Jonathan Frakes

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Posted by bender 03/15/2009 @ 19:07

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One episode, directed by Jonathan Frakes, guest-stars Brent Spiner ... -
Jonathan Frakes (Star Trek: The Next Generation) has an uncredited cameo in one episode, but more famously directed the 11th episode, "The Juror #6 Job". It was notable because among the guest cast in that episode were Frakes' TNG co-star Brent Spiner,...
First six Star Trek' movies get beamed up to Blu-ray - San Luis Obispo Tribune
Hosted by Whoopi Goldberg, it's a roundtable discussion with William Shatner, Leonard Nimoy, Patrick Stewart and Jonathan Frakes about all things "Star Trek," a treat to watch. The actors split their time between hamming it up for the cameras and...
Live long and prosper - San Diego Union Tribune
Director: Jonathan Frakes. Cast: Patrick Stewart, Jonathan Frakes, Brent Spiner, Alfe Woodard. Synopsis: Crew members have to save Earth from the villainous Borg by traveling back in time. “Star Trek: Insurrection” (1998). Director: Jonathan Frakes....
Exclusive Photos: Exclusive Photos: FROM THE LOS ANGELES PREMIERE ... - iFMagazine
The stars of the new STAR TREK are joined by George Takei, Marina Sirtis, Jonathan Frakes, Walter Koenig and Ronald D. Moore - 'Beam me up Scotty' By SUE SCHNEIDER, Photo Editor THE SKINNY: Paramount Pictures held the Los Angeles Premiere of STAR TREK...
Reviewing ALL the Star Trek movies - Dayton Daily News
Jonathan Frakes (AKA Commander Riker) directs very skillfully. GRADE: A Star Trek: Insurrection: Frakes goes behind the camera again, but not nearly as successfully, let down by a mediocre script. Good performances make it OK but the complaint that...
Will 'Star Trek' surpass 1996 film directed by Bethlehem native? - Allentown Morning Call
But before the new ''Star Trek'' assumes the mantle of most-profitable film in the franchise, it has to best the $146 million-grossing ''Star Trek: First Contact'' (1996), which was directed by Bethlehem's Jonathan Frakes, who also played Picard's...
'Star Trek' movies, ranked from worst to first: Today, No. 3 ... - The Times-Picayune -
Cast: Patrick Stewart, Jonathan Frakes, Michael Dorn, LeVar Burton, Marina Sirtis, James Cromwell, Gates McFadden, Alfre Woodard, Alice Krige. Data and Picard in 'Star Trek: First Contact.' So often, the strength of a movie is directly proportionate to...
"Star Trek: First Contact" — the one with the Borg Queen — is a ... - Seattle Times
It's the one with Picard (Patrick Stewart) and the creepy Borg Queen (Alice Krige), and was directed by Number One himself (Jonathan Frakes). Engage! 6:30 tonight, Sci-Fi ( "Everybody Hates Chris," 8 pm (CW): This Season 4...
Poker & Pop Culture: 'Star Trek: The Next Generation' -
The game is five-card stud, and soon Data finds himself involved in a hand with Commander William Riker (Jonathan Frakes). Data, having made three queens, fires a bet on the end, only to be raised by Riker who is showing . Data folds, then Riker turns...

Jonathan Frakes

Jonathan Frakes cropped1.jpg

Jonathan Scott Frakes (born August 19, 1952) is an American actor and director best known for his portrayal of Commander William T. Riker in the television series Star Trek: The Next Generation.

Moving on to directing in recent years, Frakes directed and also starred in Star Trek: First Contact, which earned him the nickname Two-Takes Frakes for his speed.

He is also the author of a book called The Abductors: Conspiracy.

Frakes was born in Bellefonte, in central Pennsylvania to Doris J. Yingling and James R. Frakes, Ph.D. He grew up in Bethlehem, Pennsylvania, in the Lehigh Valley region of the state. He is a 1970 graduate of Bethlehem's Liberty High School, where he ran track and played with the famous Liberty High School Grenadier Band. Frakes received a Bachelors of Fine Arts in Theater Arts at Penn State University in the early 1970s, where he was a member of the Thespians. He continued his studies at Harvard and spent several seasons performing at the Loeb Drama Center.

For a time in the 1970s, Frakes worked for Marvel Comics, appearing at conventions in costume as Captain America.

His father, James R. Frakes, was a well-respected book critic for the New York Times Book Review, a book editor, and professor of English literature at Lehigh University from 1958–2001, where he was the Edmund W. Fairchild Professor in American Studies. He died in early 2002. His mother, Doris, still lives in the Bethlehem area. Frakes had a younger brother, Daniel, who died in 1997 from pancreatic cancer. He remains close with his niece and goddaughter Julia Frakes, Daniel's daughter. Julia is a fashion contributor to PAPER Magazine.

Frakes married soap opera actress Genie Francis on May 28, 1988. They live in Maine with their son, Jameson (Jamo) Ivor Frakes, born in 1994, and daughter, Elizabeth (Eliza) Francis-Frakes, born in 1997.

Jonathan works with The Workshops, The Waterfall Arts Center and The Saltwater Film Society, all located in Maine, where he teaches classes on film direction. He co-owns a home furnishings store with his wife in Belfast, Maine called The Cherished Home. Frakes is one of the best known tall actors at 6 ft 4 in (193 cm).

Frakes moved to New York City and became a member of "The Impossible Ragtime Theater." In that company, Frakes did his first off-Broadway acting in Eugene O'Neill's The Hairy Ape. His first Broadway appearance was in Shenandoah. At the same time, he landed a role in the NBC soap opera The Doctors. When his character was dismissed from the soap, Frakes moved to Los Angeles, California and played guest spots in many of the top television shows of the 1970s and 1980s, including The Waltons, The Dukes of Hazzard, Matlock, and Steven Bochco's Hill Street Blues. He played the part of Charles Lindbergh in a 1983 episode of Voyagers! titled "An Arrow Pointing East". In 1983, he had a role in the short-lived NBC prime time soap opera Bare Essence (which also starred his future wife Genie Francis). He also had recurring roles in Falcon Crest and North & South before signing for the role of Riker on Star Trek: The Next Generation.

He has done animation voice acting, most notably voicing the recurring role of David Xanatos in the animated series Gargoyles, and he provided the voice of his own head in a jar in the Futurama episode "Where No Fan Has Gone Before." He had a small, uncredited role in the 1994 movie Camp Nowhere. He also reprised his role of Riker for a Next Generation cutaway on an episode of Family Guy that also featured his co-stars Patrick Stewart and Michael Dorn as their respective roles of Picard and Worf.

