but caused Kitty severe pain as they passed through her intangible body.

The use of her abilities also interferes with any electrical systems (including, in some stories, the bio-electric systems of the human body), as she passes through by disrupting the flow of electrons from atom to atom.

Kitty can also extend her powers to phase other people and objects. Currently, she is able to phase at least a half a dozen other people (or objects of similar mass) with her, so long as they establish and maintain physical contact with her. She can extend her phasing effect to her own clothing or any other object with mass up to that of a small truck, as long as she remains in contact with it. She has threatened to leave people phased into a wall and used her power offensively to harm the Technarch Magus and Danger. Kitty's powers seem to have increased over the years. During an X-Treme X-Men story arc where she is kidnapped by Reverend William Stryker, she phases out of sync with the earth's rotation to move from one place in the world (only east or west) to another seemingly instantaneously. At the climax of Astonishing X-Men, Kitty phases a ten mile (16 km) long "bullet" composed of super-dense alien metals through the entire planet earth. This is her greatest phasing feat to date and may have cost Kitty her life.

She has trained herself to go automatically, by reflex, into a phasing state at any indication of danger, such as a loud noise like a gunshot, in order to protect herself.

Kitty also shares a sort of mental or empathic connection with Lockheed (her pet dragon); both she and the alien dragon can 'sense' each other's presence at times.

Besides her mutant powers, Kitty is a genius in the field of applied technology and computer science. Shadowcat is highly talented in the design and use of computer hardware. She is a skilled pilot of piston and jet engine aircraft, and a competent pilot of certain advanced interstellar vehicles. She has previously shown a unique ability to wield the Soulsword and also be harmed by it. Since her possession by Ogun, she has been consistently shown to be an excellent hand-to-hand combatant, having since been trained in the arts of aikido, karate, ninjutsu, and Krav Maga. She possesses moderate expertise of the martial arts of the Japanese ninja and samurai. She is a professional level dancer in both ballet and modern dance. She speaks fluent English, Japanese, Russian, and the royal and standard languages of the alien Shi'ar, and has moderate expertise in Gaelic, Hebrew, and German.

In addition to her mainstream incarnation, Kitty Pryde has been depicted in other fictional universes.

Kitty's code name "Shadowcat" is translated differently in foreign languages. In French, Kitty was called "Etincelle" (sparkle) while she was named Sprite in the comic, though she is now known as Shadowcat as well, "Gata Sombra" (shadow cat) in Spain, "Sombra" (shadow) in Latin America, "Varjokissa" in Finnish (shadowcat), "Hatulit" ("kittiess") in Hebrew, "Lince Negra" (black lynx) in Portuguese and in Russian, she has had several names in the many variations of the X-Men series; as Sprite - Фея "Feya" (fairy), as Shadowcat - Призрачная Кошка / Теневая Кошка "Prizrachnaya Koshka / Tenevaya Koshka (ghostly cat / shadowy cat)", and in the X-Men: Evolution series, she is known as Химера "Khimera" (chimera;i.e. an illusion). In Bulgarian, she is translated as Ghostly Cat in the comics and in X-Men: Evolution as Shadow Cat.

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Juno (film)

Jason Reitman pictured Ellen Page as Juno when he first read the script.

Juno is a 2007 Canadian-American comedy-drama film directed by Jason Reitman and written by Diablo Cody. Ellen Page stars as the title character, an independent-minded teenager confronting an unplanned pregnancy and the subsequent events that put pressures of adult life onto her. Michael Cera, Olivia Thirlby, J.K. Simmons, Allison Janney, Jennifer Garner, and Jason Bateman also star. Filming spanned from early February to March 2007 in Vancouver, British Columbia. The film premiered on September 8 at the 2007 Toronto International Film Festival, receiving a standing ovation.

The film won the Academy Award for Best Original Screenplay and earned three other Oscar nominations, including Best Picture and Best Actress for Page. The film's soundtrack, featuring several songs performed by Kimya Dawson in various guises, was the first number one soundtrack since Dreamgirls and 20th Century Fox's first number one soundtrack since Titanic. Juno earned back its initial budget of $6.5 million in twenty days; during the first nineteen of which the film was in limited release. The film has gone on to earn more than 35 times that amount, becoming the highest grossing movie in distributor Fox Searchlight Pictures's history.

Juno received numerous positive reviews from critics, many of whom placed the film on their top ten lists for the year. The film has also received both criticism and praise from members of both the pro-life and pro-choice communities regarding its treatment of abortion.

Sixteen-year-old Minnesotan high-schooler Juno MacGuff (Ellen Page) discovers she is pregnant with a child fathered by her friend and longtime admirer, Paulie Bleeker (Michael Cera). While at first she intends to have an abortion, she changes her mind and decides to make a plan for the child's adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. Along with her father, Mac (J. K. Simmons), Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and expresses a desire for a closed adoption.

