Penélope Cruz

3.4183514774471 (1286)
Posted by r2d2 03/11/2009 @ 07:16

Tags : penélope cruz, actors and actresses, entertainment

News headlines
Fergie, Cruz had to gain 17 pounds! - Times of India
Singer Stacy Ann Ferguson aka Fergie has revealed that she and actress Penelope Cruz had to gain 17 pounds before shooting of musical 'Nine' began. The two had been asked by the movie's director to put on the weight, and they were very happy to oblige....
Fergie Goes Topless in 'Allure,' Talks Sex, Piercings, and Gluttony - FOXNews
Fergie had to ditch the eyebrow bling for her role in the movie musical "Nine," which she stars in with Oscar winner Penelope Cruz, and for which she also gorged to gain 17 pounds. “We were eating our brains out," she says. "We ordered everything fried...
Starring San Francisco: Where the Trans People Come to Stay - The San Francisco Appeal
by Christine Borden You'd think that in discussing a movie starring Penelope Cruz, I'd focus on Penelope Cruz. Today is not your day. Au contraire, in 2000's Woman on Top, it's Monica (Harold Perrineau Jr.), the trans friend, who's much more...
Penelope Cruz immortalized in wax -
Penelope Cruz is illing, but not from swine flu or bad crepes. The Spanish siren -- at the Cannes Film Festival for the premiere of Pedro Almodóvar's Broken Embraces -- had been due at an event Monday, and producers blamed her no-show on food poisoning...
Sean Penn backs out of two film projects - United Press International
(L to R) Kate Winslet, Sean Penn, and Penelope Cruz hold their Oscars backstage at the 81st Academy Awards in Hollywood on February 22, 2009. Winslet won best actress, Penn won best actor, and Cruz won best supporting actress....
Spain 1, Iraq 0 Spain's Unbeaten Streak Reaches 34 Matches - New York Times
The Oscar for best supporting actress belongs to Penélope Cruz for her role in “Vicky Cristina Barcelona.” Lately, Spanish soccer has drawn the same ecstatic reviews, four stars, two thumbs up. Perhaps its own Oscar will finally come next year at the...
Penelope Cruz impresses in Vicky Cristina Barcelona - MyParkMag
Winner of the Golden Globe for Best Picture - Musical / Comedy, Woody Allen's Vicky Cristina Barcelona features remarkable and much nominated performances by Scarlett Johansson, Penelope Cruz, Javier Bardem and Rebecca Hall....
Penelope Cruz Two-Times, Cantona Gives Life Tips: Cannes Movies - Bloomberg
The starlet (Penelope Cruz) is initially a secretary. She moonlights as a call-girl to pay dad's hospital bills; you see her working the phone in a red negligee. When cash grows scarce, she moves in with the geriatric boss, charms him into funding her...
Cast: Ben Kingsley, Penelope Cruz - Indian Express
Indeed, the film about an aging professor's (Ben Kingsley) tumultuous affair with his student (Penelope Cruz) seems to be strangely uncomfortable with its central theme. The voyeuristic camera is an emabarassed intruder in the bedroom of the lovers....
Fashion Face-Off: Penélope Cruz vs. Rachel McAdams - E! Online
Penélope Cruz and Rachel McAdams know there's more than one way to wear a dress. Both lovely ladies chose to wear this lacy L'Wren Scott dress, but Penélope stepped out in the longer version for evening, paired with peep-toe pumps and a black clutch....

Penélope Cruz

Penelope Cruz.jpg

Penélope Cruz Sánchez (born April 28, 1974), better known as Penélope Cruz, is a Spanish actress. She gathered critical acclaim as a young actress for films such as Jamón, Jamón, La Niña de tus ojos, and Belle époque. She has also starred in several American films such as Blow, Vanilla Sky, and Vicky Cristina Barcelona. She is perhaps best known for her work with acclaimed Spanish director, Pedro Almodóvar, in Volver and Todo sobre mi madre. Cruz has been awarded three Goyas, two European Film Awards, the Golden Palm for Best Actress, and a BAFTA. In 2009, she won an Academy Award for Best Supporting Actress, a Goya, and a BAFTA for her role in Vicky Cristina Barcelona. She is Spain's first female Oscar winner and second Hispanic actress since 1961.

