Lynda Carter

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Posted by motoman 04/13/2009 @ 09:15

Tags : lynda carter, actors and actresses, entertainment

News headlines
Lynda Carter returns to musical roots - Albany Times Union
By MARIJKE ROWLAND, McClatchy Before she was the daughter of Hippolyta, before she had that Lasso of Truth, before she wore those satin tights, Lynda Carter loved to sing. While the world may know her best as Wonder Woman, the actress actually started...
Lynda Carter loses the Wonder Woman suit and sings - Reading Eagle
AP NEW YORK - Lynda Carter peers at the ultrasleek stereo in her hotel room, trying to find the right button - any button, really - that will get it to accept her CD. "Is it Enter?" she wondered. "That's not it." Carter played Wonder Woman on...
‘Fate: Unlimited Codes' Hands-On Impressions - G4 TV
Rin and Luviagelita both like to bitch slap people rather daintily, while the latter also does this spinning thing that makes her look like Lynda Carter changing her outfit on Wonder Woman. And then there's Rider, whose special attack could better be...
Miracle bras: hooters and shooters? - Reuters India
I know, it was really BRACELETS that protected Wonder Woman from bullets, but guys looked at that red and gold bra on Lynda Carter and KNEW it did something miraculous. But here's the thing. I did some research, which isn't like me....
Lenora Claire Finds Late Night ‘doNUTS' on World of Wonder - Tubefilter News
She has written over two hundred published articles and interviewed countless celebrities including Elvira, Lynda Carter, John Waters, Julie Newmar, and Bob Mackie. Claire teamed up with World of Wonder, an international entertainment company with a...
William H. 'Hank' Carter, 70 - Washington Post
His marriage to Lynda Craft Carter ended in divorce. Survivors include his companion of more than 20 years, Linda Demlo, who divided her time between homes in Chevy Chase and Fairfax County; two children from his marriage, William H. Carter Jr. of...
5 Things The Elders Scrolls V Shouldn't Do - PC World
Okay, I get that Oblivion's a Really Big Game and you probably blew two-thirds of your budget snagging Patrick Stewart and Sean Bean and Lynda Carter, but stellar as the less-well-known acting talent is here, modulating accents and vocal timbres...
Cuddington, Davenham and Northwich women nominated for Cheshire ... - Mid Cheshire Chronicle
Northwich's Lynda Allen has been nominated in the Professional Achievement category; Teenage violinist Sophie Rosa, from Cuddington, has been nominated in the Professional Achievement category and Tracy Stephens from Davenham is nominated in the...
VANITIES Set for NY Premiere at Off-Bdwy's Second Stage 6/30 - Broadway World
... The Good Times Are Killing Me by Lynda Barry; The Little Dog Laughed by Douglas Carter Beane; Little Murders by Jules Feiffer; The 25th Annual Putnam County Spelling Bee by William Finn and Rachel Sheinkin; A Soldier's Play by Charles Fuller;...
List of FGCU grads for spring commencement ceremony on May 3 - Naples Daily News
... Felix Camille, Eleanor Catherine Carr, Jessica Elaine Carter, Joan Janene Casler, Valentine M. Cassidy, Lynda J. Chafel, Kristi Rene Childers, Jennifer Johnine Chura, Debra Marie Clarke, Pamela A. Clarkson, Jonathan Eric Cohen, Steven Joongho Cole,...

Lynda Carter

Lynda Carter.jpg

Lynda Carter (born July 24, 1951) is an American actress and singer. She is best known for the Amazonian title role in the fantasy-adventure television series Wonder Woman which aired from 1975 to 1979.

Carter was born Linda Jean Córdova Carter in Phoenix, Arizona. Her father, Colby Carter is an Irish American, and her mother, Juana Córdova, is of Mexican and Spanish ancestry. Carter grew up an avid reader of the Wonder Woman comic books. She went to Globe High School in Globe, Arizona and Arcadia High School, in Phoenix. She attended Arizona State University, but after being voted the "most talented" student, she dropped out in order to pursue a career in music. She toured as a singer with several rock groups before returning to Arizona in 1972.

Carter entered a local beauty contest and achieved her first national fame by winning Miss World USA, in 1972, representing Arizona. As the United States entrant in the Miss World pageant she reached the semi-finals. After taking acting classes at several New York acting schools, she began making appearances on TV shows such as Starsky and Hutch, Cos and Nakia and B-movies including her only nude appearances in "Bobbie Jo and the Outlaw" (1976).

Her acting career did not take off until she landed her starring role in the Wonder Woman television series. Her earnest performance endeared her to fans and critics and the series lasted for three seasons. Thirty years after first taking on the role, Carter continues to be closely identified with Wonder Woman, so much so that it has proved difficult for producers to find a suitable candidate to play the character in subsequent aborted productions (work on the most recent attempt was announced in 2005).

In 2001, Carter was cast in the independent comedy feature, Super Troopers, as, "Vermont Governor Jessman." The writer-stars of the film, the comedy troupe, Broken Lizard, with member Jay Chandrasekhar directing, had specifically sought Carter for the role, with plans to approach other television actresses of the 1970s had Carter declined. Carter had her first appearance in a major feature film in a number of years in the 2005 big-screen remake of The Dukes of Hazzard, also directed by Chandrasekhar. She also played in the 2005 movie, Sky High, as "Principal Powers," the head of a school for superheroes. The script allowed for Carter to poke fun at her most famous character when she states: "What a waste. I can't do anything more to help you. I'm not Wonder Woman, y'know." Lynda returned to the DC Comics' television world on the 2007 episode of Smallville, titled "Progeny," playing Chloe Sullivan's Kryptonite-empowered mother.

Carter has also done voiceovers for video games, performing voices for the nord and orsimer (orc) females in two computer games of The Elder Scrolls series, The Elder Scrolls III: Morrowind and The Elder Scrolls IV: Oblivion. These games were developed by Bethesda Softworks, of which her husband Robert Altman (not to be confused with the late Hollywood director) is Chairman and CEO.

From September 26, 2005, until November of that year, Carter played the role of "Mama Morton," in the West End London production of Chicago. Her rendition of "When You're Good to Mama" was officially released on the Chicago: 10th Anniversary Edition CD box set in October of 2006. Receiving positive response to the song's release, Lynda booked her own cabaret tour act. It was first scheduled in San Francisco, at the York Hotel's Empire Plush Room, from May 1 - 6, 2007, and proceeded to tour around the U.S. Lynda also marked July 17, 2007 as the date to record her second solo musical release. However, she was unhappy with the result so she re-recorded the album in 2008 and it will be released as "Lynda Carter At Last" as well as the live CD, "Lynda Carter Live".