Vanessa is extremely anxious around Juno and their initial interactions are uneasy. However, Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it obligingly kicks for her. On the other hand, Juno more easily forms a friendship with Mark, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house allowed him by Vanessa), works at home composing commercial jingles. Juno hangs out with Mark a few times, ignoring a warning from her stepmother Bren (Allison Janney) that she should not spend time alone with a married man.

As the pregnancy progresses, Juno struggles with the emotions she feels for her baby's father, Paulie, who is clearly—although passively—in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the prom, she is hurt and angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart. He also suggests that she has feelings for him she is unable to admit.

Not long before her baby is due, Juno is again visiting with Mark when their interaction becomes strongly emotional. Mark then tells her that he will be leaving Vanessa. Vanessa arrives home, and, to her shock, Mark tells her he does not feel ready to be a father and that there are still things he wants to do first—dreams Vanessa does not share. Juno watches the Loring marriage fall apart, then drives away and cries by the side of the road before coming to a decision. Returning to the Lorings' home, she leaves a note and disappears before they answer the door.

After a heartfelt discussion with Mac, Juno accepts that she loves Paulie. Juno then tells Paulie that she loves him, and Paulie's actions make it clear that her feelings are reciprocated. At his track meet, when Paulie notices Juno is not in the stands and realizes she must be in labor, he rushes to the hospital to be with her (she had not told him because she did not want him to miss the meet). He arrives to find Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note—addressed only to her—which reads "Vanessa: If you're still in, I'm still in. —Juno." The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.

Diablo Cody was first approached to write a screenplay by film producer Mason Novick, who had previously landed Cody a book deal for her memoir, Candy Girl: A Year in the Life of an Unlikely Stripper, after discovering her blog about stripping. He persuaded her to adapt the book for the screen, but suggested that she first write a screenwriting sample to show studios, and that sample became Juno. After deciding on an adoption storyline, Cody collected the stories of adoptees, birth parents and adoptive parents, including that of her then husband, an adoptee who reunited with his birth parents after she wrote the film. She also found inspiration in the story of a close friend who had become pregnant in high school, and used some details from her friend's experience in the film, such as mistreatment from an ultrasound technician. Much of the film, however, was based on Cody's own high school experiences: she dated a tic-tac-loving boy similar to Paulie, she was best friends with a cheerleader like Leah, and she used a hamburger phone identical to the one that appears in the film. After writing the screenplay over seven weeks in the Starbucks section of a Target store in Minneapolis, Minnesota, Cody compared writing to breathing, seeing Juno as an extension of herself.

Novick sent Cody's screenplay to his friend Jason Reitman; by the time Reitman had read halfway through the script, he felt that if he did not direct the film, he would regret it for the rest of his life. Initially, Reitman found it difficult to acquire the script, because his first film, Thank You for Smoking, had not been released yet, so he did not have any feature film credits. Other directors, including Brett Simon and Jon Poll, were considered, but Reitman was chosen and he interrupted work on his own spec script in order to direct Juno. Cody says she had a cynical attitude when writing the film ("I didn't ever think this film would be produced"), and, indeed, the film was delayed by financial problems. After its controversial nature scared off a number of major studios, John Malkovich's production company, Mr. Mudd, took on the project, and it was later brought to production company Mandate Pictures by co-producer Jim Miller.

Jennifer Garner, who accepted a lower salary than usual to prevent the film from exceeding its budget, was confirmed by Reitman to have signed onto the project in January 2007. After working with Jason Bateman on The Kingdom, Garner recommended him to Reitman when they first met, and Bateman was cast as Mark, the last cast member to be signed. Lucas McFadden, better known as Cut Chemist, a DJ and record producer, makes a cameo appearance as Juno and Paulie's chemistry teacher. McFadden was doing scoring work for Reitman when he received the Juno screenplay and asked McFadden to appear in the film; Reitman thought that it was "perfect irony" for the chemistry teacher to be played by DJ Cut Chemist.

Shooting on a budget of US$6.5 million, Juno was filmed in and around Vancouver, British Columbia, standing in for Minnesota, where production was originally intended to take place. Although films commonly use a Canada-as-America location shift for budgetary reasons, Reitman insists the choice of filming location was instead at his request. Filming locations included a house in nearby White Rock as Mark and Vanessa's home, Eric Hamber Secondary School as Dancing Elk High School, and South Surrey's Athletic Park track as Dancing Elk High School's athletics track.