Frakes is one of only two Star Trek regulars to appear on four different Star Trek series (Star Trek: The Next Generation, Star Trek: Deep Space Nine, Star Trek: Voyager and Star Trek: Enterprise). (The only other regular to match or exceed that number is Majel Barrett-Roddenberry who appeared in all six television series.) He has also directed episodes in three of them (TNG, DS9 and VOY) and was a popular and innovative director on the Star Trek set, often finding completely new ways to shoot the show's familiar sets. His directing career has included the films Star Trek: First Contact and Star Trek: Insurrection. Additionally, Frakes was an executive producer for the WB show Roswell, directed several episodes and guest-starred in three episodes. His relationship with Star Trek is made light of in the episode "Secrets and Lies", in which the alien character Max ironically auditions for a guest role as an alien for Star Trek: Enterprise.

Outside of acting, Frakes appeared on the Phish album Hoist, playing trombone on the track titled "Riker's Mailbox." Frakes would occasionally perform on the trombone during his tenure as Commander Riker, drawing on his college marching band experience.

Frakes hosted the television series "Paranormal Borderline", which dealt with the paranormal and mysterious happenings and creatures. The show was roundly criticized and pulled off the air after it was found out that footage showing a yeti from the Himalayas was purposely faked by the show and its producers-Fox television. The "Snowwalker" footage, as it is known, purportedly shows a yeti as it is crossing through a valley in the Himalayas, walking in front of a Belgian couple who are traversing the area on skis. The network finally admitted the hoax, and Frakes distanced himself from the show. Similarly, he is also popular in hosting the hit TV series "Beyond Belief: Fact or Fiction" which also dealt in the paranormal world. Frakes would allude to stories based on true events or fictional stories and only reveal the truth at the ending of each episode.

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Star Trek: Enterprise

Mars Sojourner, seen in the opening to Star Trek: Enterprise

Enterprise, retitled Star Trek: Enterprise at the start of its third season, was a science fiction television program created by Brannon Braga and Rick Berman and set in the Star Trek universe created by Gene Roddenberry. The series follows the adventures of humanity's first Warp 5 starship, Enterprise, ten years before the United Federation of Planets shown in previous Star Trek series was formed.

Enterprise premiered on September 26, 2001. The pilot episode, "Broken Bow", takes place in the year 2151, halfway between the 21st-century events shown in the movie Star Trek: First Contact and the original Star Trek television series.

Low ratings prompted UPN to cancel Star Trek: Enterprise on February 2, 2005, but the network allowed the series to complete its fourth season. The final episode aired on May 13, 2005. After a run of four seasons and 98 episodes, it was the first Star Trek series since the original Star Trek to have been canceled by its network rather than finished by its producers. It is also the last series in an 18-year run of back-to-back new Star Trek shows beginning with Star Trek: The Next Generation in 1987.

In May 2000, Rick Berman, executive producer of Star Trek: Voyager, revealed that a new series would premiere following the final season of Voyager. Little news was forthcoming for months as Berman and Brannon Braga developed the untitled series, known only as Series V, until February 2001, when Paramount signed Herman Zimmerman and John Eaves to production design Series V. Within a month, scenic designer Michael Okuda, another long-time Trek veteran, was also signed. Michael Westmore, make-up designer for Trek since Star Trek: The Next Generation (TNG), was announced as working on Series V by the end of April. Returning as director of photography would be Marvin V. Rush, who had been working on various Treks since the third season of TNG. For visual effects, Ronald B. Moore was brought in, who had previously worked on TNG and Voyager.

However, the biggest news would wait until May 11, 2001. The title of Series V was revealed to be Enterprise, with Scott Bakula, of Quantum Leap fame, playing Captain Jonathan Archer. Four days later, the other main cast were announced, though the character names would not be announced until the next day.

On May 14, 2001, shooting began for the pilot episode, Broken Bow, on stages 8, 9, and 18 at Paramount Studios. Three days later, Tom Nunan, entertainment producer at UPN, held a press conference formally announcing Enterprise to the world at large. Featuring a video on the history of the Star Trek franchise, Nunan held up previous installments of the franchise as proof-of-concept that Enterprise would succeed.

On September 26, 2001, the premiere episode of Enterprise, "Broken Bow", aired on UPN with an estimated 12.54 million viewers.

Through the life of the series, Star Trek: Enterprise would mark several milestones for Star Trek television production. Enterprise was the first Star Trek to be produced in widescreen, the first Star Trek series to be broadcast in HDTV, beginning on October 15, 2003, midway into the third season, the first Star Trek to be filmed on digital video (season 4), and the first science fiction television or movie production in history to use video footage taken on another planet (the Sojourner rover approaching the Yogi Rock, taken by the Mars Pathfinder lander and used in the opening credits).

Several episodes of Enterprise have been directed by Star Trek alumni: Star Trek: The Next Generation star LeVar Burton directed nine episodes, TNG and Star Trek: Deep Space Nine star Michael Dorn directed one episode, and Voyager stars Roxann Dawson and Robert Duncan McNeill have directed ten and four episodes, respectively.

The first two seasons of Star Trek: Enterprise depict the exploration of interstellar space by the crew of an Earth ship able to go farther and faster than any humans had previously gone, due to the breaking of the Warp 5 barrier, analogous to the Bell X-1 breaking the sound barrier. The crew faces situations that are familiar to Star Trek fans, but are unencumbered and unjaded by the experience and rules which have built up over hundreds of years of Trek history established in previous Star Trek series. Star Trek: Enterprise takes pains to show the origins of some concepts which have become taken for granted in Star Trek canon, such as Lt. Reed's development of force fields and Captain Archer's questions about cultural interference eventually being answered by later series' Prime Directive.

A recurring plot device is the Temporal Cold War, in which a mysterious entity from the 27th century uses the Cabal, a group of genetically upgraded Suliban, to manipulate the timeline and change past events. Sometimes sabotaging Enterprise's mission and sometimes saving the ship from destruction, the entity's motives are unknown. Agent Daniels, a temporal agent from the 31st century, visits Captain Archer occasionally to assist him in fighting the Suliban and undoing damage to the timeline.

In the past eighty years since Star Trek: First Contact, the Vulcans have been mentoring humanity to what they see as an appropriate level of civilization, routinely holding back scientific knowledge in an effort to keep humans stranded close to home, believing them to be too irrational and emotionally-dominated to function properly in an interstellar community. When Enterprise finally sets out, the Vulcans are often conspicuously close by. This generates some conflict as, in several early episodes, Archer and others complain bitterly of the Vulcans' unsubtle methods of checking up on them.