Penélope Cruz Sánchez was born in Alcobendas, Madrid, Spain, the daughter of Encarna Sánchez, a hairdresser and personal manager, and Eduardo Cruz, a retailer and auto mechanic. As a toddler, she was already a compulsive performer, re-enacting TV commercials for her family's amusement. Initially, Cruz decided to focus on dance. After studying classical ballet for nine years at Spain's National Conservatory, she continued her training under a series of prominent dancers. She received three years of Spanish Ballet training with Ángela Garrido. She also had jazz dance training with Raúl Caballero and studied at Cristina Rota (mother of Juan Diego Botto) school in Madrid. At 15, however, she followed another calling after beating more than 300 other girls at a talent agency audition.

Cruz first achieved fame when she appeared in La fuerza del destino for the Spanish synthpop group Mecano. She later started a relationship with Nacho Cano, a member of the group. A TV presenter for the teen-oriented program La Quinta Marcha, she also had early exposure in Série Rose, an erotic French TV serial. In one episode she played the role of a blind prostitute and in another played a young noblewoman pretending to be a young nobleman in a comedy of errors. She also directed Nacho Cano's video of "El waltz de los locos", in 1994.

Cruz's first major films were Jamón, jamón and Belle Époque, a film which won an Academy Award for Foreign Language Film. In 1997, she starred as Sofía Pangia, alongside Eduardo Noriega in Abre los ojos, directed by Alejandro Amenábar, while in 1999 she appeared in Pedro Almodóvar's Todo sobre mi madre (All About My Mother), which also won an Academy Award for Foreign Language Film. In 2000 she appeared with Matt Damon in All the Pretty Horses.

For Cruz, the early 2000s were a period of mediocre reviews and mixed commercial success. In late 2001, she appeared in the film Vanilla Sky, the Hollywood remake of Abre los ojos. Returning to Europe, in 2004, Cruz learned Italian to star in the film Don't Move. She earned critical praise for her role and earned the coveted David di Donatello award, the Italian equivalent to the Oscar, for her portrayal. Cruz speaks Castellano, French, English, and Italian.

In 2006, she co-starred with her best friend, Salma Hayek, in the film Bandidas. That same year, Cruz received highly favourable reviews for her performance in Pedro Almodóvar's Volver. She shared a Best Actress award at the Cannes Film Festival with five of her co-stars, and was nominated for the Golden Globe, the Screen Actors Guild Award, the BAFTA Award, and the Academy Award for Best Actress in a leading role. The latter of these nominations made her the first Spanish actress to be nominated for an Academy Award for Best Actress.

In May 2007, it was announced that Penélope and her sister Mónica would be designing a 25-piece collection for the Barcelona-based fashion chain, Mango. On July 7, 2007, Cruz presented at Live Earth. In late 2007, she starred in the Jaume de Laiguana-directed video for her brother's first single, named "Cosas que contar", along with her friend Mía Maestro and her sister Mónica. Cruz had previously shown a keen interest in fashion and is a model for L'Oreal and its "Telescopic" mascara.

In 2008, Cruz appeared with Sir Ben Kingsley in fellow Spaniard Isabel Coixet's film Elegy (film), earning her critical praise for an English-speaking role. The film was based on the Philip Roth story The Dying Animal. She was nominated for a Golden Satellite award for her performance.

In 2008, she starred in Woody Allen's Vicky Cristina Barcelona as María Elena, Javier Bardem's mentally unstable ex-wife. Her performance received wide critical praise. For the role, Cruz received her second Academy Award Nomination, and later won for Best Supporting Actress, making her only the second Spanish actor to win an Academy Award, a year after her boyfriend, Javier Bardem, won for No Country for Old Men. She became the first Spanish actress to win an Academy Award, and one of the only actors besides Ingrid Bergman to win the Oscar for a role speaking two different languages. Besides the Oscar, Cruz won the BAFTA, the Independent Spirit Award, the National Board of Review Award, and the New York Film Critics Circle Award for Best Supporting Actress in Vicky Cristina Barcelona. She also earned Golden Globe and Screen Actors Guild nominations for her role.