Carter has been married twice. Her first marriage was to her former agent Ron Samuels, on May 28, 1977. They were divorced in 1982. Samuels was also agent to Charlie's Angels co-star Jaclyn Smith (who attended the wedding) and to Bionic Woman star Lindsay Wagner. Carter later married attorney Robert Altman, on January 29, 1984. Robert and Lynda have two children, James and Jessica Altman.

When, after a lengthy and highly publicized jury trial for banking and securities fraud in 1992, Carter's husband Robert Altman was found not guilty, Carter was shown on the nightly TV news standing in front of San Antonio native, Stan Livengood, with her arm around her husband shouting, "Not guilty, not guilty!" to the TV news reporters.

In early June 2008, Carter found a body floating in the Potomac River in Washington, D.C. while rowing out of the Potomac Boat Club. She called out to some fishermen and waited for the police to arrive. That same month, she admitted in an interview to People magazine that she had entered a rehabilitation clinic for treatment of chronic alcoholism.

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Ron Samuels

Ron Samuels is a film producer. His credits include Iron Eagle (1986), Aces: Iron Eagle III (1992), and Ravenhawk (1996).

Samuels was married to actress Lynda Carter from May 28, 1977 to 1982. Currently, he is married to actress and former Ms. Olympia Rachel McLish. In addition to having Lynda Carter as a former management client, he also previously represented other television stars such as Lindsay Wagner of The Bionic Woman fame.

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Mike Hammer: Murder Takes All

Mike Hammer: Murder Takes All is a 1989 Made-For-TV movie starring Stacy Keach, Lynda Carter and Jim Carrey. This is Jim carrey's 11th film role.

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The Rubberband Man

“The Rubberband Man” cover

The song, written by producer Thom Bell and Linda Creed, was about Bell's son, who was being teased by his classmates for being overweight. Intended to make his son feel better about his self-image, the song eventually evolved from being about "The Fat Man" to "The Rubberband Man".

The last major hit by the Spinners to feature Philippé Wynne on lead vocals, "The Rubberband Man" spent three weeks at number two on the U.S. Billboard Hot 100, and topped the U.S. R&B chart at the end of 1976. It was also a top-twenty hit in the UK Singles Chart.

The song was sung by actress Lynda Carter in a Season 4 episode of The Muppet Show. In the 1981 film Stripes, the song is featured in the mud wrestling club the platoon visit. During an episode of Martin, Gina sings the tagline of the song after informing Martin that she has reorganized his music CDs. In the early 2000s, the song was featured prominently in a series of OfficeMax television commercials starring actor Eddie Steeples.

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Cultural impact of Wonder Woman

Wonder Woman spars with her arch-foe the Cheetah in this screen capture from the episode "Kid Stuff" of the Warner Bros. Animation TV series Justice League Unlimited, 2004.

Wonder Woman is a character initially created for comic books, the medium in which she is still most prominently found to this day. As befitting an icon of her status, she has made appearances in other forms of media and has been referenced and meta-referenced beyond the scope of traditional superhero entertainment.

Wonder Woman appeared in every incarnation of the Super Friends Saturday morning animated series. She was originally voiced by Shannon Farnon and later by Connie Caulfield in Super Friends: The Legendary Super Powers Show, followed by B. J. Ward in The Super Powers Team: Galactic Guardians.

Wonder Woman guest starred in the Superman episode, "Superman and Wonder Woman versus the Sorceress of Time" wherein she and Superman battle a witch named Cyrene (who was similar to the comic book villainess Circe). B.J. Ward reprised her role of Wonder Woman for the episode.

Her appearance is notable for being the first and, until her Diniverse incarnation, only Post-Crisis animated version of Wonder Woman. Besides possessing the power of flight and no longer having either an invisible plane or high-heel boots, she also had wavy hair more in line with George Pérez’s Post-Crisis interpretation of her.

In 1992, Mattel planned a line of toys for girls with Wonder Woman leading a new cast of female characters. An announcement for an accompanying animated series was made during the 1993 Toy Fair, however a pilot was never produced beyond character designs and storyboards. A few test samples for the toy line were developed, as well as a short comic book story which would have been packaged with the figures. A mini comic was distributed as a breakfast cereal premium. Artwork has since been published in Les Daniels' 2000 book, Wonder Woman: The Complete History.

Justice League was the first chance to add Wonder Woman (voiced by Susan Eisenberg) to the DCAU, as the rights had been previously tied up in possible movies and television shows.

To introduce her into a universe already populated by long-experienced heroes like Batman and Superman, Bruce Timm and his team took a cue from George Pérez’s newcomer-to-man's-world Post-Crisis interpretation. This Diana started off completely innocent and ignorant of man's world. Also like the Pérez version, she neither keeps a secret identity nor has an invisible plane (although in the 1st season of Justice League Unlimited we see her unveil the plane). However, perhaps as a nod to her Pre-Crisis appearance, she has straight hair and high-heeled boots suggestive of her old Super Friends incarnation. Also, her lasso did not compel truthfulness until the Justice League Unlimited episode "The Balance" in which Hippolyta activated all her powers.

Her initial personality consisted of a strict adherence to Amazonian dogma (prompting some of her teammates to react to her attitude by calling her "Princess" somewhat disdainfully). Noticeable though is the effect of Man's World on Diana. Her first appearances are marked by her reflexively acting off of Amazonian ideology (in "Fury", she questions how necessary men really are), but as time passes, she becomes more interested in men (in particular, Batman, with whom she has a flirtatious and possibly romantic relationship) and also experiences the emotional excesses of man's world, as compared to the Amazons (who are portrayed as somewhat stoic if not emotionally stunted). Batman's affections for Wonder Woman, however, are somewhat confirmed in the Unlimited episode "This Little Piggy", where he admits his feelings to Zatanna when requesting her help in changing Diana back (she was turned into a pig by Circe). Batman and Wonder Woman also share a kiss in the Justice League season finale "Starcrossed"(they kissed in order to hide their faces from Thanagarian patrol). In the episode "Kid's Stuff", Wonder Woman, in her eight-year old form, also flirts liberally with the young Batman.

She finds joy but also discovers a temper that frequently needs to be checked by her teammates ("Hereafter", "Hawk and Dove", "Eclipsed", etc.). Later episodes dealt directly with her temper and Diana’s eventual mastery of it. She since adopted the role of ambassador of the Amazons at her mother’s request ("To Another Shore"), bringing another Post-Crisis trait to the DCAU.