After minimal rehearsal, filming spanned from early February across to March 2007 on a six-week schedule, of which 30 days were designated to filming. The crew was planning to import snow for the film's winter events, but it snowed on location, and they were able to re-schedule filming to shoot the winter scenes during snowfall, which second assistant director Josy Capkun says resulted in much wider snow shots than originally planned. Although the film was shot out of sequence, the final scene was scheduled for the final day and, after a long period of rain, the crew was intending to shut down production and resume months later to shoot the scene, set in summer. However, the rain stopped and they were able to shoot the scene in the sun. That final scene depicted Juno and Paulie singing The Moldy Peaches' "Anyone Else But You," and band member Kimya Dawson visited the set to speak to Ellen Page and Michael Cera while they were practicing the song.

Reitman contacted Dawson, and, after reading the film's screenplay, she agreed for her songs to be used in the film, sending him a packet of CDs containing about 120 songs. The songs were almost entirely self-published by Dawson, who says she wrote nothing specifically for Juno and that all the songs had been performed and recorded before she was contacted to work on the film. Reitman asked her to additionally re-record instrumentals, which included humming over the lyrics of some of her songs. He also contacted composer Mateo Messina, with whom he had previously worked on Thank You for Smoking, to compose the film's incidental score. He gave Messina a collection of Dawson's songs and asked him to create "the sound of the film" through an instrumental score that replicated the recording quality, tone, feel and innocence of her music. Messina decided to implement an "acoustic guitar feel that was jangled and was really loose, like Juno." Experimenting with different guitars, he ended up using "Stella," a second-hand guitar belonging to guitarist Billy Katz that he described as "kind of tinny, not perfectly in tune, but has all kinds of character." Katz was hired to perform acoustic and classical guitar for the movie's score, using "Stella" extensively throughout.

Page also suggested Cat Power's cover of the song "Sea of Love", which Reitman was initially hesitant to include as it had already been featured in the 1989 film Sea of Love; however, he decided that its inclusion would mark a "new take" on the film's cinematic references. He felt that the Sonic Youth cover of "Superstar" defined Juno and Mark's relationship—Juno preferring the classic 1971 version by the Carpenters while Mark preferred Sonic Youth's 1994 cover. "A Well Respected Man" by The Kinks was a song Reitman had associated with a character from another of his screenplays and says it was "heart-breaking" when he decided to include the song as an introduction for Paulie instead, despite feeling it suited the scene perfectly. He found children's songwriter Barry Louis Polisar's "All I Want Is You" after "surfing iTunes for hours on end" using different words and names as search terms and thought that the handmade quality was perfect for the opening titles, which were afterwards made to correspond to the song.

Initially, Reitman had conceived of Juno being a fan of glam rock, but rejected it as too inauthentic, and he said he wanted to construct Juno to be "into music very real and authentic", making her a fan of punk rock, including The Runaways, Patti Smith and Iggy Pop and the Stooges.

Advertisement writer Chris Corley, with whom Reitman had previously worked on a set of commercials for Wal-Mart, composed the "Brunch Bowlz" jingle that Mark writes in the film.

Writer Cody was impressed with the production design team's creation of the set from only a few sentences in her script, calling Juno's bedroom "a very emotional set for because it reminded me so much of my own little habitat when I was a teenager." The walls of Juno's room are covered with posters of bands, while Leah's room includes a mural of older men whom she finds attractive, and Paulie's room is designed to be overly childlike to indicate his innocence. Production designer Steve Saklad designed Mark and Vanessa's house with the assumption that "Vanessa has probably read every home magazine and tried to copy what's in them as best she could." Costume designer Monique Prudhomme was nominated for a Costume Designers Guild Award in the "Excellence in Contemporary Costume Design for Film" category. She dressed Vanessa in clothes that were "simple and very tasteful" but with an "anal-retentive quality," while dressing Mark in conservative clothing that complements Vanessa's taste. It was Page's suggestion that Juno wear flannel shirts and sweater-vests. Page also had to wear two sizes of prosthetic belly fitted like a corset in the back, as well as a third "real" belly that is seen when Juno has an ultrasound and a variety of sizes of fake breasts. The footage displayed on Juno's ultrasound monitor is of supervising sound designer Scott Sanders's son Matthew and was embedded into the scene in post-production.