Cruz again collaborated with Pedro Almodóvar in his film Los Abrazos Rotos, which is slated to be released in the U.S. in November 2009. She will also be featured in the film version of the musical Nine (film) along with other Oscar winners Sophia Loren, Nicole Kidman, and Marion Cotillard.

Cruz has a younger brother, Eduardo, a singer, and a younger sister, Mónica, who closely resembles her: a similarity exploited for some Spanish TV ads. In the 2000s, Mónica left her dancing career and achieved note on her own in the youth-oriented TV series Un Paso Adelante.

Cruz claims to be a vegetarian since 2000, though this fact is disputed. She speaks four languages: Spanish, Italian, French and English. Cruz has also donated a considerable amount of money and time to charity. In 1997 she volunteered in Uganda for two months.

After appearing in the 2001 film Vanilla Sky with Tom Cruise, they had a three-year relationship which ended in January 2004. During that time, she and Cruise were seen visiting several Church of Scientology locations in Hollywood, and there was published speculation that Cruise had convinced Cruz to join the church.

After filming Sahara in February 2005, she began dating actor Matthew McConaughey. In May 2006, they released a joint statement to People, saying that they "have decided to take time off as a couple." Later that year they announced that they were "no longer intimate and separating was the best thing to do at this time". She has been dating Academy Award - Winning Spanish actor Javier Bardem since 2007; the two appeared together in Jamón, Jamón, Live Flesh and 2008's Vicky Cristina Barcelona.

In April 2007 Cruz, who was single at the time, stated that she would like to have children one day and she feels the need to adopt. "Of course I want to have kids," Cruz, 34, told the Spanish edition of Marie Claire in its April issue. "I want to have my own kids, but also adopt. For a while I've had the feeling that my life won't be complete if I don't adopt".

To the top

Academy Award for Best Supporting Actress

Performance by an Actress in a Supporting Role is one of the Academy Awards of Merit presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) to recognize an actress who has delivered an outstanding performance while working within the film industry. Since its inception, however, the award has commonly been referred to as the Oscar for Best Supporting Actress. While actresses are nominated for this award by Academy members who are actors and actresses themselves, winners are selected by the entire Academy membership.

Throughout the past 73 years, accounting for ties and repeat winners, AMPAS has presented a total of 73 Best Supporting Actress awards to 71 different actresses. Winners of this Academy Award of Merit currently receive the familiar Oscar statuette, depicting a gold-plated knight holding a crusader's sword and standing on a reel of film. Prior to the 16th Academy Awards ceremony (1943), however, they received a plaque. The first recipient was Gale Sondergaard, who was honored at the 9th Academy Awards ceremony (1936) for her performance in Anthony Adverse. The most recent recipient was Penélope Cruz, who was honored at the 81st Academy Awards ceremony (2008) for her performance in Vicky Cristina Barcelona.

Until the 8th Academy Awards ceremony (1935), nominations for the Best Actress award were intended to include all actresses, whether the performance was in either a leading or supporting role. At the 9th Academy Awards ceremony (1936), however, the Best Supporting Actress category was specifically introduced as a distinct award following complaints that the single Best Actress category necessarily favored leading performers with the most screen time. Nonetheless, May Robson had received a Best Actress nomination (Lady for a Day, 1933) for her performance in a clear supporting role. Currently, Performance by an Actor in a Leading Role, Performance by an Actress in a Leading Role, Performance by an Actor in a Supporting Role, and Performance by an Actress in a Supporting Role constitute the four Academy Awards of Merit for acting annually presented by AMPAS.

The only actresses to have won the award twice are: Shelley Winters, in 1959 and 1965 (she was also nominated in 1972, in addition to receiving a nomination for lead actress in 1951); and Dianne Wiest, in 1986 and 1994 (she was also nominated in 1989).

Thelma Ritter had six nominations, more than any other actress. As she never won the award, she also holds the record for the number of unsuccessful nominations. Thelma Ritter is also the only actress with nominations in four successive years (1950-1953). Glenn Close was nominated three years consecutively (1982-1984).

Actresses with four nominations are: Ethel Barrymore, Agnes Moorehead, Lee Grant, Maureen Stapleton, Geraldine Page, and Dame Maggie Smith. All of Agnes Moorehead's and Geraldine Page's nominations were unsuccessful (but Page did win a Best Actress award); each of the others won once (with Smith also having previously won a Best Actress award).