While Wonder Woman’s origin in the DCAU is not detailed, in the episode "The Balance", it is revealed that she indeed was a clay statue sculpted by Hippolyta and somehow brought to life. In the same episode, Hades says that he helped Hippolyta sculpt the clay statue that would eventually become Diana, making him feel almost like a father to her, but was banished before she was brought to life. That claim, however, was never substantiated (when Hawkgirl points out she could use the lasso on him, Diana says it doesn't matter). It was also revealed that the Wonder Woman armor was originally made by the god Hephaestus for her mother, Queen Hippolyta, not Diana. However, in episodes, again like "The Balance", it was insinuated and implied that the armor was eventually made for her purposes and use. She had stolen her armor to use once Hippolyta forbade her to enter the outside world. Later in the series it is revealed also that Diana did not know that the armor had additional abilities, which could be activated by pressing the star on the tiara.

Steve Trevor made an appearance in the first season's three-part finale, "The Savage Time", when the League time-travels back to World War II in order to stop Vandal Savage. In this story, Steve is an agent of the OSS, whom Diana falls in love with. They are separated when Diana returns to the present day. In the episode's conclusion, she visits her friend, now a very old man, at a retirement community.

Her eventual fate is unknown, but Kobra mentions that she is still alive during the time of Batman Beyond.

Her powers are almost the same as her comics counterpart, including flight and super strength, lending Wonder Woman the ability to hold out against Superman in a fight, while both were hallucinating. She also has a weakness to pierce wounds as shown by Devil Ray's poisonous dart harming her. In "Grudge Match", she is able to singlehandedly defeat Vixen, Hawkgirl, Huntress, and Black Canary in a no-holds barred fight.

Wonder Woman was originally supposed to appear in the Batman Beyond episode “The Call”, which featured a future Justice League. However, rights issues precluded the possibility and her cameo was instead taken by Big Barda.

Wonder Woman appeared in the 2008 animated adaptation of the award winning miniseries Justice League: The New Frontier. She was voiced by former Xena actress Lucy Lawless.

See below.

From 1944–45, there was a short-lived daily comic strip, written by Wonder Woman creator Charles Moulton and drawn by H. G. Peter.

Wonder Woman was played by Dawn Zulueta in the Filipino Batman comedy film called Alias Batman & Robin.

Wonder Woman will star in an animated feature film of the same name due out March 3, 2009. Released by DC Comics and Warner Bros., the movie will be a PG-13 rated DTV movie, part of the line of DC Universe Animated Films. The press release, and the Sneak Peak from the Batman: Gotham Knight DVD, confirmed that that the story will be of her rebooted origin from 1987 by George Pérez. The casting, as of July 2008, includes Keri Russell as Princess Diana/Wonder Woman, Nathan Fillion as Col. Steve Trevor, Alfred Molina as Ares, Virginia Madsen as Queen Hippolyta, and Rosario Dawson as Artemis. The film will be directed by Lauren Montgomery and, as with all films in this series, produced by Bruce Timm.

With the success of the 1960s Batman television show came a flurry of copycat series. Greenway Productions, the company behind the Batman show, produced a four-and-a-half-minute Wonder Woman test reel starring Ellie Wood Walker as Diana Prince, Linda Harrison as Diana's Wonder Woman alter ego, and Maudie Prickett as her mother. As with Batman, the pilot took a comic slant on the character. It also dramatically reenvisioned Wonder Woman transforming her from an Amazonian princess to a city girl who occasionally uses her fantasy alter ego to escape reality.

The first serious attempt at adapting Wonder Woman to live-action TV starred Cathy Lee Crosby as a blonde Amazon with superhuman agility (ala, Captain America) and gadgets, similar to those used by movie super-spy James Bond and secret agent Emma Peel of TV's The Avengers, both at the heights of their popularity, when this pilot aired.

Though this version owed much to a brief period in the Wonder Woman comic book, in which the Amazon heroine had lost her powers, it did not stray completely from its comic inspiration. This Princess Diana could communicate with animals; run, leap, and swim faster than normal humans; and was agile enough to deflect bullets from her Amazon bracelets, which, by some unrevealed means, she could trigger to explode. In lieu of the magical, golden lasso in the comics, she kept a golden cable concealed in her belt, which was used as a grappling rope and to ensnare fleeing enemies. While the Wonder Woman comic being published at the time of the pilot's screening featured the heroine with her traditional powers intact, no explanation for the differences between the film and the comic were ever given.

Though not successful at the first attempt, network interest was such that within a year another pilot was in production, leading to the familiar Lynda Carter version of the character.

In a nod to its significance, this version of Wonder Woman made a cameo appearance in Infinite Crisis alongside the Debra Winger Wonder Girl as inhabitants of Earth-462.

Scripting duties were given to Stanley Ralph Ross, who had worked on the original pilot reel in 1967, but was instructed to be more faithful to the comic book. "The New, Original Wonder Woman" made in 1975, starred Lynda Carter as Wonder Woman/Diana Prince with Jeannie Epper as stuntwoman. Lyle Waggoner played Steve Trevor. This version was so successful that a TV series, Wonder Woman soon followed and aired for two years.

In 1990, Comics Scene magazine announced a new syndicated Wonder Woman series to be produced and distributed by Warner Bros. In a letter column in Wonder Woman #41 then-editor Karen Berger responded to a reader inquiry by saying that a pilot had been approved. However, no pilot was released, nor is known to have been produced.

The producers of the television show Smallville had wanted Diana to make a cameo appearance (in the manner of Green Arrow, Flash, Aquaman, Cyborg, and the Martian Manhunter) and become a part of the proto-Justice League that appears in that show. However, due to Wonder Woman being developed as a feature film by Joss Whedon, the idea had to be abandoned.

The series has, however, made a nod to Wonder Woman. A newspaper headline references a visit to the pope by the Themyscirian Queen. Also, it should be noted from the show's panel at Comic Con 2007, that while they did say an appearance by Batman is still a "NO", they did say "Never say never" on a possible appearance by Wonder Woman.

Wonder Woman also appeared in the 1995 Justice League Task Force versions for Super Nintendo and Sega Genesis fighting game, as well as in several Game Boy Advance games based on the Justice League animated series.

Wonder Woman is a featured playable character in the video game Justice League Heroes with two unlockable costumes.

Wonder Woman will also be playable in Mortal Kombat vs. DC Universe. She is seen in the trailers talking to Superman and confronting Scorpion at the division of their worlds. She appears to lose this fight, as she is seen on the ground when Scorpion disappears.

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Super Troopers


Super Troopers (also known as Broken Lizard's Super Troopers) is a 2001 comedy film directed by Jay Chandrasekhar, written by and starring the Broken Lizard comedy group (Jay Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter and Erik Stolhanske). Marisa Coughlan, Daniel von Bargen and Brian Cox co-star while Lynda Carter has a cameo appearance. In total, Fox Searchlight paid $3.25 million for distribution rights of the film. The film went on to gross $18.5 million at the box office and has become a cult classic.