Low ratings encouraged the series' producers to seek a new direction. In analyzing past Trek movie successes, a storyline where the Earth was put in jeopardy was devised, as such a story had proven popular before, as in Star Trek: First Contact and Star Trek IV: The Voyage Home. The third season also sees the change of the series' name to Star Trek: Enterprise as well as an updated main title theme. Season three introduces the Xindi, an enemy bent on annihilating humanity via a planet-destroying super weapon similar to Star Wars' Death Star.

The third season follows a single story arc, beginning in the second season finale "The Expanse", in which a mysterious probe cuts a wide, deep trench from central Florida to Venezuela, killing seven million people. Enterprise is recalled and retrofitted as a warship, with more powerful weapons and a group of elite Military Assault Command Operations (MACOs), the precursor to the heavily armed Starfleet security personnel of later Star Trek series. Enterprise travels through an area known as the Delphic Expanse to find the Xindi homeworld and prevent another attack against Earth. The crew learns in "Azati Prime," the seventh-to-last episode of the season, that the Sphere-Builders, a transdimensional species, have technology that allows them to examine alternate timelines. They know that in the 26th century, the "Federation" fleet, led by Enterprise's distant cousin, the Enterprise-J, will lead an attack against them that will defeat them. They wanted the Xindi, who revered them as "the Guardians," to destroy Earth. However, in the season finale, "Zero Hour," they manage to defeat the Sphere-Builders and destroy the Xindi weapon. They also succeeded in returning the Expanse to normal space. The season ends with the Enterprise being mysteriously transported into the middle of World War II. This plot was resolved in Storm Front, Part I&II.

The show got renewed for a fourth season on May 20, 2004. The renewal moved the show from Wednesday night to Friday night, a move that seemed eerily similar to the third season renewal of the original Star Trek, when it got moved from Thursday night to the Friday night "death slot." Many cast and crew members supported it, saying that The X-Files gained more viewership during its first three years on Friday nights. As a sequel to "Zero Hour," "Storm Front" and "Storm Front, Part II," opened up the fourth season on October 8 and 15, 2004. The episodes ended the ongoing Temporal Cold War arc, which was very unpopular among the show's viewers. The Xindi arc, started over a year ago in "The Expanse," ended with in the third episode "Home," which mostly dealt with Captain Archer's questionable motives during the yearlong mission in the Expanse. The general theme of the season was a refocus on the prequel concept of the series, with many episodes referencing themes, concepts, and characters from past series. The fourth season saw Brent Spiner (Data from Star Trek: The Next Generation) as the imprisoned scientist Dr. Arik Soong, an ancestor of Data's creator, in a three-episode arc at the end of which Soong abandons the concept of improving mankind in favour of creating artificial intelligence: a reference to what will eventually become Data.

The Soong episodes later gave rise to a story arc where the Klingons were attempting to improve their species through the continuation of Soong's work. This allowed for an explanation of why the TOS Klingons lacked brow ridges and were much more human looking than any of the other series.

Season 4 also addressed some discrepancies between the Vulcans of The Original Series and those depicted in Star Trek: Enterprise. In the Vulcan Civil War arc, Romulan subversion of the Vulcan High Command leads to a splinter group of Vulcans opposed to the High Command's actions, believing those actions to be against the teachings of Surak, the mythic leader who brought logic to Vulcan. After this storyline, Vulcans began a cultural transformation that was presumably a turn toward the more dispassionate, honest Vulcans of Trek series set further in the future.

In the final story arc of the season, a human terrorist group called Terra Prime, bent on removing all non-humans from human planets, genetically engineers a child from DNA samples of Commander Tucker and Subcommander T'pol. They use the baby as a means to rile up humans who have become afraid of aliens since the Xindi conflict, and launch a campaign from Mars to drive the alien outsiders from human space. This storyline has been said by producers to represent how humanity must overcome its own bigotry and hatred in order to become the human race seen in later Treks.

The series cancellation was announced prior to the writing of the final episode of the fourth season, allowing the writers to craft a series finale. This final episode, titled "These Are the Voyages ...", aired May 13, 2005, in the United States, and was one of the most heavily criticized episodes of the Star Trek franchise, much of the criticism focusing on the premise, which essentially reduced the finale to a holodeck adventure from an earlier Star Trek series. This is why many of the cast consider the two-part "Demons" and "Terra Prime" to be the true finale of the series. The episode featured guest appearances by Jonathan Frakes and Marina Sirtis as their Star Trek: The Next Generation characters William Riker and Deanna Troi. The show took place during the TNG episode "The Pegasus". Brent Spiner lent his voice to the finale, and is briefly heard as Data.

By the third season, ratings were continually declining, and the threat of cancellation loomed over Star Trek: Enterprise. This, along with the poor box office performance in 2002 of the film Star Trek Nemesis, cast an uncertain light upon the future of the Star Trek franchise in general.

On May 20, 2004, it was announced that Enterprise had been renewed for a fourth season, but that the show would move from Wednesday to Friday nights. This move echoed the rescheduling of the original Star Trek to a Friday night time slot for its third season prior to its ultimate cancellation, as Friday nights have traditionally been considered "Death Row" for a major TV production.

Hired as a writer during the third season, Manny Coto was promoted to co-executive producer, becoming the series showrunner for the fourth season. Coto decided to retain the "arc" concept of season 3, but reduce it from one season-long arc to several "mini-arcs" of two or three episodes, with few standalones. The producers attempted to attract viewers by terminating a long-running story arc (the Temporal Cold War) and scheduling numerous episodes that served as prequels to storylines from TOS and TNG.

Beginning in the summer of 2004, and continuing throughout the fourth season, there were reports that William Shatner would reprise the role of James T. Kirk or perhaps an ancestor in the series, however an agreement could not be reached.

The fourth season got off to a slow start in the ratings on October 8, 2004, due to the Friday time-slot, preemptions by local sports in some markets, and by coverage of the second presidential debate between George W. Bush and John Kerry in others. As well, Enterprise fans continued to indicate they chose to watch the weekend showing rather than the Friday broadcast, or chose to "time-shift" the program using their VCR or TiVo equipment. In October 2004, it was announced that Enterprise was the 25th most popular Season Pass on the TiVo television recording system in the United States.

Speculation as to the future of the series came to an end on February 2, 2005, when UPN announced the series had been cancelled and its final episode would air on Friday, May 13, 2005. Fan groups such as "Save Enterprise" joined forces and announced a drive to raise money to finance a further season of Enterprise. Approximately $30 million was the goal of the campaign, based upon estimates of the cost for a full season cited by John Billingsley and others. In addition, Washington, D.C., lobbyist Dan Jensen, circulated a letter on Capitol Hill in an effort to appeal to the sentiments of legislators. As a result, then Florida Congressman Mark Foley (R) agreed to sign the letter. The Washington "lobbying" effort garnered considerable press, and had a feature article on the front page of Roll Call, the most widely circulated political newspaper in the United States.