Those with three nominations are: Anne Revere, Celeste Holm, Claire Trevor, Angela Lansbury, Shelley Winters, Glenn Close, Diane Ladd, Dianne Wiest, Meryl Streep, Frances McDormand, Cate Blanchett, and Marisa Tomei. Lansbury, Close, Ladd, and McDormand have never won a Best Supporting Actress award (but McDormand did win a Best Actress award).

Hattie McDaniel was the first African American, Miyoshi Umeki the first (and only) Asian, Rita Moreno the first (and only) Puerto Rican and the first Hispanic, Brenda Fricker the first (and only) Irish, Catherine Zeta-Jones the first (and only) Welsh, Cate Blanchett the first (and only) Australian, and Penélope Cruz the first (and only) Spaniard to win Best Supporting Actress.

Only three actresses have received Best Supporting Actress nominations for non-speaking roles: Patty Duke won the award for The Miracle Worker in 1962, Samantha Morton was nominated for Sweet and Lowdown in 1999, and Rinko Kikuchi was nominated for Babel in 2006. Both Morton and Kikuchi performed their roles without speaking a word, while Duke had no dialogue whatsoever other than grunts and screams.

The earliest nominee in this category who is still alive is Olivia de Havilland (1939) followed by Jennifer Jones (1944) and Angela Lansbury (1944). The earliest winner in this category who is still alive is Celeste Holm (1947) followed by Eva Marie Saint (1954).

The only actor to win an Oscar for playing a real-life Oscar winner is Cate Blanchett. She won Best Supporting Actress in 2004 for playing Katharine Hepburn in The Aviator.

There have been no posthumous nominations for this award.

Only three black actresses have won the award: Hattie McDaniel, Whoopi Goldberg and Jennifer Hudson.

Following the Academy's practice, the films below are listed by year of their Los Angeles qualifying run, which is usually (but not always) the film's year of release. For example, the Oscar for Best Supporting Actress of 1999 was announced during the award ceremony held in 2000. Winners are listed first in bold, followed by the other nominees. For a list sorted by actress names, please see List of Best Supporting Actress nominees. For a list sorted by film titles, please see List of Best Supporting Actress nominees (films).

Beginning with the 1943 awards, winners in the supporting acting categories were awarded Oscar statuettes similar to those awarded to winners in all other categories, including the leading acting categories. Prior to this, however, winners in the supporting acting categories were awarded plaques.

As the Academy Awards are based in the United States and are centered on the Hollywood film industry, the majority of Academy Award winners have been Americans. Nonetheless, there is significant international presence at the awards, as evidenced by the following list of winners of the Academy Award for Best Supporting Actress.

At the 37th Academy Awards (1964), for the first time in history, all four of the top acting honors were awarded to non-Americans: Rex Harrison, Julie Andrews, Peter Ustinov, and Lila Kedrova. This occurred for the second time at the 80th Academy Awards (2007), when all four acting categories were similarly represented: Daniel Day-Lewis, Marion Cotillard, Javier Bardem, and Tilda Swinton.

To the top

Fanfan la Tulipe


Fanfan la Tulipe is a 1952 French comedy adventure film directed by Christian-Jaque. It has also been categorized under swashbuckler films. The film starred Gérard Philipe and Gina Lollobrigida. The film was remade in 2003 with Penélope Cruz in Lollobrigida's role.

The film is set in France during the Seven Years' War. As the film begins, Fanfan (Gérard Philipe) is a charming, attractive young man who is trying to escape a shotgun marriage. At this vulnerable point in his life, he is approached by the daughter of a recruiting officer, Adeline, (played by Gina Lollobrigida) who tells him that if he joins the army, he will find fame, fortune, and will marry the king’s daughter. Accordingly he joins the army, only to discover that she made the whole thing up in order for her father to get a recruiting bonus. Nevertheless, encouraged by a series of improbable circumstances, he accepts her prediction as his destiny. A series of events ensues which shows off to great advantage his athleticism and leadership ability. As the film progresses, we become aware of a developing attraction between himself and Adeline which however conflicts with his perceived “destiny” of marrying a king’s daughter.