Juno's opening title sequence, depicting a cartoonized Juno walking through her town while drinking a bottle of SunnyD orange drink, was put together over 7–8 months by a small design studio, Shadowplay Studio, based in Los Angeles. Reitman had met the studio's co-founder Gareth Smith in Japan on the short film festival circuit where they each had shorts screening. Shadowplay created the opening title sequence for Reitman's previous film, Thank You for Smoking, and he contacted them again when he found out he was going to direct Juno. With vintage 1970s punk-rock posters as inspiration, Smith and artist Jenny Lee decided to create a sequence that "had texture and a little bit of edge, but also imparted the warmth and heart of the screenplay". In the last days of filming in Vancouver, Ellen Page was photographed with a high speed camera from a number of angles walking on a treadmill and drinking SunnyD. 900 still images of a walking and drinking Page were printed out and repeatedly run through a Xerox machine to degrade their quality until the pictures appeared hand-drawn. The pictures were cut-out and scanned back onto the computer then layered onto the background drawn by Lee with compositing software to create a stop motion animation sequence that corresponded to "All I Want Is You" by Barry Louis Polisar, the song Reitman had chosen. Shadowplay also designed the titlecards for each of the seasons for the film, hand-made a custom typeface for the opening title sequence and the closing credits, and collaborated on the design of the soundtrack and the DVD.

With a well-received preview first screened on September 1, 2007 at the Telluride Film Festival, Juno premiered on September 8 at the 2007 Toronto International Film Festival and received a standing ovation, which prompted film critic Roger Ebert to say "I don’t know when I've heard a standing ovation so long, loud and warm." It went on to feature at the Austin Film Festival, Rome Film Feast, London Film Festival, Bahamas International Film Festival, St. Louis International Film Festival, Stockholm International Film Festival, International Thessaloniki Film Festival, Gijón International Film Festival, Palm Springs International Film Festival and the International Film Festival Rotterdam, earning awards and nominations at several.

Although Juno was originally intended to open in theaters on December 15, 2007, it was moved forward to take advantage of the positive reviews and buzz preceding its release, and opened in limited release on December 5, playing in only seven theaters in Los Angeles and New York City. It opened in an additional thirteen cities and around 25 theaters on December 14, expanding further on December 21 before entering wide release on December 25.

Following Juno's release, Fox Searchlight sent hamburger phones styled similarly to that used by Juno in the film to journalists and critics to entice them to review the film. Though the phones were originally distributed in small numbers to viewers at promotional events, companies not affiliated with Fox Searchlight began to produce and sell the phones on eBay and other online stores. In the month after the film's release, sales of the phone on eBay increased by 759 percent and it was named one of the "10 Cool Gifts for Film Buffs" by Entertainment Weekly. In Japan Juno-themed Be@rbrick toys were released in June 2008. The toys were released as part of a contest; the deadline to enter the contest was June 6, 2008.

The film was released on DVD and Blu-ray disc on April 15, 2008. It is available in a single disc DVD edition, which includes the movie along with an audio commentary by director Reitman and writer Cody, eleven deleted scenes, a gag reel, a 'gag take' (including a profanity laden blow-up by Rainn Wilson), a "Cast & Crew Jam", and screen tests. The two-disc DVD edition includes the same extra content and four additional featurettes ("Way Beyond 'Our' Maturity Level: Juno – Leah – Bleeker", "Diablo Cody Is Totally Boss", "Jason Reitman For Shizz", and "Honest To Blog! Creating Juno"), while the second disc is a DRM-encrypted version of the film for portable players. The Blu-ray version includes all the two-disc DVD edition extras and two additional featurettes: "Fox Movie Channel Presents: Juno World Premiere" and "Fox Movie Channel Presents: Casting Session".

In limited release and playing in only seven theaters in Los Angeles and New York City, Juno grossed US$420,113 over its debut weekend, averaging $60,016 per screen. When Juno became Fox Searchlight's first film to surpass $100 million at the box office, the company's president Peter Rice issued the statement: "This is an astonishing feat for us and the film has surpassed all our expectations. We knew this film had crossover potential and it has resonated with audiences all across the country." The film has grossed $143,479,191 in the United States and $84,578,385 in other territories for a total worldwide gross of $228,057,576. It was also the highest-grossing of the five Best Picture nominees for the 80th Academy Awards.

The movie benefited from an extremely positive critical reception; as of March 15, 2008 on the review aggregator Rotten Tomatoes, 93% of critics gave the film positive reviews, based on 183 reviews, and was the best reviewed comedy film of 2007. On Metacritic, the film had an average score of 81 out of 100, based on 37 reviews. Roger Ebert of the Chicago Sun-Times gave the film four stars and called it "just about the best movie of the year. Has there been a better performance this year than Ellen Page's creation of Juno? I don't think so." Ebert went on to place Juno at number one on his annual best of list. The film also ranks at number 463 in Empire magazine's 2008 list of the 500 greatest movies of all time.

The film received four 2008 Academy Awards nominations: Best Original Screenplay, which Diablo Cody won, Best Picture, Best Director, and Best Actress for Ellen Page.