The plot centers on five Vermont state troopers who seem to have more of a knack for pranks than actual police work. Most of their time is spent devising new ways of messing with the heads of the people they pull over and hazing the new recruit, "Rabbit". They also find time to torment their easily infuriated radio dispatcher, Farva, who has been exiled from patrol work because he was involved in a fight with several students during a (potentially questionable and dubious) traffic stop of a schoolbus, which is later revealed during the credits. Their days of pranking and slacking off are cut short when the troopers suddenly find themselves attempting to solve a murder, bust a drug-smuggling ring, and avoid having their post eliminated by the state's impending budget cut — resulting in their transfer, or quitting and opening up a roller disco.

The troopers have an ongoing rivalry with the local city, Spurbury, police department and constantly have fights with them ("highway cops versus the local cops"); one such dispute breaks out into an all-out fistfight, further increasing the station's chances of being shut down. The rivalry eventually results in the governor's (Lynda Carter) praise for the efforts of the Spurbury PD, who had managed to keep one step ahead of the state police by making their department appear responsible for the confiscation of the smuggled drugs. Defeated, the defrocked troopers unexpectedly stumble upon the scheme in which the local police are running protection for the aforementioned drug smugglers. The film's epilogue finds the highway post still eliminated due to the budget cuts; however, the troopers become the new officers of the Spurbury PD (replacing their presumably incarcerated corrupt predecessors) and thus free to continue their shenanigans in and around their jurisdiction.

The film has received mixed reviews from critics, greeted warmly by some and panned by others. Aggregate review website Rotten Tomatoes scores only 35% positive reviews while Metacritic, another aggregate review website, gives it a metascore of 48 out of 100, which, according to the website's rating system, scores as Mixed or average reviews. Film critic Roger Ebert awarded the film 2½ stars out of 4, saying "I can't quite recommend it — it's too patched together — but I almost can; it's the kind of movie that makes you want to like it".

Overall, the film grossed $18,492,362 in the United States and $23,182,223 worldwide.

In 2001 Super Troopers won the Audience Award at the South By South West Film Competition. The movie tied with Lady Porn (2001) and Wave Twisters (2001).

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Portrait (Lynda Carter album)

Portrait cover

Two of the songs were featured in and performed by Carter's character in the 1979 Wonder Woman episode, "Amazon Hot Wax": "Want to Get Beside You" and "Toto (Don't It Feel Like Paradise)." The latter song makes mention of several elements from the Wizard of Oz stories, and quotes dialogue from the 1939 film.

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Wonder Woman (TV series)

Lynda Carter as Wonder Woman, displaying her ability to deflect bullets

Wonder Woman is an American television series based on the DC Comics comic book character Wonder Woman, created by William Moulton Marston. It starred Lynda Carter as Princess Diana/Diana Prince and Lyle Waggoner as Steve Trevor.

Following an abortive attempt in 1967 to create a series in the mold of the then-popular Batman television series and a pilot film in 1974 with Cathy Lee Crosby and Kaz Garas, Wonder Woman debuted in 1975 on ABC as a television movie set during Wonder Woman's early days of World War II. The success of the film led ABC to order first two more special episodes then 11 additional episodes, which aired in 1976, with the roles recast.

Despite its success on ABC, the network was hesitant about picking up the show as a regular series. The producers took the show to CBS, which did pick up the show as a regular series. Wonder Woman, now set in the present day, would air for two seasons before being removed from the CBS schedule.

The first attempt to translate Wonder Woman to the small screen occurred in 1967. The success of the Batman television series led Batman producer William Dozier to commission a pilot script by Stan Hart and Larry Siegel. A portion of the pilot, under five minutes in length, was filmed under the title Who's Afraid of Diana Prince? The piece starred Ellie Wood Walker (Robert Walker Jr.'s wife) as Diana Prince, Linda Harrison as Diana's Wonder Woman alter ego and Maudie Prickett as Diana's mother.

As with Batman, the reel took a comic slant on the character, although while the Batman character himself was played straight, in the proposed series Diana Prince (not Wonder Woman) would have been the focus of the comedy. Diana, an awkward and rather plain young woman, lives with her mother close to a U.S. Air Force base. Much of the film consists of her mother berating Diana about not having a boyfriend. When her mother leaves the room, Diana changes into her Wonder Woman costume and admires her reflection in a mirror. What she sees is not Diana Prince, but rather a sexy super-heroic figure (played by Linda Harrison) who proceeds to preen and pose as the song "Oh, You Beautiful Doll" plays on the soundtrack. The pilot ends with Diana climbing out a window and flying away, indicating that, despite her apparent delusions regarding her alter ego, she does have some super powers. This pilot episode was never broadcast and the project was taken no further. The pilot has been circulated on the Internet and is of interest to Planet of the Apes fans for the early appearance of Linda Harrison, who would later go on to play Nova in the first two films of that series.

Shortly thereafter Wonder Woman was included in the Super Friends cartoon series, which eventually enjoyed a long and successful run, 1973-1986.

Wonder Woman's first appearance in live-action television was a television movie made in 1974 for ABC. Written by John D. F. Black, the film, a pilot prepared for the 1974 television season, resembles the Wonder Woman of the "I Ching period." Wonder Woman (Cathy Lee Crosby) did not wear the comic book costume, demonstrated no superhuman abilities and her "secret identity" of Diana Prince was not all that secret. The film follows Wonder Woman, assistant to government agent Steve Trevor (Kaz Garas) as she pursues a villain named Abner Smith (Ricardo Montalban) who has stolen a set of code books containing classified information about U.S. government field agents.

Though not successful at the first attempt, ABC still felt a Wonder Woman series had potential, and within a year another pilot was in production. Keen to make a distinction from the last pilot, the pilot was given the rather paradoxical title The New Original Wonder Woman.

Scripting duties were given to Stanley Ralph Ross, who was instructed to be more faithful to the comic book and to create a subtle "high comedy." Ross set the pilot in World War II, the era in which the original comic book began.

After an intensive talent search, a former beauty pageant winner and Bob Hope USO cast member from Arizona named Lynda Carter was chosen to play the lead role. For the role of Steve Trevor, the producers chose Lyle Waggoner, who at the time was better known as a comedic actor after several years co-starring in The Carol Burnett Show. He was also known to Ross as having been one of the leading candidates to play Batman a decade earlier. Waggoner was also considered a pin-up hunk, having done a semi-nude pictorial in the first issue of Playgirl.