To the top

Cinema of Spain

Victor Erice's The Spirit of the Beehive

The art of motion-picture making within the nation of Spain or by Spanish filmmakers abroad is collectively known as Spanish Cinema.

Non-directors have obtained less international notability like the cinematographer Néstor Almendros, the Art director Gil Parrondo, the screenwriter Rafael Azcona, the actress Penélope Cruz and the actors Fernando Rey, Francisco Rabal, Antonio Banderas, Javier Bardem and Fernando Fernán Gómez have obtained significant recognition outside Spain.

Today, 10 to 20% of box office receipts in Spain are generated by domestic films, a situation that repeats itself in many nations of Europe and the Americas. The Spanish government has therefore implemented various measures aimed at supporting local film production and movie theaters, which include the assurance of funding from the main national television stations. The trend is being reversed with the recent screening of productions such as the €30 million film Alatriste (starring Viggo Mortensen), the Academy Award winning Spanish/Mexican film Pan's Labyrinth (El Laberinto del Fauno), Volver (starring Penélope Cruz), and Los Borgia (€10 million), all of them sold-out blockbusters in Spain.

The first Spanish film exhibition took place on May 5, 1895 in Barcelona. Exhibitions of Lumière films were screened in Madrid and Barcelona in May and December of 1896, respectively.

The matter of which Spanish film came first is in doubt. The first was either Salida de la misa de doce de la Iglesia del Pilar de Zaragoza (Exit of the Twelve O'Clock Mass from the Church of El Pilar of Zaragoza) by Eduardo Jimeno Peromarta, Plaza del puerto en Barcelona (Plaza of the Port of Barcelona) by Alexandre Promio or the anonymous film Llegada de un tren de Teruel a Segorbe (Arrival of a Train from Teruel in Segorbe). It is also possible that the first film was Riña en un café (Brawl in a Café) by the prolific filmmaker Fructuós Gelabert. These films were all released in 1897.

The first Spanish film director to achieve great success internationally was Segundo de Chomón, who worked in France and Italy but made several famous fantasy films in Spain such as El Hotel eléctrico.

In 1914, Barcelona was the center of the nation's film industry. The españoladas (historical epics of Spain) predominated until the 1960s. Prominent among these were the films of Florián Rey, starring Imperio Argentina, and the first version of Nobleza Baturra (1925). Historical dramas such as Vida de Cristóbal Colón y su Descubrimiento de América (The Life of Christopher Columbus and His Discovery of America) (1917), by the French director Gerald Bourgeois, adaptations of newspaper serials such as Los misterios de Barcelona (The Mysteries of Barcelona) starring Joan Maria Codina (1916), and of stage plays such as Don Juan Tenorio, by Ricardo Baños, and zarzuelas (comedic operettas), were also produced. Even the Nobel Prize-winning playwright Jacinto Benavente, who said that "in film they pay me the scraps," would shoot film versions of his theatrical works.

In 1928, Ernesto Giménez Caballero and Luis Buñuel founded the first cine-club (film society), in Madrid. By that point, Madrid was already the primary center of the industry; 44 of the 58 films released up until that point had been produced there.

The rural drama La aldea maldita (The Cursed Village) (Florian Rey, 1929) was a hit in Paris, where, at the same time, Buñuel and Dalí premiered Un chien andalou (An Andalusian Dog). Un chien andalou has become one of the most well-known avant-garde films of that era.

By 1931, the introduction of audiophonic foreign productions had hurt the Spanish film industry to the point where only a single title was released that year.

In 1935, Manuel Casanova founded the Compañía Industrial Film Española S.A. (Spanish Industrial Film Company Inc, Cifesa) and introduced sound to Spanish film-making. CIFESA would grow to become the biggest production company to ever exist in Spain. Sometimes criticized as an instrument of the right wing, it nevertheless supported young filmmakers such as Luis Buñuel and his pseudo-documentary Las Hurdes: Tierra Sin Pan (Breadless Land). In 1933 it was responsible for filming 17 motion pictures and in 1934, 21. The most notable success was Benito Perojo´s La verbena de la paloma (The Dove's Verbena).They were also responsible for the 1947 Don Quijote de la Mancha, the most elaborate version of the Cervantes classic up to that time. By 1935 production had risen to 37 films.