Production of the fourth season concluded on March 8, 2005, and by the end of the month, was reporting the Enterprise sets had been taken down, marking the first time that Stage 9 at Paramount Studios has been without Star Trek sets since the late 1970s. The website did not indicate whether the sets have been preserved in storage (the industry term being 'fold-and-hold') or if they have been destroyed.

As of April 13, 2005, Paramount and UPN remained adamant that the cancellation of the series was final and that the studio was not interested in continuing the current incarnation of Star Trek. TrekUnited officials, however, still claimed to be in talks with Paramount over the future of the series.

The website IGN Filmforce, reporting on rumors Paramount had actually decided to cancel Enterprise after its fourth season as early as midway through the second year, quoted an unidentified "executive involved with Enterprise" as saying this scenario was "very likely".

The series' theme song, written by Diane Warren and sung by Russell Watson, was a marked contrast to the sweeping instrumental themes used in all other Star Trek series. It was also the first such theme not to have been composed specially for Star Trek, having previously appeared (performed by Rod Stewart) in the film Patch Adams (1998).

Like other aspects of the series, the theme song polarized fans. Online petitions were signed demanding its removal from the titles. A new, more upbeat arrangement of the theme song was introduced for the third season, but this did not assuage the song's critics, and elicited criticism from some who liked the original version.

The theme song, as well as the opening credits, were altered for two back-to-back episodes in season 4 entitled "In a Mirror, Darkly", which take place in an alternate mirror universe.

Throughout the show's run, there was extensive Internet speculation as to whether the theme song and opening credits (which were questioned by some for depicting only American flight and spaceflight advances while omitting historically important incarnations, such as Soviet milestones Sputnik and Gagarin) would be changed. This speculation was fueled in October 2004 when the official website posted an opening credits sequence in which Scott Bakula recites a modified version of the famous "Space, the final frontier..." speech (with the phrase "where no human has gone before" in place of "where no man" or "where no one"), accompanied by "Archer's Theme", the instrumental used as the closing credits music for the series.

Like the Trek series that preceded it, a series of original novels based on Enterprise was launched by Pocket Books soon after the program debuted. During the run of the series, however, only five books were published (not counting episode novelizations), a low number compared to the other series. No Enterprise-specific novels appeared at all in 2005 and the first post-cancellation novel, Rosetta by Dave Stern, did not appear until February 2006.

As explained by Pocket Books editor Margaret Clark, it was decided to scale back the number of books published not due to low sales or lack of interest in the prequel series, but due to the fact that the televised series often conflicted with planned literary plotlines, or beat the book series to the punch entirely. The novel Surak's Soul by J.M. Dillard, includes as a major plot point the aftermath of T'Pol killing a person during a mission. Before it was published, however, the TV series aired "The Seventh", an episode with a similar core plot point, which forced last-minute revisions to Dillard's book. Later, the novel Daedalus, by Dave Stern, included flashbacks to the early days of the NX Program which needed to be revised to avoid conflicting with the already-broadcast episode "First Flight", which also featured a look at the early days of the NX Program. Apparently, things weren't expected to change during the fourth season; in a May 2005 posting at the TrekBBS, Clark explained that the lack of Enterprise novels was intended to avoid any further potential storytelling "land mines" since "Season Four kept doing stuff we wanted/planned to do".

With the series concluded, novelists are free to compose continuation novels without fear of being preempted or contradicted by the show, save for any restrictions put in place by the finale episode. In May 2005, Clark announced plans for a new series of Enterprise novels that will constitute a "relaunch" similar to that of the literary continuation of Star Trek: Deep Space Nine. Clark indicated that the books will cover events in the six years between "Terra Prime" and "These Are the Voyages...".

An original novel, Last Full Measure, was released in April 2006. It takes place during the third season Xindi Arc and therefore isn't considered part of the relaunch (Rosetta takes place during the fourth season and likewise is not considered a relaunch volume, either). However, Last Full Measure does contain a "framing sequence" that serves as a preview for the Relaunch. This framing sequence, which has proven controversial, suggests Trip Tucker did not die in the events of "These Are the Voyages..." and is alive in the early 23rd century, though the reason for this is not explained. According to Clark, again posting on the TrekBBS, dissatisfaction over the finale episode is the driving factor behind the continuation novels/relaunch including a story arc that suggests that Trip's death in the finale was not as it seemed.

The first official relaunch novel, The Good That Men Do by Andy Mangels and Michael A. Martin was published by Pocket Books on February 28, 2007, and gives a different perspective on the events shown in the final episode. This book also provides a lead-in to a series of books that will document the Earth-Romulan War that has been referenced in the other Star Trek materials, but was never developed during the television production of Enterprise.

The relaunch novels' conceit of Trip not actually dying in the final episode, are based on an enigmatic moment in which Trip is supposedly near death and is being loaded into a medical chamber. He looks up at Archer, smiles and winks; Archer smiles back and also winks. The novels take this to mean the death of Trip was actually an elaborate ruse and not his actual death. The book reveals that the events of the holo-program from "These Are the Voyages" are a deliberate lie. Noting the inconsistencies in the episode as proof that it is a fabrication, an aged Jake Sisko and Nog discuss the lack of promotions among the crew, the pirates' warp 2 ship that is some how able catch up with Enterprise, and the complete lack of MACOs and security teams when the pirates stalk the ship.

Kobayashi Maru continues the story, with the Romulans continuing their attacks against the newly formed Coalition of Planets. Archer and crew appear to be the only ones who believe the Romulans are truly behind the attacks. The book culminates in Archer facing the infamous Kobayashi Maru no-win scenario, and the beginning of the Earth-Romulan War.

In October 2004, coinciding with the start of the show's fourth season and months before the cancellation announcement, Paramount revealed plans to release the four seasons of Enterprise to DVD in North America during 2005. It has yet to be revealed whether this had any bearing on the decision to cancel the program since Voyager was offered to syndication midway through its run with no impact on its network status, and TNG, DS9, and Voyager all saw episodes released to home video during their runs, long before those series ended. It had also become commonplace for current series to have past seasons released to DVD.

The first season DVD was released on May 3, 2005, ten days prior to the broadcast of the final episode. This release marked a couple of firsts for Star Trek TV series DVD releases. It was the first to include extensive deleted scenes (although footage cut from the premiere of Voyager had been included in a featurette previously), and it was the first to include an outtakes or blooper reel. The remaining seasons were released on July 26, September 27, and November 1.