Although the pilot followed the original comic book closely, in particular the aspect of Wonder Woman joining the military under the assumed name of Diana Prince, a number of elements were dropped. While the comic Diana obtains the credentials of a look-alike nurse, in the pilot Diana Prince appears as a Navy enlisted woman (First Class Petty Officer Yeoman) without explanation. The ancient myths and legends which formed many of the early Wonder Woman comic book stories were lost too, in favour of more conventional stories involving Nazis. And, on a minor note, Steve Trevor was no longer blonde, but dark haired.

One change which was later to become synonymous with the show was the twirling transformation which dissolved Diana Prince into Wonder Woman. Lynda Carter claims to have suggested the move herself.

For television, Wonder Woman also had the ability to impersonate anyone's voice, which sometimes came in handy over the phone. This ability vanishes after the first few episodes.

Unlike the earlier pilot, the comic book origins of the character were emphasized not only by the retention of the character's traditional costume and original setting but through the use of comic book elements. The series' title sequence was animated in the form of a series of comic book panels featuring Wonder Woman performing a variety of heroic feats. Within the show, location and exposition were handled through comic book-style text panels. Transitions between scenes and commercial breaks were marked by animated starburst sequences.

During World War II, Major Steve Trevor bails out during an air battle over the Bermuda Triangle, location of Paradise Island. The island is home to the Amazons, beautiful, ageless women with great strength, agility, and intelligence. Amazon princess Diana rescues Trevor and nurses him back to health. Her mother, the Amazon queen (Cloris Leachman), decrees that games shall be held to select one Amazon to return Trevor to the United States, but she forbids Diana to participate. Diana enters the contest in disguise (a blond wig), and ties for first. The contest is decided through "Bullets and Bracelets," where each of the two take turns shooting at the other, who must try to deflect the bullets. Diana successfully deflects all the shots at her, but her opponent is injured by one of Diana's shots. Diana removes her wig and reveals her identity, and proclaims her loyalty and love to her people, her queen and mother. Her mother agrees to send her with her blessing.

Her costume is designed to feature American emblems in the hope that she will be accepted in her new home, and her golden belt will be her source of strength and power. She retains her bracelets, which deflect bullets, and also receives a golden lasso which is indestructible and forces people to obey and tell the truth when bound. Diana is now known as "Wonder Woman" and she flies to Washington, D.C. in an invisible plane. After dropping Trevor off at a hospital, the heroine stumbles upon a bank robbery, which she stops. A theatrical agent who sees her in action invites her to take her Bullets and Bracelets act on the road as a theatrical attraction. Diana is hesitant, but she needs money in this society, so she agrees.

Meanwhile, Trevor's civilian secretary, Marcia (Stella Stevens), is a double agent for the Nazis. She seeks to aid top spies in killing Trevor and opposing the new threat, Wonder Woman, although her first attempt — arranging for an audience member to fire a machine gun at Wonder Woman during her stage act — backfires when the Amazon easily deflects the multiple bullets. Later, at the hospital, Diana disguises herself as a nurse in order to keep an eye on Trevor. As spy activities increase, Trevor leaves the hospital and is captured, prompting his "nurse" to do a spin in the hall where she slowly peels off uniform parts and replaces them with her Wonder Woman costume, before heading off to rescue him. Wonder Woman defeats the villainess and the spies, breaking up the spy ring. The film closes as Trevor meets his new secretary, Yeoman Diana Prince (Wonder Woman in disguise).

The pilot film, aired on November 7, 1975, was a ratings success, and ABC quickly authorized the production of two one-hour specials which aired the following April. Technically speaking, these three productions were the show's first season.

These episodes scored strong enough ratings that ABC commissioned a further 11 episodes for the 1976-77 season, several of which were used to fill in for the Bionic Woman television show when production on that show had to be suspended while its star, Lindsay Wagner, recovered from a car accident. Notably, two stories (one of them a two parter) introduced Debra Winger as Wonder Girl, in one of her first on-screen roles.

Few changes were made between the pilot episode and specials and the series itself. The most memorable change, indeed what became the 'signature moment' of the show, was the introduction of an explosion effect to the twirling transformation, to change Diana Prince into her super-heroic counterpart. This magical sequence, which appeared at least once in most episodes, has been incorporated into both the comic book and animated versions of the character.

In the original pilot and specials this sequence was performed by fading between two synchronized shots, both filmed with an over-cranked camera to create a slow motion effect. A twirling Diana would gradually dissolve into Wonder Woman. But this sequence was too expensive, in time and money, to maintain. A camera would need to be 'locked off' (secured in place), and Carter's costume, make up and hair altered between shooting the two segments which made up the sequence. The "thunderclap" was added to mask the join between the two segments, allowing each segment to be shot independently, without need for a locked off camera, at more convenient points in the shooting schedule. Apparently, the sound effect is only audible to the audience and to Diana; she uses this change adjacent to a dormitory of sleeping women, in adjoining office spaces, backstage at a live show, in the woods behind a crowd of soldiers, and other locations where she would attract attention if the "boom" was heard. Additionally, there was a scene where she was explaining to Wonder Girl about her dual identity. During this scene, she started off in her "Wonder Woman" costume, then she started to spin. The camera cut to Wonder Girl for a moment, then cut back to Wonder Woman, who was now back in her Diana Prince military uniform. This transformation was not accompanied by any sound or light effects.

Another change involved the relationship between Steve Trevor and Wonder Woman. Although Carter and Waggoner had good chemistry, it was decided to play down the romantic aspects found in the comic, and, ultimately, the characters remained simply good friends. Executive producer Douglas S. Cramer noted the difficulties inherent in maintaining long-term romantic tension between leads, with the resolution of that tension often resulting in the cancellation of the series.

The series began at a time when violence on television was under intense scrutiny. As a result, Wonder Woman was less frequently shown punching or kicking people the way she did in the early episodes. The character would usually be shown pushing and throwing enemies, or using creativity to get them to somehow knock themselves out (jumping high into the air causing pursuers to collide). Despite the wartime circumstances, the character never resorted to deadly force (the only exception occurs in the pilot film when she sinks a Nazi submarine with an explosive plane, although the fate of the sailors aboard is never actually specified).

Wonder Woman herself was occasionally defeated by the Nazis, but she always came back in the second half of the show to save the day. Among the things the Nazis used on her were chloroform and poison gas. Her enemies also occasionally stole away her belt (leaving her without her super strength), her lasso, and her bracelets (leaving her defenseless against gunfire), but Wonder Woman always recovered the respective stolen component by the end of the episode.

Despite strong ratings, ABC stalled on commissioning a second season causing the show's frustrated production company Warner Bros. to offer Wonder Woman to CBS. While ABC dithered, CBS took the series on condition that the setting be switched to the modern day. Changing the title to The New Adventures of Wonder Woman, the series was nudged away from sophisticated humour towards a more conventional action/adventure take.