Around 1936, both sides of the Civil War began to use cinema as a means of propaganda and censorship. A typical example of this is Luis Buñuel's España 1936, which also contains much rare newsreel footage. The pro-Franco side founded the National Department of Cinematography, causing many actors to go into exile.

The new regime then began to impose obligatory dubbing to highlight directors such as Ignacio F. Iquino, Rafael Gil (Huella de luz (1941)), Juan de Orduña (Locura de amor (1948)), Antonio Román (Los últimos de Filipinas), José Luis Sáenz de Heredia (Raza (film)) (1942)) with scripts of Franco's and Edgar Neville's. Cifesa produced Ella, él y sus millones as well as Fedra (1956), by Manuel Mur Oti.

Finally, in the 1950s, the influence of Neorealism became evident in the works of new directors such as Antonio del Amo, Antonio Nieves Conde's masterpiece Surcos, Juan Antonio Bardem's (Muerte de un ciclista and Calle mayor), and Luis García Berlanga (Bienvenido Mister Marshall, Plácido).

Juan de Orduña would later have an enormous commercial hit with El Último Cuplé (The Final Variety Song) (1957), with leading actress Sara Montiel.

Buñuel sporadically returned to Spain to film the shocking Viridiana (1961) and Tristana (1970), two of his best films.

Numerous coproductions with France and, most of all, Italy along the 50s, 60s and 70s invigorated Spanish cinema both industrially and artistically. Actually the just mentioned Buñuel's movies were coprodctions: Viridiana was Spanish-Mexican, and Tristana Spanish-French-Italian. Also, the hundreds of Spaghetti-westerns and sword and sandal films shot in southern Spain by mixed Spanish-Italian teams were coproductions.

On the other hand, several American epic-scale superproductions or blockbusters were shot also in Spain, produced either by Samuel Bronston, ( King of Kings (1961), El Cid (1961), 55 Days at Peking (1963), The Fall of the Roman Empire (1964), Circus World (1964)), or by others (The Pride and the Passion (1957), Solomon and Sheba (1959), Lawrence of Arabia (1962), Doctor Zhivago (1965)). These movies employed many Spanish technical professionals, and as a byproduct caused that some filmstars, like Ava Gardner and Orson Welles lived in Spain for years. Actually Welles, with Mr. Arkadin (1955), in fact a French-Spanish-Swiss coproduction, was one of the first American filmmakers to devise Spain as location for his shootings, and he did it again for Chimes at Midnight (1966), this time a Spanish-Swiss coproduction.

Many international actors played in Spanish films: Italians Vittorio Gassman and Rossano Brazzi with Mexican María Félix in La corona negra ; Italian couple Raf Vallone and Elena Varzi in Los ojos dejan huella, Mexican Arturo de Córdova in Los peces rojos, Americans Betsy Blair in Calle mayor; Edmund Gwenn in Calabuch or Richard Basehart in Los jueves, milagro among many others. All the foreign actors were dubbed into Spanish. Mexican actor Gael García Bernal has also recently received international notoriety in films by Spanish directors.

In 1962, José María García Escudero became the Director General of Cinema, propelling forward state efforts and the Escuela Oficial de Cine (Official Cinema School), from which emerged the majority of new directors, generally from the political left and those opposed to the Franco dictatorship. Among these were Mario Camus, Miguel Picazo, Francisco Regueiro, Manuel Summers, and, above all, Carlos Saura. Apart from this line of directors, Fernando Fernán Gómez made the classic El extraño viaje (The Strange Trip) (1964). From television came Jaime de Armiñan, author of Mi querida señorita (My Dear Lady) (1971).

From the so-called Escuela de Barcelona, originally more experimentalist and cosmopolitan, come Vicente Aranda, Jaime Camino, and Gonzalo Suárez, who made their master works in the 1980s.

The San Sebastian International Film Festival is a major film festival supervised by the FIAPF. It was started in 1953, and it takes place in San Sebastián every year. Alfred Hitchcock, Audrey Hepburn, Steven Spielberg, Gregory Peck, Elizabeth Taylor are some of the stars that have participated in this festival, the most important in Spain and one of the best cinema festivals in the world.