UPN continued to air reruns of Enterprise for only a month after the series finale, with the last network-broadcast episode, "In a Mirror, Darkly Part II", airing on June 11, 2005 – this despite initial announcements that reruns would continue throughout the summer. With disruptions from local sports programming, many areas never had the opportunity to see all the episodes, which had been aired elsewhere.

Syndicated rebroadcasts of the series began in North American markets on September 17, 2005. Broadcasts in high definition began on HDNet in late 2006.

NBC Universal's SciFi ran the series from January 8, 2007, until July, 2008 in four-episode blocks every Monday night. Since Sci Fi does not own HD airing rights to the series, it was shown in a 4:3 letterbox 16:9 format on both the SD & HD feeds.

It is aired on Star World on weekdays at 4:30 p.m. in India.

In October 2007, Virgin 1 in the UK announced, it was "The new home of Star Trek" and that this would include the channel showing a re-run episode of Enterprise at 9 p.m. every Friday.

NBC Universal's SciFi is currently running the series Monday - Friday at 5:00pm EST.

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Genie Francis

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Genie Francis (born Eugenie Ann Francis on May 26, 1962 in Englewood, New Jersey, USA) is an American actress known for her portrayal of Laura Spencer on the ABC daytime drama General Hospital, a role she played from 1976 to 2002, and then again, briefly in 2006 and 2008.

Francis's father, Ivor Francis, a Canadian actor of English descent, died in 1986 from the effects of multiple strokes. He played a brief role on General Hospital as an adoption counselor when his daughter was also on the show. Her mother, Rosemary Daley, is a former actress/model of Lithuanian descent. Genie is a confirmed Catholic. She has an older brother Ivor Jr., a younger brother Kenneth, and an older half-sister Shelley from her father's first marriage.

Genie met actor/director Jonathan Frakes while filming the television show, Bare Essence. After meeting again during the filming of the miniseries, North and South, Genie and Jonathan started dating in 1985. They became engaged in 1986, and married on May 28, 1988. The couple has two children, Jameson Ivor Frakes, born in 1994, and Elizabeth Francis Frakes, born in 1997. They have just recently moved from Belfast, Maine to Beverly Hills, California.

Genie's most famous role, that of Laura Webber Spencer on General Hospital, would bring her instant stardom in the late 70's. Luke (Anthony Geary) and Laura became an international phenomenon and the most popular super couple in daytime history, appearing on the covers of TV Guide, Us Weekly, and People magazines. The television couple wed on November 16, 1981, with 30 million viewers tuning in to make this episode the highest-rated hour in soap opera history. At the peak of her success, Francis left the show in 1982 to try her hand at primetime television. Soon after, she landed a starring role in her own series, Bare Essence, which was not a success. Nevertheless, she remained a fan favorite and viewers were delighted when she returned to General Hospital in 1983 for a limited run to coincide with the departure of Luke when Geary decided to leave the series.

Through the years, other daytime soaps have pursued Francis because of her tremendous popularity. She appeared on Days of our Lives as Diana Colville from 1987 to 1989 and on All My Children as con artist and incest victim Ceara Connor Hunter from 1990 to 1992. She reprised her role as Ceara on Loving in November 1991. She then returned to GH in 1993. In 1994, when Francis fell pregnant with her first child, the pregnancy was written into the show and Genie took six weeks off for maternity leave. However in early 1997 when she fell pregnant again, she took a much longer absence from the show, staying away for nearly a year and a half.

In September 2002 she abruptly left General Hospital following ABC's refusal to work out a contract she wanted.

In December 2007, Francis had a starring role in the Hallmark Channel movie, "The Note," which earned her critical acclaim.

Genie Francis returned to General Hospital in August 2008 to reprise her role as Laura Webber Spencer. Francis told the AP, "It's a mother-daughter story. Years ago when I started playing the character as a 14-year-old girl, it was a mother-daughter story, only I was the daughter. So it's kinda cool this is full circle. It's nice to come back for visits. General Hospital is my home." She continued, "I would stay on, but `General Hospital' honestly doesn't seem to want that relationship with this character at the moment," said Francis. "They want little short doses during sweeps periods. It's not entirely up to me. I'm thrilled and delighted my audience stands behind me. If they didn't, you can be sure I wouldn't get to come back for these visits." Laura's character was written off as returning to France for treatment for her illness.

In May 2007, Francis began appearing in magazine advertisements as a spokeperson for the Medifast Diet, claiming she lost 30 pounds as of December 2007 using the diet.

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Clockstoppers is a 2002 film produced by Nickelodeon Movies and released by Paramount Pictures. It was directed by Jonathan Frakes and written by Rob Hedden, Andy Hedden, J. David Stem and David N. Weiss.

The NSA-funded QT (Quantum Tech) Corporation has slated a project to develop Hypertime, a technology which allows the user's molecules to speed up to the point where the world appears to be standing still. After realizing that such technology could also be used against the USA, the NSA orders the project stopped. However, the research is farther along than the NSA expected and Henry Gates, the head of QT, plans on using the technology to usurp the leader of the NSA and dominate the world. He uses the prototype to stretch the weekend in order to give the brilliant lead scientist, Earl Dopler, time to fix the remaining glitch in the technology after his henchmen Richard and Jay prevent Earl's incognito departure at the airport.

However, initially unknown to Gates, the lead scientist had sent a prototype to a former colleague of his named Dr. Gibbs. His son Zak discovers the watch and shares it with his friends. Once Gates finds out about the leaked prototype, he attempts to retrieve it. Once the teens learn Gates' ultimate goal, they attempt to prevent Gates from succeeding.

Henry Gates, Richard, and Jay managed to locate the hotel that Dr. Gibbs was staying at and managed to get him to come with them.

Dopler helps the kids break in but decides not to go as well. Zak and his girlfriend arrive with paintball guns with paintballs filled with frozen nitrogen as the cool temperature takes someone out of hypertime into normal time. They get caught by Henry Gates, Richard, and Jay and are thrown in a cell with Zak's dad but manage to break out as the NSA Agents arrives and defeat Gates' goons. Gates is not defeated and knocks Zak's girlfriend out of hypertime and prepares to do the same to Zak and his dad. Suddenly he's shot with a paintball by Dopler who returned to help and Dopler shoots him until he reverts to normal time defeating him. Gates and his goons are arrested and Dopler uses the machine he was building to reverse the aging effects of hypertime that happened to him, but it reverts him back into a teenager. Zak finally gets the car he wanted and he, his girlfriend, his sister and Dopler take off in it shooting into hypertime to avoid the cops.