Reitman expressed disappointment that Juno was ruled ineligible for the Canadian Genie Award nominations: "It's a Canadian director, Canadian stars, Canadian cast, Canadian crew, shot in Canada—how are we not eligible for a Genie when David Cronenberg's film about Russians living in London shot in England with a British crew and British cast is eligible? I'm sorry, but somebody is going to have to explain that to me; I don't get it." Sara Morton, the head of the Academy of Canadian Cinema and Television, issued a statement explaining that the film had never been submitted for Genie Award consideration by its studio. The Hollywood Reporter explained that Genie rules define Canadian films as financed at least in part by Canadian sources, and because American companies Mandate Pictures and Fox Searchlight were the sole funders, Juno was ineligible. Nonetheless, Genie spokesman Chris McDowall said that while the film wasn't evaluated for eligibility since it wasn't submitted, "Financing is one of the criteria, but it's not everything." Despite this, the film was eligible for the 2008 Canadian Comedy Awards, receiving two wins from three nominations.

Juno's soundtrack, Music from the Motion Picture Juno, features nineteen songs from Barry Louis Polisar, Belle & Sebastian, Buddy Holly, Cat Power, The Kinks, Mott the Hoople, Sonic Youth and The Velvet Underground, and most prominently Kimya Dawson and her former bands The Moldy Peaches and Antsy Pants. Under the Rhino Entertainment record label, it became the first number one soundtrack since the Dreamgirls soundtrack, 20th Century Fox's first number one soundtrack since the Titanic soundtrack, and Rhino's first number one album, topping the American Billboard 200 music charts in its fourth week of release.

Rhino announced in March 2008 that Juno B-Sides: Almost Adopted Songs would be available through digital-only release, a second volume of songs that were considered for but not included in the film. The fifteen tracks include songs by previously featured artists Kimya Dawson, Barry Louis Polisar, Belle & Sebastian and Buddy Holly, as well as Astrud Gilberto, The Bristols, Jr. James & The Late Guitar, Trio Los Panchos, Yo La Tengo and Ellen Page singing "Zub Zub", written by Diablo Cody as part of the script in a deleted scene. It was released to other digital music retailers on May 13, 2008.

On November 25, 2008, a Deluxe Edition of the soundtrack was released, containing both the original soundtrack as well as B-Sides in a two-disc set, along with storyboards from the film and additional liner notes from Reitman.

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Whip It!

Whip It! is an upcoming comedy film directed by Drew Barrymore and written by Shauna Cross, based on Cross' novel Derby Girl. The film will be Barrymore's directorial debut.

A misfit girl named Bliss (Ellen Page) is constantly being pressured to enter beauty pageants by her mother, so she joins a roller derby league instead.

Cross adapted her 2007 young adult novel Derby Girl for the screen and pitched the script to different production companies while simultaneously pitching its source material to various publishers. The film project was initially to be handled by Warner Independent, but Mandate Pictures took over after it was put into turnaround. Production began summer 2008 in Michigan, and shooting in and around Detroit and Washtenaw County, namely Saline, began July 26. Some scenes were also shot in Texas. Whip It! is being produced by Barrymore's Flower Films production company and will be distributed by Mandate Pictures upon its cinematic release.

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Cillian Murphy


Cillian Murphy (born 25 May 1976) is an Irish film and theatre actor. He is often noted by critics for his chameleonic performances in diverse roles and distinctive blue eyes.

A native of Cork, Murphy began his performing career as a rock musician. After turning down a record deal, he made his professional acting debut in the play Disco Pigs in 1996. He went on to star in Irish and UK film and stage productions throughout the late 1990s and early 2000s, first coming to international attention in 2003 as the hero in the post-apocalyptic film 28 Days Later. Murphy's best-known roles are as villains in two 2005 blockbusters: the Scarecrow in the superhero film Batman Begins, and Jackson Rippner in the thriller Red Eye. Next came two contrasting, widely acclaimed starring roles: his Golden Globe Award-nominated performance as transgender outcast "Kitten" in 2005's Breakfast on Pluto and a turn as a 1920s Irish revolutionary in the 2006 Palme d'Or winner, The Wind That Shakes the Barley. In 2008, Murphy starred in the romantic drama The Edge of Love and made a cameo as Scarecrow in the Batman sequel, The Dark Knight.

A resident of London since 2001, Murphy often works in or near London and has expressed no desire to move to Hollywood. Uncomfortable on the celebrity circuit, he customarily gives interviews about his work, but does not appear on television talk shows or discuss details of his private life with the press.

Born in Douglas and raised in Ballintemple, two suburbs of Cork, Cillian Murphy is the eldest of four children. His father, Brendan, works for the Irish Department of Education and his mother is a French teacher. Not only are his parents educators, but his aunts and uncles are also teachers, as was his grandfather. Musicianship also runs in the family, and Murphy started playing music and writing songs at age ten.