The Festival de Cine de Sitges, now known as the Festival Internacional de Cinema de Catalunya (International Film Festival of Catalonia), was started in 1967. It is considered one of the best cinematographic contests in Europe, and is the best in the specialty of science fiction film.

With the end of dictatorship, censorship was greatly loosened and cultural works were permitted in other languages spoken in Spain besides Spanish, resulting in the founding of the Catalan Institute of Cinema, among others.

At the beginning, the popular phenomena of striptease and landismo (from Alfredo Landa) triumph. During the democracy, a whole new series of directors base their films either on controversial topics or on revising the country's history. Jaime Chávarri, Víctor Erice, José Luis Garci, Manuel Gutiérrez Aragón, Eloy de la Iglesia, Pilar Miró and Pedro Olea were some of these who directed great films. Montxo Armendáriz or Juanma Bajo Ulloa's "new Basque cinema" has also been outstanding; another prominent Basque director is Julio Médem.

The Spanish cinema, however, depends on the great hits of the so-called Madrileño comedy by Fernando Colomo or Fernando Trueba, the sophisticated melodramas by Pedro Almodóvar, Alex de la Iglesia and Santiago Segura's black humour or Alejandro Amenábar's works, in such a manner that, according to producer José Antonio Félez, "50% of total box office revenues comes from five titles, and between 8 and 10 films give 80% of the total" during the year 2004.

On the other hand, Spanish pornographic cinema has flourished in the city of Barcelona; one of its stars is Nacho Vidal.

In 1987, a year after the founding of the Academia de las Artes y las Ciencias Cinematográficas de España, the Goya Awards were created to recognize excellence in many aspects of Spanish motion picture making such as acting, directing and screenwriting. The first ceremony took place on March 16, 1987 at the Teatro Lope de Vega, Madrid. The ceremony continues to take place annually around the end of January, and awards are given to films produced during the previous year. The award itself is a small bronze bust of Francisco de Goya created by the sculptor José Luis Fernández.

The Spanish newspaper El Mundo recently took notice of a phenomenon little-known to general audiences when it wrote, "A new style of producing has been created in our country. World-class stars, English-language shoots and big budgets. Production companies like KanZaman are currently involved in various ambitious projects that import the ways and customs of Hollywood to our industry." English language Spanish films produced by Spanish companies include The Machinist (starring Christian Bale), The Others (starring Nicole Kidman), Basic Instinct 2 (KanZaman, Spain) (starring Sharon Stone), and Milos Forman’s Goya's Ghosts (Xuxa Produciones, Spain) (starring Javier Bardem and Natalie Portman), and Two Much (starring Antonio Banderas and Melanie Griffith).

KanZaman (Spain) and Recorded Picture Company (UK) co-produced Sexy Beast (starring Ben Kingsley) in 1999. Other films co-produced by KanZaman include: The Reckoning (starring Paul Bettany and Willem Dafoe); The Bridge of San Luis Rey, based on the Pulitzer prize winning Thornton Wilder novel of the same name and starring Robert De Niro, Harvey Keitel, Kathy Bates and Pilar López de Ayala; Mike Barker’s A Good Woman (starring Helen Hunt and Scarlett Johansson), and Sahara (starring Matthew McConaughey and Penélope Cruz). In 2004, KanZaman established Reino del Cielo s.l. through which it co-produced Ridley Scott’s epic Kingdom of Heaven (starring Orlando Bloom and Liam Neeson), making it the biggest production in the history of Spanish cinema.

Armenia · Azerbaijan · Iran · Iraq · Israel · Lebanon · Palestine · Russia (Russian Empire) · Saudi Arabia · Soviet Union · Syria · Tajikistan · Turkey · U.A.E.