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Beyond Belief: Fact or Fiction

Beyond Belief: Fact or Fiction? was an anthology television show produced by the Fox Broadcasting Company. Each episode features five stories, all of which appear to defy logic, some of which are allegedly based on actual events. The viewer is offered the challenge of determining which are true and which are false. At the end of the show, it was revealed to the viewer whether the tales were true or works of fiction. Beyond Belief originally aired on Fox from 1997 until 2002. The majority of stories on all shows were adapted from published and previously unpublished original material written and researched by author Robert Tralins. It was hosted by James Brolin and later by Jonathan Frakes. The show was narrated by Don LaFontaine (from 1997-2000) and Campbell Lane (2002). It was aired on the Sci-Fi Channel in re-runs until August 22, 2005. It currently airs on Zone Reality (UK).

The stories told in the program all had some connection with the supernatural, with ghosts, with psychic phenomena, with coincidences, with destiny, and/or with other such unusual occurrences. Each episode, and every story within, were introduced and ended by the host with a pun, or some witticism, pertaining to the theme of the episode or story, and they always had the underlying moral that not everything that we perceive as truth and falsehood are as such, and that often it proves difficult to truly separate fact from fiction, hence the title.

The stories that proved to be fact were usually based on the first-hand research of author Robert Tralins, whereas some of those that proved to be fiction were modern-dress retellings of urban legends.

It has gained a cult following; the show had often aired sporadically, sometimes going for weeks or even months between airings. Note that there is a one-year lag between Don LaFontaine's and Campbell Lane's stint as narrator for the show; during this time, it was believed that the show had been cancelled, only to be brought back for another go-around in 2002. It was finally cancelled for good after its 2002 season.

The show was originally hosted by actor James Brolin in 1997 before actor Jonathan Frakes took over from the remainder of the series.

The first season was released on DVD in the United States on August 28, 2007.

The show is very popular in Germany, where it is known as X-Factor: Das Unfassbare and re-broadcasts in nonstop syndication. German TV channel RTL II even produced a spin-off, X-Factor: Wahre Lügen, which rather addressed more logical and bizarre, but plausible cases, like a hotel for dogs or a huge treehouse. It was canceled after three seasons.

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Star Trek Nemesis

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Star Trek Nemesis (2002) is the tenth feature film based on the Star Trek television series. It is the fourth and last film to star the cast from The Next Generation. It was also marketed with the tagline: "A generation's final journey begins". The film was directed by Stuart Baird, from a script by John Logan, with music composed by Jerry Goldsmith.

The film opens with a major political assassination — what appears to be the elimination of the leadership of the Romulan government.

As the crew of the USS Enterprise prepares to bid farewell to longtime first officer William T. Riker (Jonathan Frakes) and Counselor Deanna Troi (Marina Sirtis), who are soon to be married on Betazed, an away team discovers the remnants of an android resembling Lieutenant Commander Data (Brent Spiner) on a planet close to the Romulan Neutral Zone called Kolarus III. When the android is reassembled, it reveals its name as B-4, a predecessor to Data.

The ship is then ordered by Vice Admiral Kathryn Janeway (Kate Mulgrew) to conduct a diplomatic mission to the Romulan Star Empire, which has undergone a military coup and is now controlled by a mysterious young Reman named Praetor Shinzon (Tom Hardy). This is a surprising development, given that Remans are considered something of a "sub-race" to the Romulans, who generally use them as slave labor.

Upon their arrival at Romulus, the crew learns the new leader is a clone of Captain Jean-Luc Picard. While he claims to want peace, he also unveils his newest ship, a heavily armed warship named Scimitar.

Shinzon's plan soon becomes apparent. Picard has been lured to Romulus to be kidnapped so that a dying Shinzon can receive a genetic transfusion from the source of his DNA. His Scimitar has been designed to destroy Earth using a thalaron weapon and establish himself as the leader of a renewed Romulan Empire. Picard is rescued, with the Enterprise racing back to the Federation with the Scimitar in pursuit.

With the assistance of two Romulan war birds whose captains and crews now oppose Shinzon, a space battle ensues in which the war birds are severely damaged and forced to back off. The damaged Enterprise is eventually forced to ram the Scimitar to disable it from continuing on to Earth. Shinzon then activates the Scimitar's super weapon, bent on taking the Enterprise down with him. Picard boards the Scimitar to stop the weapon and ends up fighting Shinzon. The fight ends with Picard victorious, but unable to deactivate the weapon. Picard kills Shinzon by impaling him through the abdomen with a piece of rebar, which the murderously determined Shinzon then forces into his own body to get close enough to choke Picard.

Data arrives to save the day and has the captain beamed back to the Enterprise before ultimately sacrificing himself to shut down the weapon and destroy the ship.

While the severely damaged Enterprise is repaired in a space dock, Picard bids farewell to newly promoted Captain Riker who is off to command the USS Titan. Picard then meets with B-4, whereupon he learns that, much like when Spock's katra had been planted in Leonard McCoy's mind at the end of Star Trek II: The Wrath of Khan, Data had copied the seeds of his neural net into B-4's positronic matrix not long before his death, giving hope that B-4 may one day have the same capacity for growth that Data enjoyed and keeping Dr. Soong's legacy alive.

Star Trek: First Contact and Insurrection director Jonathan Frakes was not offered to direct; if he had, he would have accepted it again. Frakes has gone on record that if he had directed Nemesis, the box office business would be better than it did. He has said that director Stuart Baird (who had no prior knowledge of the franchise) is one of the reasons why the film failed at the box office.

Nemesis was to have been the first Star Trek film to feature the character of Wesley Crusher (played by actor Wil Wheaton). However, his scenes were almost entirely cut from the film, leaving only a brief, silent cameo during the wedding (which itself is only visible in widescreen presentations as he sits at the far end of the table). A deleted scene on the collector's-edition DVD features a brief conversation between Wesley and Picard: Wesley, now a lieutenant in operations-division gold, has returned to Starfleet and is a member of Captain Riker's engineering crew on the USS Titan.

Two "extended ending" clips were included on the two-disc edition. The first was Picard talking to Dr. Crusher about her return to Starfleet Medical and Crusher remarking how she works with a bunch of young doctors who are ready to cure the entire quadrant. The second was Geordi and Worf packing Data's possessions in his quarters. As they are cleaning up Data's cat Spot jumps into Worf's hands and Worf states he is not a cat person. Geordi sees how Spot has taken to Worf and replies, "You are now." Immediately following this scene is the introduction of Commander Madden, which is included in the deleted scenes of the DVD.

The movie was released on December 13, 2002, in direct competition with Harry Potter and the Chamber of Secrets (released November 15, 2002), the 20th James Bond movie Die Another Day (released November 22, 2002), and The Lord of the Rings: The Two Towers (released December 18, 2002).