Diana Prince, ageless due to her Amazon nature, returns from Paradise Island after a 35-year absence to become an agent with the Inter-Agency Defense Command (IADC), a CIA-like organization fighting criminals and the occasional alien invasion. Infrequent references to her World War II experiences were made in early episodes.

Changes in the first CBS season included Wonder Woman's costume being redesigned. Her invisible plane became a jet aircraft, though it only appeared a couple of times. Waggoner still appeared as Wonder Woman's friend Steve Trevor; however, he was now Steve Trevor Jr., the lookalike son of the heroine's World War II ally. The episode "The Return of Wonder Woman" revealed that Trevor Sr. had attained the rank of major general and had died some years earlier. As with the first season, the producers chose to downplay and later drop any suggestion that Steve and Wonder Woman were anything more than friends.

The theme song was re-written to remove references to the Axis, reflecting the series' new present-day setting, and the action depicted in the opening's animated comic book panels was similarly updated. Beginning with the episode "The Man Who Made Volcanoes", the opening title sequence was changed again to an instrumental and more traditional "action scenes" opening.

Trevor was promoted to a desk job midway through the season, leaving Diana to go out on missions alone in most episodes. By this time, Diana was no longer simply Trevor's assistant, but was now an accomplished solo agent.

Unlike the first season, Wonder Woman's sources of power (her belt, bracelets and lasso) were never stolen by villains in any of the CBS episodes.

Several other changes occurred as the second season progressed. Joe Atkinson (Normann Burton), a weathered IADC agent, was dropped after the ninth episode, as was a regular segment showing Diana, Steve and Joe receiving orders from a "Charlie"-like character who is heard but never seen. Midway through the season, this was replaced with regular briefings by IRAC (or more familiarly, "Ira"), IADC's super-intelligent computer, who deduces Diana's secret identity. Saundra Sharp joined the cast as Eve, Steve's assistant (the job held by Diana at the start of the season). Near the end of the season, in the episode "IRAC is Missing," a tiny robot called Rover was added for comic relief. An offshoot of IRAC who performs duties such as delivering coffee and sorting mail, Rover speaks with a high-pitched voice, occasionally makes "Beep Beep" sounds (borrowed from the Road Runner cartoon series) and, like IRAC, is aware that Diana Prince and Wonder Woman are one and the same.

The character of Wonder Woman maintained her no-kill policy, although there were exceptions: in the episode "Anschluss '77" she destroys a clone of Adolf Hitler, and another episode made reference to a villain who was believed drowned following a previous unseen encounter with Diana/Wonder Woman.

Multiple costumes are introduced. Wonder Woman still wears the red-white-and-blue cape for special events or appearances from the first season, but without the skirt. A diving costume is introduced, a navy-blue lycra body suit with matching gloves, gold bracelets, flat boots, and a flexible tiara is featured whenever aquatic activity is necessary. The same costume, with low-heeled boots and a gold helmet, is used to ride motorcycles.

With the beginning of the third season, further changes were made to target the show at a teenage audience. The title theme was reworked again to give it a disco beat, the use of gimmicky little robot 'Rover' was increased for comic effect and episodes began to revolve around topical subjects like skateboarding, roller coasters and the environment. Teenagers or young adults were commonly used as main characters in the plot lines. Eve disappeared from the cast although she is mentioned once or twice.

Wonder Woman was also allowed to become a bit more physical in the third season and could now be seen throwing the occasional punch or kicking. The writers also came up with several unusual ways for Diana to execute her spinning transformation, one of the most notable occurring in the episode "Stolen Faces" in which Diana makes the change while falling off a tall building.

Diana's powers were also increased, particularly in the third season episode "Deadly Dolphin" in which she is shown communicating telepathically with animals and generating "bursts" of some sort to scare away a killer shark.

The animated stars used before and after commercial breaks were dropped.

The show continued to gather a strong audience. In the final episode produced, the writers attempted a "relaunch" of sorts by having Diana reassigned to the Los Angeles bureau of IADC with a new supporting cast and Steve Trevor, whose presence had decreased throughout the season, was finally written out of the series. This new take on the format lasted for merely a single episode ("The Man Who Could Not Die"), which set up an assortment of new supporting characters, including Bryce Candall, an indestructible man (the titular character of the episode), as well as a streetwise youngster named T. Burton Phipps III who for some unexplained reason is allowed to hang out at the IADC. Also added to the cast was a chimpanzee who like Bryce, is also indestructible.

CBS ultimately decided to strengthen its sitcom offerings and Wonder Woman was suspended from the network schedule, though it was never formally cancelled.

Columbia House with Warner Home Video released the series on VHS videotapes through their Wonder Woman: The Collector's Edition series from the late 1990s-early 2000s, which was only available through mail order subscriptions. Each volume contained two episodes. Warner Home Video has released all 3 Seasons of Wonder Woman on DVD in Region 1.

Mego Corporation released a line of dolls in 1976 to correspond with the TV series. The boxes originally featured Lynda Carter as Wonder Woman on the front flap. However, in 1977, her image on the box was dropped and the line was revamped with only the Wonder Woman doll being featured and revised. DC Direct (which creates merchandise for DC Comics) released a Wonder Woman statue in 2007 which is based upon the image created by Lynda Carter.

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Wonder Woman

Wonder Woman's first cover, Sensation Comics #1 (January 1942)

Wonder Woman is a DC Comics superheroine created by William Moulton Marston. First appearing in All Star Comics #8 (December 1941), she is one of three characters to have been continuously published by DC Comics since the company's 1944 inception (except for a brief hiatus in 1984).

Among the Amazons she is known as Princess Diana (being the daughter of Amazon queen Hippolyta); in "man's world" she takes the secret identity of Diana Prince. Her powers include super strength, enhanced speed and stamina, and flight. She is highly proficient in hand-to-hand combat and in the art of tactical warfare. She also possesses an animal-like cunning and a natural rapport with animals, which has in the past been presented as an actual ability to communicate with the animal kingdom. She also makes use of her Lasso of Truth (which forces those bound by it to tell the truth), a pair of indestructible bracelets, and an invisible plane.

Created during World War II, the character was initially depicted fighting the Axis military forces, as well as an assortment of supervillains and supervillainesses. In later decades, the World War II setting was often maintained, while other writers updated the series to reflect an ongoing "present day." Wonder Woman has also regularly appeared in the team books Justice Society (from 1941) and Justice League (from 1960). Arguably the most popular and iconic superheroine in comics, Wonder Woman is also considered a feminist icon and is informally grouped with Superman and Batman as one of a "Trinity" of DC characters, regarded as especially important. She was named the twentieth greatest comic book character by Empire Magazine.