Murphy attended the Catholic school Presentation Brothers College, where he did well academically, although he did get into trouble often, sometimes getting suspended, until deciding in his fourth year that misbehaving was not worth the hassle. Not keen on sport, a major part of life at PBC, Murphy found that creative pursuits were not fully nurtured at the school. Still, it was there that he got his first taste of performing, when he participated in a drama module presented by Pat Kiernan, the director of the Corcadorca Theatre Company. Murphy later described the experience as a "huge high" and a "fully alive" feeling that he set out to chase. His English teacher, the poet and novelist William Wall, encouraged him to pursue acting, but at this stage, to Murphy, performing meant dreams of becoming a rock star.

In his late teens and early twenties, Murphy worked toward a career as a rock musician, playing guitar in several bands alongside his brother Pádraig. The Beatles-obsessed pair named their most successful band The Sons of Mr. Greengenes, after a 1969 song by another idol, Frank Zappa. Murphy sang and played guitar in the band, which he has said "specialised in wacky lyrics and endless guitar solos." In 1996, The Sons of Mr. Greengenes were offered a five-album record deal by Acid Jazz Records, but they did not sign the contract. Because Murphy's brother was still in secondary school, their parents disapproved. Additionally, the contract offered little money and would have ceded the rights to Murphy's compositions to the record label.

Murphy hounded Pat Kiernan until he got an audition at Corcadorca, and in September 1996, he made his professional acting debut on the stage, originating the part of a volatile Cork teenager in Enda Walsh's Disco Pigs. He later observed, "I was unbelievably cocky and had nothing to lose, and it suited the part, I suppose." Originally slated to run three weeks in Cork, Disco Pigs ended up touring throughout Europe, Canada and Australia for two years, and Murphy left university and his band. Though he had intended to go back to playing music, he secured representation after his first agent caught a performance of Disco Pigs, and his acting career began to take off.

From 1997 to 2003, Murphy starred in independent films, such as John Carney's On the Edge, in short films, including the Irish/English language short Filleann an Feall, and in the BBC television miniseries adaptation of The Way We Live Now. In addition to Disco Pigs, he starred in many other plays, including Shakespeare's Much Ado About Nothing, Neil LaBute's The Shape of Things, and Chekhov's The Seagull; Murphy considers this stage work to have been his "training ground." Murphy also reprised his Disco Pigs role for the 2001 indie film version by Kirsten Sheridan, performing his original song "So New" over the closing credits and singing The Kinks' "You Really Got Me" in a pub karaoke scene. During this period, he moved from Cork, relocating first to Dublin for a few years, then to London in 2001.

In late 2003, Murphy starred as a lovelorn, hapless supermarket stocker who plots a bank heist with Colin Farrell in Intermission, which became the highest-grossing Irish independent film in Irish box office history (until The Wind That Shakes the Barley broke the record in 2006). Murphy also appeared in supporting roles in his first Hollywood films, Cold Mountain and Girl with a Pearl Earring. For the latter film, he learned to chop meat in an abattoir to prepare for his role as a butcher, even though he is a vegetarian. In 2004, he toured Ireland in the titular role of The Playboy of the Western World, a Druid Theatre Company production under the direction of Garry Hynes, who had previously directed Murphy in Seán O'Casey's Juno and the Paycock and John Murphy's The Country Boy, also for Druid.

In late 2005 (early 2006 in Europe), Murphy starred as Patrick/"Kitten" Braden, a transgender Irish orphan in search of his/her mother, in Neil Jordan's dramedy Breakfast on Pluto, based on the novel of the same title by Patrick McCabe. Murphy had auditioned for the role in 2001, and though Jordan liked him for the part, The Crying Game director was hesitant to revisit transgender and I.R.A. issues. For several years, Murphy lobbied Jordan to make the film before the actor became too old to play the part. In 2004, Murphy prepared for the role by meeting with a transvestite who dressed him and took him clubbing with other transvestites. Taking notice of the group's quick wit, Murphy attributed it to their constantly having to respond to insults from prejudiced people around them.

Against Breakfast on Pluto’s kaleidoscopic backdrop of 1970s glitter rock fashion, magic shows, red light districts and I.R.A. violence, Murphy transforms from androgynous teen to high drag blond bombshell. The San Francisco Chronicle's Ruthe Stein said of his performance, "Murphy projects enormous energy onscreen, as he's already shown in 28 Days Later... and Red Eye. He's supremely well cast as the androgynous Kitten ... smoothly makes the transition from broad comedy to drama. He delivers Kitten's favorite line, 'Oh serious, serious, serious!' with the full implications of its dual meaning." While even lukewarm reviews of Breakfast on Pluto still tended to praise Murphy's performance highly, a few critics dissented: The Village Voice, which panned the film, found him "unconvincing" and overly cute.