The movie's gross domestic income (not adjusted for inflation) was the lowest of the franchise at $43,254,409 as of September 2008. It opened at #2 in the US box office (just $200,000 behind Maid in Manhattan) and was the first Trek film not to open at #1. It earned $67,312,826 worldwide on a budget of $60,000,000. Out of 148 professional reviews compiled by the Rotten Tomatoes movie review database, 53 (37%) are positive, giving the film a "rotten" rating. However, the film has earned a "fresh" rating from site users (out of 420 user reviews, 267 are positive). The film has earned a Metacritic score of 50 out of 100 (mixed or average) from 29 reviews.

Rick Berman - executive producer of the movie - has suggested that Nemesis's performance may have been negatively affected by "the competition of other films" .

On May 20, 2003, Star Trek Nemesis was released on DVD in both anamorphic widescreen and full screen editions in Region 1. This initial release contained an audio commentary by director Stuart Baird, four featurettes on the film's production, seven deleted scenes, a photo gallery, and a preview for Star Trek: Deep Space Nine on DVD at Also on October 4, 2005, Star Trek Nemesis was released on UMD in widescreen for Region 1 only; it's the only Star Trek ever released on UMD.

The initial release was followed up with a "Special Collector's Edition" in Region 1 on October 4, 2005. Although this two-disc set contained several additional features, it also duplicated some of the features found in the initial release. It has also been criticized for not reintegrating several deleted scenes into the film, à la Star Trek: The Motion Picture, to improve the narrative.

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Star Trek: Voyager


Star Trek: Voyager (sometimes abbreviated ST:VGR, ST:VOY, ST:V, VGR, or VOY) is a science fiction television series set in the Star Trek universe. The show was created by Rick Berman, Michael Piller, and Jeri Taylor and is the fourth incarnation of Star Trek, which began with the 1960s series Star Trek, created by Gene Roddenberry. It was produced for seven seasons, from 1995 to 2001, and is the only Star Trek series to feature a female captain, Kathryn Janeway, as a lead character.

Set in the 24th century, the series follows the adventures of the Starfleet vessel USS Voyager, which becomes stranded in the Delta Quadrant 75,000 light-years from Earth while pursuing a renegade Maquis ship. Both ships' crews merge aboard Voyager to make the estimated 75-year journey home.

Voyager was produced to launch UPN, a television network planned by Paramount. (Paramount considered launching a network on its own in 1977, which would have been anchored by the TV series Star Trek: Phase II.) Planning started in 1993, and seeds for the show's backstory, including the development of the Maquis, were placed in several Star Trek: The Next Generation and Star Trek: Deep Space Nine episodes. Voyager was shot on the same stages The Next Generation had used. The pilot, "Caretaker," was shot in October, 1994. Around that time, Paramount was sold to Viacom - in fact, Voyager was the first Star Trek TV series to premiere after the sale had concluded.

Voyager was the first aired UPN program at 8:00 p.m. on January 16, 1995. Voyager was also the first Star Trek TV show to use Computer Generated Imagery (CGI) exclusively, and eliminate the use of models for exterior space shots. Other television shows such as seaQuest, Space: Above and Beyond, and Babylon 5 had exclusively used CGI to avoid the huge expense of models, but the Star Trek television department continued using models, because they felt models provided better realism. Amblin Imaging won an Emmy for the opening title visuals, but the weekly episode exteriors were still captured using in-house-built miniatures of the Voyager, shuttlecraft, and other ships, the same method used for The Next Generation.

That changed when Star Trek: Voyager became Paramount's first television property to go fully CGI in mid-season 3 (late 1996). Paramount obtained an exclusive contract with Foundation Imaging which had done the effects for Babylon 5's first three seasons. With Voyager's season 3 episode "The Swarm" began using Foundation's effects exclusively. Star Trek: Deep Space Nine started using Foundation Imaging exclusively one year later (season 6), after Voyager had successfully proven that CGI could look as realistic as models. Foundation Imaging also worked on the first season of Enterprise.

In the pilot episode, "Caretaker," Voyager is on a mission to locate a missing ship piloted by Maquis fighters. Janeway brings Tom Paris, a former Starfleet officer, out of prison to help find the ship. Maneuvering through the dangerous Badlands, an ancient alien known as the Caretaker transports Voyager to the Delta Quadrant, 75,000 light years on the other side of the galaxy, where the Maquis ship was also sent. In the process, several members of Voyager's crew are killed, including the first officer, helmsman, chief engineer, and all medical personnel.

Voyager and the Maquis ship are attacked by Kazon raiders intent on capturing the Caretaker's Array, which was used to transport the ships. The Maquis ship collides with a Kazon ship, destroying both, after the Maquis crew transports to Voyager. Believing the Kazon will use the Array to harm the Ocampa, Janeway decides to destroy it rather than use it to return home.

The Starfleet and Maquis crews integrate and work together as they begin the 75,000-light-year journey home, predicted to take 75 years. Chakotay, leader of the Maquis group, becomes first officer. B'Elanna Torres, a half-human/half-Klingon Maquis becomes chief engineer. Tuvok is revealed to be a Starfleet spy on the Maquis ship and resumes his duties as chief security officer. Paris becomes the helmsman, and the Emergency Medical Hologram, designed for only short-term use, becomes the chief medical officer. At first the EMH is confined to sickbay and holodecks, but during the course of the series gains his freedom by way of a mobile holo-emitter. In the Delta Quadrant, the crew gains the Talaxian Neelix as a local guide and chef, along with his Ocampan girlfriend, Kes. Both Paris and Kes become qualified assistants to the Doctor, expanding the ship's medical capability. In the show's fourth season, the crew grows to include Seven of Nine, a Borg drone liberated from the collective.

The Delta Quadrant is mostly unexplored by the Federation. On the way home, the crew contends with hostile species that include organ-harvesting Vidiians, belligerent Kazon, nomadic Hirogen hunters, the Borg and Species 8472 from fluidic space. They also encounter hazardous natural phenomena. Meanwhile, Starfleet Command learns of Voyager's survival and situation and eventually develops a means to establish regular voice and data contact with the ship thanks to the efforts of Reginald Barclay.

According to the Star Trek: The Next Generation Technical Manual, warp velocities are translated by the equation V = c(wf)10/3, where c is the speed of light and wf is the warp-factor. At warp factor 1, you would be traveling at 1c, or the speed of light. Warp factor 9 would be 1516c, and Warp factor 9.9 would be 2083.5c. This became known as the cochran scale. To travel 75,000 light years in 75 years would require non-stop traveling at a velocity of 1000 times the speed of light. Using the above formula, this would be the equivalent of warp 7.9.