In addition to comics, the character has appeared in other media — most notably the 1975-1979 live-action Wonder Woman TV series starring Lynda Carter, but also in cartoons such as the Super Friends and Justice League. Although a number of attempts have been made to adapt the character to live-action film, none have yet emerged from "development hell." An animated film was released in 2009, starring Keri Russell in the title role.

In an October 25, 1940 interview conducted by former student Olive Byrne (under the pseudonym "Olive Richard") and published in Family Circle, titled "Don't Laugh at the Comics", William Moulton Marston described what he saw as the great educational potential of comic books (a follow up article was published two years later in 1942). This article caught the attention of comics publisher Max Gaines, who hired Marston as an educational consultant for National Periodicals and All-American Publications, two of the companies that would merge to form the future DC Comics. At that time, Marston decided to develop a new superhero.

Marston introduced the idea to Max Gaines, co-founder (along with Jack Liebowitz) of All-American Publications (Marston's pseudonym, Charles Moulton, combined his own and Gaines' middle names). Given the go-ahead, Marston developed Wonder Woman with Elizabeth (whom Marston believed to be a model of that era's unconventional, liberated woman). Marston was also inspired by Olive Byrne, who lived with the couple in a polygamous/polyamorous relationship. Both women served as exemplars for the character and greatly influenced the character's creation. Wonder Woman debuted in All Star Comics #8 (December 1941), scripted by Marston and with art by Harry G. Peter.

Marston was the creator of a systolic blood-pressure measuring apparatus, which was crucial to the development of the polygraph (lie detector). Marston's experience with polygraphs convinced him that women were more honest and reliable than men, and could work more efficiently.

During this period, Wonder Woman joined the Justice Society of America as the first female member; albeit as the group's secretary (the custom was for characters with their own books to hold honorary membership only).

Initially, Wonder Woman is an Amazon champion who wins the right to return Steve Trevor — a United States intelligence officer whose plane had crashed on the Amazons' isolated island homeland — to "Man's World," and fight the evil of the Nazis and other crime.

At the end of the 1960s, under the guidance of Mike Sekowsky, Wonder Woman surrenders her powers to remain in Man's World rather than accompany her fellow Amazons to another dimension. A mod boutique owner, the powerless Diana Prince acquires a Chinese mentor named I Ching. Under I Ching's guidance, Diana learns martial arts and weapons skills, and engages in adventures that encompassed a variety of genres, from espionage to mythology.

The character would later return to her superpowered roots and the World War II-era, (due to the popularity of the Wonder Woman TV series), in Justice League of America and the eponymous title, respectively.

Following the 1985 Crisis on Infinite Earths series, George Pérez and Greg Potter relaunched the character and wrote Wonder Woman as an emissary and ambassador from Themyscira to Patriarch's world, charged with the mission of bringing peace to the outside world.

Originally, Wonder Woman owed her abilities to the goddess Aphrodite creating Amazons superior to men, with Diana being the best of their best.

The Golden Age Wonder Woman was later updated by Marston to be able to will a tremendous amount of brain energy into her muscles and limbs by Amazon training, which endowed her with extraordinary strength and agility (Sensation Comics #46, Oct. 1945); this was later reconfirmed by writer Robert Kanigher in the Silver Age (Wonder Woman v1 #160, Feb. 1966). The TV series show took up this notion; "...  we are able to develop our minds and physical skills ..." ; and in the first episode of Super Friends Diana states to Aquaman "...  the only thing that can surpass super strength is the power of the brain". In early Wonder Woman stories, Amazon training involves strengthening this ability using pure mental energy. Her powers would be removed in accordance with "Aphrodite's Law" if she allowed herself to be bound or chained by a male.

With the inclusion of Wonder Girl and Wonder Tot in Diana's back-story, writers provided new explanations of her powers; the character became capable of feats which her sister Amazons could not equal. Wonder Woman Volume One #105, reveals that Diana was formed from clay by the Queen of the Amazons and was imbued with the attributes of the Greek gods by Athena - "beautiful as Aphrodite, wise as Athena, swifter than Hermes, and stronger than Hercules." Wonder Woman's Amazon training also gave her limited telepathy, profound scientific knowledge, and the ability to speak every language known to man.

Although Wonder Woman’s mythos was returned to its original interpretation between 1966 and 1967, new abilities were added: super breath (to blow jet streams or transform water into snow); ventriloquism; imperviousness to extremes of heat and cold; ride the air currents as if flying; mental telepathy (even to project images); microscopic vision; the ability to vibrate into another dimension, and others which are listed in the Encyclopedia of Comic Book Heroes, Volume Two (1976).

Depending on the writer, Diana's invulnerability and power varied greatly with the story needs.

Wonder Woman's body is a mystical creation made from the clay surrounding Themyscira. Through divine means, her disembodied soul was nurtured in and retrieved from the Well of Souls. Once the soul was placed into the body it immediately came to life, and was blessed with metahuman abilities by six Olympian deities.

Demeter, the Goddess of agriculture and fertility, blessed Diana with strength drawn from the Earth spirit Gaea, making her one of the physically strongest heroes in the DCU . She has been observed assisting in preventing large chunks of the Moon from crashing onto the Earth, supporting the weight of bridges,, hefting entire railroad trains and she has even managed to physically overpower Supergirl.

While not invulnerable, she is quite durable , capable of shrugging off high powered rifle fire with some pain but no injury, and even capable of surviving a warp core explosion. She is even durable enough to survive the depths of space for a period of time before running out of breath.

Aphrodite, the Goddess of love and beauty, blessed Diana with great beauty and a loving heart.

Pallas Athena, the Goddess of wisdom and war, granted Diana great wisdom, intelligence and military prowess. It is Athena’s gift that has enabled Diana to master over a dozen languages (including those of alien origin), multiple complex crafts, sciences and philosophies, as well as her amazon legacy of over 3000 years of leadership, military strategy, and armed and unarmed combat. More recently Athena bound her own eyesight to Diana's, granting her increased empathy.

Artemis, Goddess of the hunt, animals and the Moon, graced Diana with the Eyes of the Hunter and Unity with Beasts. The Eye of the Hunter ability gives Diana a full range of enhanced senses. Unity with Beasts grants her the ability to communicate with all forms of animal life, as well as to calm even the most ferocious of beasts.

Hermes, the messenger God of speed, granted Diana superhuman speed, and the ability to fly. Through the an act of concentration, Diana can mystically defy the laws of gravity and propel herself through the air to achieve flight. She is capable of flying up to sublight speeds. She is swift enough to deflect bullets, lasers and other projectiles with her virtually impenetrable bracelets.