In 2006 (2007 in North America), he starred in Ken Loach's film about the Irish War of Independence and Civil War, The Wind That Shakes the Barley, which won the Palme d'Or at the 2006 Cannes Film Festival and became the most successful Irish independent film at the Irish box office. Director Loach, a social realist who shoots films in sequence, is strict about casting actors from the areas where his films are set, rarely casting well-known faces. Because the film was set in Cork, Murphy was given a chance at the role of Damien O'Donovan, a young doctor turned revolutionary, but he had to audition six times before winning the part. Murphy's family goes back in Cork for many generations; during the time period in which The Wind That Shakes the Barley is set, his grandfather was shot at by British soldiers for playing Irish music.

Critic Denby described Murphy's approach to the part of Damien: "Murphy is normally very quiet in movies; he has attained his mystique as an actor by staring at people with baby-blue eyes. In this film, too, he has, at times, a deep stillness, but he has idiosyncratic moments as well, such as when Damien has to execute a teen-ager who has ratted on the I.R.A. Murphy, writhing, shoots the boy and stumbles away, nausea struggling against duty." Kenneth Turan of the Los Angeles Times wrote, "Murphy is especially good at playing the zealotry as well as the soul-searching and the regret, at showing us a man who is eaten up alive because he's forced to act in ways that are contrary to his background and his training." Scotland on Sunday commented, "Cillian Murphy ... exudes a doe-eyed sensitivity that is central to our emotional involvement in the character's development. He is not a macho figure itching for a fight, but a man of peace, reluctantly drawn to the use of force. When he makes a commitment to Irish independence, it is unyielding and entirely believable." GQ UK presented Murphy with their 2006 Actor of the Year award for his work in The Wind That Shakes the Barley.

Murphy returned to the stage from November 2006 to February 2007 in the lead role of John Kolvenbach's play Love Song, opposite Neve Campbell, in London's West End. In April 2007 (July in North America), he starred onscreen as a physicist-astronaut charged with reigniting the sun in the sci-fi movie Sunshine, which re-teamed him with director Danny Boyle. Murphy appeared opposite Lucy Liu in Paul Soter's romantic comedy Watching the Detectives; the indie film premiered at the 2007 Tribeca Film Festival and was said be getting a theatrical release on Valentine's Day 2008, but it went straight to DVD. In 2008, Murphy made a brief reappearance as the Scarecrow in The Dark Knight, the sequel to Batman Begins. He also starred in The Edge of Love, a love quadrangle/biopic with Keira Knightley, Sienna Miller and Matthew Rhys as poet Dylan Thomas. Murphy also made a debut appearance in another medium—on a postage stamp: in July 2008, the Irish Post Office, An Post, recognised his contribution to the Irish film industry by issuing a stamp featuring a still from The Wind That Shakes the Barley.

2009 brings a trio of new feature films, but first a short: The Water, directed by rock musician Kevin Drew of Broken Social Scene and starring Murphy, rock musician Feist and actor David Fox, was released online in April. The 15-minute short film is nearly silent until the Feist song of the same title plays close to the end. The biopic Hippie Hippie Shake (again alongside Sienna Miller), stars Murphy as Richard Neville, editor of the psychedelic radical underground magazine Oz, which, in 1971, was at the center of what was then the longest obscenity trial in British history. Murphy will also star in Peacock, a psychological thriller about a man with a split personality who fools people into believing he is also his own wife; Ellen Page co-stars as a woman from his past. And in Perrier's Bounty, a crime dramedy from the makers of Intermission, Murphy will portray a petty criminal on the run from a gangster played by Brendan Gleeson.

Murphy has a few new screen roles scheduled for production. He will star in the Scottish drama White Male Heart. He was also signed to star in Dali & I: The Surreal Story, though it was put on hold due to a possible actor's strike. Salvador Dali will be portrayed by Al Pacino, an actor with whom Murphy has said he hoped to work, having credited a teenage viewing of Pacino in 1973's Scarecrow (his favorite film) as awakening him to the potential power of film acting. Murphy is currently in talks to join the cast of Christopher Nolan's new sci-fi film Inception, along side Leonardo DiCaprio.