Voyager has a variable geometry pylon warp drive system which allows travel faster than warp 5 without damaging subspace (a limit first alluded to in TNG episode "Force of Nature.") Voyager can reach a speed of warp 9.975, but only for short periods.

Originally, French Canadian film actress Geneviève Bujold was cast for the role of Captain Nicole Janeway. One version of events is that she quit on the second day of filming, citing exhaustion and incompatibility with rigorous television filming schedules. Another version, expressed by Rick Berman, Executive Producer, on the first season Voyager DVD, is that "There was enough going on in that first day or two that, that we realized that, for everybody's sake, that it was best to go in another direction". Kate Mulgrew was chosen to replace Bujold as captain after a second round of auditions. The captain's character was subsequently renamed Kathryn Janeway who incidentally has the same name as a character in James Ellroy's crime novel, L.A. Confidential.

As there were three different actors on the set with the same first name (Robert), to avoid confusion the cast grew to refer to them as such: "Robbie" McNeill, "Bob" Picardo, and "Robert" Beltran.

As with all other Star Trek series, the original Star Trek's Klingons and Romulans appear in Star Trek: Voyager. Majel Barrett again voices the ship's computer.

Voyager saw appearances by several characters and races who initially appear in The Next Generation: Q, William Riker, Geordi La Forge, Deanna Troi, and Reginald Barclay. The Borg, Cardassians, Bajorans, Romulans, Betazoids, Vulcans, Klingons, Ferengi, and a Jem'Hadar hologram also make appearances, as does the Maquis terrorist group.

The Borg Queen, the antagonist from Star Trek: First Contact, makes several appearances in Voyager. Susanna Thompson usually played the role in the series; Alice Krige, who played the character in First Contact, reprised the role for the series finale.

Quark from Deep Space Nine appears in Voyager's pilot.

George Takei also makes an appearance as Captain Sulu, when Tuvok has a flashback about his first time serving on a Federation star ship, from events that happened in Star Trek: The Undiscovered Country. Grace Lee Whitney also appears as Cmdr. Janice Rand, and Michael Ansara as Klingon Captain Kang.

Jonathan Frakes came on for a cameo in the episode "Death Wish", reprising his role as Commander Riker.

Kate Mulgrew appears as Kathryn Janeway, promoted to admiral, in Star Trek Nemesis.

The following Voyager main cast members have appeared in other Star Trek productions.

The following actors from other Star Trek productions have made guest appearances in various Voyager episodes, often as different characters.

In the wake of Pocket Books' successful Deep Space Nine relaunch novel series, which features stories placed after the end of Star Trek: Deep Space Nine, a similar relaunch was planned for Voyager. The novels take place after the series' conclusion. In the relaunch, several characters are reassigned while others are promoted but stay aboard Voyager; these changes include Janeway's promotion to admiral, Chakotay becoming captain of Voyager, Tuvok leaving the ship to serve under William Riker, and Tom Paris' promotion to First Officer. The series also introduces several new characters.

The series began with Homecoming and The Farther Shore in 2003, a direct sequel to the show's final, "Endgame". These were followed in 2004 by Spirit Walk: Old Wounds and Spirit Walk: Enemy of My Enemy. Other novels -- some set during the relaunch period, others during the show's TV run -- have been published.

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Star Trek: Insurrection

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Star Trek: Insurrection is a 1998 science fiction feature film, the ninth based on the Star Trek television series. It is the third film to star the cast of Star Trek: The Next Generation, and the second to not feature the original series' cast. The film was directed by Jonathan Frakes, from a script by Michael Piller and Rick Berman, with music composed by Jerry Goldsmith.

Lt. Data (Brent Spiner) goes berserk while observing the peaceful Ba'ku people on their homeworld, revealing the presence of the joint Federation and Son'a taskforce to the Ba'ku. Admiral Matthew Dougherty (Anthony Zerbe) requests the help of the USS Enterprise-E to help them capture and repair Data. Though they are able to do so, Captain Picard (Patrick Stewart) becomes suspicious of Dougherty's insistence that the Enterprise is no longer needed, and instead has his crew investigate the cause for Data's malfunction. They come to find that the Ba'ku are well aware of technology but have opted to reject it, instead living in harmony with nature, and they also reveal they are much older than they appear. The Enterprise crew also begins to experience the rejuvenation effects of the planet; LaForge (Levar Burton) finds his eyesight is returning, Riker (Jonathan Frakes) and Troi (Marina Sirtis) rekindle their long-abandoned relationship, and even Picard experiences romantic feelings for the Ba'ku woman Anij (Donna Murphy).

The crew discovers that the Briar Patch, the area of space that the Ba'ku homeworld is located, contains metaphasic radiation particles, more concentrated in the planet's rings, which impart the rejuvenation effects to those exposed to them but also block communications to the rest of space. They also discover a cloaked Federation ship that contains a gigantic holodeck recreating the Ba'ku village; Data's malfunction was apparently caused by his previous discovery of this ship. Picard surmises that corrupt Federation officers and the Son'a are attempting to collect the metaphasic particles with a large harvester. This would leave the planet uninhabitable, and Dougherty, who would not allow for the destruction of the Ba'ku, prepared the "holoship" to transport the Ba'ku off the planet without their knowledge. When confronted with these charges against the Prime Directive, Dougherty orders the Enterprise to leave.

Picard orders Riker to take the Enterprise out of the Briar Patch in order to communicate the situation with the Federation while he and others beam down to the planet to help the Ba'ku evacuate to nearby caves that will prevent them from being transported. While the Son'a send out robotic probes to tag the fleeing Ba'ku, allowing them to be transported individually, the Son'a leader Adhar Ru'afo (F. Murray Abraham) convinces Dougherty to allow him to send two Son'a ships to attack the Enterprise. Riker is able to destroy both ships through a risky maneuver and continues to leave the Briar Patch. With their plan exposed, Ru'afo insists that they must begin to harvest the metaphasic particles immediately, and kills Dougherty when he refuses to allow Ru'afo's scheme to continue.

Picard, his crew, and the Ba'ku are eventually transported onto the holoship, but manage to break free. They then use the ship to transport Ru'afo and the Son'a from their ship to the holoship, making them believe they are still in their bridge as they launch the harvester. Ru'afo eventually discovers the deception, and transports to the harvester to start it himself. Picard defeats Ru'afo and activates the harvester's self-destruct mechanism, killing Ru'afo as it explodes. The remaining Son'a, after learning that they are actually long-exiled Ba'ku who did not want to give up technology, decide to live among the Ba'ku who welcome them back forgiving them for their actions. The Enterprise crew take one last moment to enjoy their rejuvenated selves before returning back to their mission.

Many of these scenes were included in the 2005 Special Collector's Edition release of the film.

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Source : Wikipedia