Diana is an above Olympic-level athlete and acrobat. Diana has been trained since infancy in the 3000 year old Amazon legacy of armed and unarmed combat. She is an accomplished military strategist, and highly skilled in using her golden lasso.

Diana has an arsenal of powerful God-forged weapons at her disposal but her signature weapons are her indestructible Vambraces of the Aegis and the Lasso of Truth.

The Vambraces, sometimes called bracelets, were formed from the remnants of Zeus' legendary Aegis shield at the request of Athena to be awarded to her champion. These forearm guards have thus far proved indestructible, and can absorb the impact of incoming attacks, such as deflecting automatic weapons or energy blasts.

Diana can also slam the bracelets together to create a wave of concussive force capable of making Superman's ears bleed.

The Lasso of Truth, or Lariat of Hestia, was forged by Hephaestus from the golden girdle of Gaea. It is virtually indestructible, although it has been broken on occasion, such as by the Rama Khan of Jarhanpur, and by Bizarro. The Lasso burns with a magical aura called the Fires of Hestia, forcing anyone within the Lasso's confines to be truthful. Diana wields it with great precision and accuracy, and can use it as a whip or noose.

Wonder Woman's golden tiara has also doubled as a dagger and a throwing weapon, returning to her like a boomerang. It is sharp enough to cut even Superman.

Diana once possessed the Sandals of Hermes, or talaria, which granted the wearer great speed and flight. They were passed on first to Artemis, and later to Wonder Girl.

Diana also once possessed the Gauntlets of Atlas, which magnifies the physical strength and stamina of the wearer. They too were passed on.

The Golden Age and Silver Age Wonder Woman used an invisible airplane that could be controlled by mental commands. It was variously described as being either a creation of Amazon technology, or alternately the legendary winged horse Pegasus transformed into an aircraft. Its appearance varied as well, originally having a propeller and later being drawn as a jet aircraft, resembling a fighter plane.

The Post-Crisis Wonder Woman has at her disposal a small lightweight disc of alien (Lansinar) technology that, when triggered by her thoughts, transforms into a transparent version of whatever object or vehicle that is appropriate for her needs. However, following the One Year Later continuity jump, Diana was given a new invisible plane, created by Wayne Industries, because her original Invisible Plane was stuck on Themyscira.

Diana occasionally uses additional weaponry in formal battle, such as ceremonial golden armor complete with golden wings, war-skirt and chest-plate, and a golden helmet in the shape of an Eagle's head. She also possesses a sword (also forged by Hephaestus) that is sharp enough to cut the electrons off of an atom.

A television series based on Wonder Woman aired for three seasons from 1975-1979. The series starred Lynda Carter as Wonder Woman.

A direct-to-video animated film adaptation of Wonder Woman was released on March 3, 2009 on DVD and Blu-ray disc as part of the DC Universe Original Animated Movies series produced by DC Comics animation veteran Bruce Timm and released by Warner Bros. The film stars Keri Russell as Wonder Woman and is directed by Lauren Montgomery. It feature Russell's Waitress costar Nathan Fillion as Steve Trevor, as well as Alfred Molina, Rosario Dawson, and Virginia Madsen. The dvd sold 102,890 copies in its first week, and ranked number 5 on the dvd sales chart in america. .

In January 2001, producer Joel Silver approached Todd Alcott to write a Wonder Woman screenplay, with Silver Pictures backing the project. Early gossip linked actresses such as Jennifer Lopez, Sandra Bullock, Rachel Bilson, Nadia Bjorlin, and Catherine Zeta-Jones to the role of Wonder Woman. Leonard Goldberg, speaking in a May 2001 interview, named Sandra Bullock as a strong candidate for the project. Bullock claimed that she was approached for the role, while wrestler Chyna expressed interest. Turning down the part in the past, Lucy Lawless indicated that she would have been more interested if Wonder Woman was portrayed as a "flawed hero." The screenplay then went through various drafts written by Alcott, Jon Cohen, Becky Johnston, and Philip Levens. By August 2003, Levens was replaced by screenwriter Laeta Kalogridis.

In March 2005, Warner Bros. and Silver Pictures announced that Joss Whedon would write and direct the film adaptation of Wonder Woman. Whedon's salary was reported to be between $2 to $3 million. Since Whedon was directing Serenity at the time, and required time to research Wonder Woman's background, he did not begin the screenplay until late 2005. According to Joel Silver, the script would cover Wonder Woman's origin and include Steve Trevor: "Trevor crashes on the island and they go back to Man's World." Silver wanted to film Wonder Woman in Australia once the script was completed. While Whedon stated in May 2005 that he would not cast Wonder Woman until he finished the script, Charisma Carpenter and Morena Baccarin expressed interest in the role.

After being handed the role of script-writer for close to two years though, Whedon still had not managed to write an actual script. "It was in an outline, and not in a draft, and they didn't like it. So I never got to write a draft where I got to work out exactly what I wanted to do." In February 2007, Whedon departed from the project, citing script differences with the studio. Whedon reiterated: "I never had an actress picked out, or even a consistent front-runner. I didn't have time to waste on casting when I was so busy air balling on the script." Whedon stated that with the Wonder Woman project left behind, he would focus on making his film Goners.

A day before Whedon's departure from Wonder Woman, Warner Bros. and Silver Pictures purchased a spec script written by Matthew Jennison and Brent Strickland. Set during World War II, the script impressed executives at Silver Pictures. However, Silver has made clear that he purchased the script because he didn't want it floating around in the industry; although it has good ideas, he doesn't wish for the Wonder Woman film to be a period piece. By April 2008, Silver hired Jennison and Strickland to write a new (modern day) script that would not depict Wonder Woman's origin, but explore Paradise Island's history.

A number of actresses had reportedly been under consideration for the role of Wonder Woman in the Justice League film. Jessica Biel was approached for the role, but passed on it, while Missy Peregrym, Mary Elizabeth Winstead, Teresa Palmer, Shannyn Sossamon, and Christina Milian expressed interest. It had been reported that Australian supermodel Megan Gale was cast as the heroine. In early January 2008, it was reported that production of the JLA film was delayed due to the 2007–2008 Writers Guild of America strike. When asked if the film would still affect the solo Wonder Woman movie in April 2008, Silver said it would not as the Justice League film had been put on indefinite hold. In August 2008, however director George Miller as well as actress Megan Gale confirmed that the film was still on, with a plan to resume filming in 2009.

In an article in The Wall Street Journal, Warner Bros. president Jeff Robinov said that they are interested in doing a Justice League film, but confirmed that the project that had been in development had been shelved. They are currently focusing on solo films for their DC properties.

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Source : Wikipedia