As for future roles, Murphy has long wanted to portray a cowboy in a Western, because as a child, he enjoyed watching John Wayne movies with his father. In 2005, he commented that he'd like to play the jazz musician Chet Baker. Murphy would like to work with director Michel Gondry someday; among the actors he hopes to work with are Johnny Depp, Meryl Streep and Philip Seymour Hoffman. He also admires Jeff Bridges, Sean Penn, Edward Norton and Joaquin Phoenix. When Jane magazine asked him which celebrity he'd like to make out with, he picked Maggie Gyllenhaal, calling her "pretty foxy" and "smart." Not wishing to be typecast or repeat himself, Murphy says he does not want to play any more villains. Although he does not want to move to Los Angeles because of the cultural differences and distance from his family, Murphy feels it is both wise and artistically worthwhile for him to make both big Hollywood pictures and smaller independent films.

In mid-2004, Murphy married his long-time live-in girlfriend, Yvonne McGuinness, an artist whom he met in 1996 at one of his rock band's shows. The couple live in northwest London with their two young sons, born in 2005 and 2007. Murphy is known for being reluctant to speak about his personal life. He frequently gives interviews about his work but does not do TV chat show appearances where actors customarily share information about their private lives. He does not have a stylist or a personal publicist, travels without an entourage, and often attends premieres alone. Shy and private, Murphy professes a lack of interest in the celebrity scene, finding the red carpet experience "a challenge... and not one I want to overcome." He intentionally practices a lifestyle that will not interest the tabloids: "I haven't created any controversy, I don't sleep around, I don't go and fall down drunk." Murphy is friends with fellow Irish actors Colin Farrell and Liam Neeson, looking up to the latter like a "surrogate movie dad." But primarily, Murphy's close friends are those he made before becoming a star.

Music is still an important part of Murphy's life. In 2004, he said, "The only extravagant thing about my lifestyle is my stereo system, buying music and going to gigs." He no longer plays in a rock band, but regularly plays music with friends and on his own, and still writes songs. Unlike many other famous actors who are also musicians, he does not plan to start another band: "Even if I was good, the very notion of being an actor with a rock band on the side would mean I'd never be taken seriously." Murphy is also a dedicated runner.

Though raised Catholic before turning agnostic in his teens, Murphy ultimately became an atheist after researching his role as a nuclear physicist/astronaut in the science fiction film Sunshine. He is a longtime vegetarian, not due to any moral objection to the killing of animals, but because of qualms about unhealthy agribusiness practices. Son-in-law to John J. McGuinness, a TD in the Irish parliament, Murphy participated in the 2007 Rock the Vote Ireland campaign targeting young voters for the general election. He has also campaigned for the rights of the homeless with the organization Focus Ireland.

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Juno (soundtrack)

Ellen Page as Juno MacGuff on the cover of Juno B-Sides.

Music from the Motion Picture Juno, released on January 8, 2008, is the Grammy Award winning soundtrack that accompanies the Academy Award-winning film Juno.

Initially, Reitman conceived of the character being a fan of glam rock, but rejected it as too inauthentic. He replaced this by scoring the film with Yo La Tengo, but got into contact with Dawson after listening to "Anyone Else but You". Dawson insisted on seeing the screenplay before allowing her songs to be in the film, after which she agreed to send Reitman a package of her solo albums to review.

The Astrud Gilberto and Trio Los Panchos recordings would later appear on Juno B-Sides: Almost Adopted Songs.

The soundtrack debuted at number eight on the U.S. Billboard 200 after its first week of release, climbing to number three and number two in the following weeks. In the issue dated February 9, 2008, the album hit number one, with 65,000 copies sold. After being number 1 for one week, it dropped to number 2. The album has since become a gold record in the U.S. selling over 500,000 copies.

It is the first soundtrack to top the albums chart in the U.S. since the High School Musical 2 soundtrack the prior September, and the first number-one album for the Rhino label. It was the first number one soundtrack for a 20th Century Fox movie since Titanic in 1997.

On April 8, 2008, a second soundtrack was released exclusively on iTunes called Juno B-Sides: Almost Adopted Songs. It contains songs that were originally slated for the film, including a version of the 20th Century Fox Fanfare by Kimya Dawson and Mateo Messina originally planned to be used before "The Simpsons beat to it" (referring to how the fanfare in The Simpsons Movie begins with Ralph Wiggum singing it) and a song sung by Juno (Ellen Page) in a deleted scene from the movie. It was released to other digital music providers on May 13, 2008, and will be available as disc two of the deluxe edition soundtrack on November 18, 2008.

Rhino Records will be releasing a two-disc deluxe edition of the Juno soundtrack, which will contain all tracks from the original soundtrack, as well as the material available currently on B-Sides.

Initial DVD copies of the film purchased at Wal-Mart came with a sampler CD entitled Juno's Mix CD. It contains material found on Juno B-Sides: Almost Adopted Songs and one B-Side exclusive.

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Source : Wikipedia