To the top

Las noticias del guiñol

A guiñol of Michael Robinson, a former show host

Las noticias del guiñol ("The news of guignol") is a satirical news programme that airs on Cuatro in Spain. It is somewhat based on a similar programme airing on its sister Canal+ network in France, Les Guignols de l'info, in that it features latex puppets. Latex casts may be shared among countries with local celebrities being used as anonymous citizens in foreign shows. Its current host is a facsimile of Michael Robinson, an English-born football pundit. While Penélope Cruz has made some appearances, the program generally focuses on prominent athletes and political figures. Among other figures, the program features Pau Gasol, Raúl, Luis Aragonés, Florentino Pérez, Joan Laporta, Fernando Alonso, José Luis Rodríguez Zapatero, Mariano Rajoy, María Teresa Fernández de la Vega, José Bono, Pasqual Maragall, and Josep-Lluís Carod-Rovira. International figures who regularly appear include David Beckham, Ronaldo, Ronaldinho, Samuel Eto'o, Louis Van Gaal (who instead of a head has a cube made of bricks, probably an allusion to his well-known stubbornness) George W. Bush, Condoleezza Rice, Tony Blair, Silvio Berlusconi and Pope Benedict XVI.

Now, they have a section in the late-night show "Noche Hache".

Historically, prominent characters have included Felipe González (occasionally appearing as Cantinflas), José María Aznar and Jordi Pujol.

One of the most often quoted phrases attributed to former prime minister José María Aznar - "¡España va bien!" (literally "Spain is doing well").

While most programmes on Canal+ were scrambled for non set-top box subscribers, Las noticias del guiñol was broadcast unscrambled.

In November 2005 Canal+ ceased to exist as a partially encrypted terrestrial television channel (although it continued to exist on the Digital+ satellite platform). It was replaced by Spain's fifth national terrestrial channel Cuatro, the newest member of Jesús de Polanco's Sogecable media empire. Although the guiñoles were one of the very few programmes to make the transition from Canal+ to Digital+, the programme was rebranded for the new channel as Los guiñoles de Canal+. The programme is currently shown on the free-to-air channel Cuatro.

The programme has won "Premio Ondas", the most prestigious TV prize in Spain to the scriptwritters: Fidel Nogal and Gonzalo Tegel.

To the top

Yohana Cobo

Yohana Cobo (born Madrid, January 12, 1985) is a Spanish film and television actress. She is best known for her role as Penélope Cruz's daughter in Pedro Almodóvar's's Volver.

To the top

For Love, Only for Love

For Love, Only for Love (Italian: Per amore, solo per amore) is a 1993 Italian historical drama film directed by Giovanni Veronesi and starring Diego Abatantuono, Penélope Cruz and Alessandro Haber. It depicts the nativity of Mary.

To the top

Bendito infierno


Bendito infierno (released as Sin noticias de Dios in Spain and in English as Don't Tempt Me) is a Mexico/Spain co-production. The screenplay for this comedy film was written especially for Penélope Cruz and Victoria Abril by the award-winning Spanish writer and director Agustín Díaz Yanes of Nadie hablará de nosotras cuando hayamos muerto.

This movie was nominated for the Goya Awards in 2002 in the categories of Best Picture, Best Actress (Victoria Abril) and Best Supporting Actor (Gael García Bernal).

The movie earned Demián Bichir the "Best Bichir in a movie" MTV Movie Awards-Mexico in 2003.

In Heaven the last ten years have been tough -- Hell has been winning the battle between Good and Evil. The managers of Heaven receive a request by a mother to save her son's soul and see opportunity of winning the soul of a boxer named Many (Demián Bichir) as an opportunity to shift the balance of power. Although Many is in a great debt an is even thinking of suicide, Lola (Victoria Abril), an angel, is sent to Earth to take over the role of the boxer's wife. To counter this, Hell's manager Jack Davenport (Gael García Bernal) decides to send one of his more troublesome agents, Carmen (Penélope Cruz), who was an ex gangster punished into being a waitress, to fight back, impersonating Many's cousin. Though it starts out as a simple fight between heaven and hell for the soul of one man, a conspiracy in Hell and conflicting emotions interrupt the war between saints and sinners. Many is overprotective of Lola and after seing Carmen's porn magazines (she was a man) he suspects a relationship between Lola and Carmen. Suddenly Many's soul becomes increasingly important and his weakened physical state creates a deadline by which he must go to Hell or Heaven. It is the job of the supernatural agents to tempt or save Many, and the obstinate womanizing boxer who inconsistenly shows signs of regret and change, for example when he writes an apology letter to his mother but doesn't send it. His ups and downs makes it a hard job for both Carmen and Lola.

To the top

Source : Wikipedia