The Band

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Posted by r2d2 04/01/2009 @ 06:07

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The Band

Bob Dylan and The Band touring in Chicago in 1974. Photo by Jim Summaria.

The Band was a rock group active from 1967 to 1976 and again from 1983 to 1999. The original group (1967-1976) consisted of four Canadians: Robbie Robertson (guitar, piano, vocals); Richard Manuel (piano, harmonica, drums, saxophone, organ, vocals); Garth Hudson (organ, piano, clavinet, accordion, synthesizer, saxophone); and Rick Danko (bass guitar, violin, trombone, vocals), and one American, Levon Helm (drums, mandolin, guitar, bass guitar, vocals).

The members of the Band first came together as they joined rockabilly singer Ronnie Hawkins' backing group, The Hawks, one by one between 1958 and 1963. Upon leaving Hawkins in 1964 they were known as The Levon Helm Sextet (the sixth member being sax player Jerry Penfound), then Levon and the Hawks (without Penfound). In 1965, they released a single on Ware Records under the name the Canadian Squires, but returned as Levon and the Hawks for a recording session for Atco later in 1965. At about the same time, Bob Dylan recruited Helm and Robertson for two concerts, then the entire group for his U.S. tour in 1965 and world tour in 1966. They also joined him on the informal recordings that later became The Basement Tapes.

Dubbed "The Band" by their record company (a name believed to be derived from how they were referred to during their tenure with Dylan), the group left Saugerties, New York, to begin recording their own material. They recorded two of the most acclaimed albums of the late 1960s: their 1968 debut Music from Big Pink (featuring the single "The Weight") and 1969's The Band. They broke up in 1976, but reformed in 1983 without founding guitarist Robbie Robertson.

Although the Band was always more popular with music journalists and fellow musicians than with the general public, they have remained an admired and influential group. The group was inducted into the Canadian Music Hall of Fame in 1989 and the Rock and Roll Hall of Fame in 1994. In 2004, Rolling Stone ranked them #50 on their list of the 100 Greatest Artists of All Time, and in 2008, they received the Grammy's Lifetime Achievement Award.

The Band's music fused many elements: primarily old country music and early rock and roll, though the rhythm section often was reminiscent of Stax or Motown, and Robertson cites Curtis Mayfield and the Staple Singers as major influences, resulting in a synthesis of many musical genres. As to the group's songwriting, very few of their early compositions were based on conventional blues and doo-wop chord changes.

Every member was a multi-instrumentalist; in the above list, each person's primary instrument is listed first. There was little instrument-switching when they played live, but when recording, the musicians could make up different configurations in service of the songs. Hudson in particular was able to coax a wide range of timbres from his Lowrey electronic organ; on the choruses of "Tears of Rage", for example, it sounds like a mellotron. Helm's drumming was often praised: critic Jon Carroll famously declared that Helm was "the only drummer who can make you cry," while prolific session drummer Jim Keltner admits to appropriating several of Helm's techniques.

Singers Manuel, Danko, and Helm each brought a distinctive voice to the Band: Helm's southern voice had more than a hint of country, Danko sang in a tenor, and Manuel alternated between falsetto and baritone. The singers regularly blended in harmonies. Though the singing was more or less evenly shared among the three men, both Danko and Helm have stated that they saw Manuel as the Band's "lead" singer.

Robertson was the unit's chief songwriter (he sang lead vocals on only three studio songs released by the Band: "To Kingdom Come", "Knockin' Lost John" and "Out Of The Blue"). This role, and Robertson's resulting claim to the copyright of most of the compositions, would later become a point of much antagonism, especially that directed towards Robertson by Helm, who, in his autobiography This Wheel's on Fire, disputes the validity of Robertson's place as chief songwriter. As the Band's songs were often honed and recorded through intense collaboration between all its members, it is understandable that strains would later appear in the 1980s, when the bulk of songwriting royalties were going to Robertson alone while the others had to rely on income from touring. (This had not arisen as an issue in the late sixties and early seventies, when a number of Band songs, mostly credited to Robertson alone, were covered successfully by other artists - such as Smith's version of "The Weight" for the Easy Rider soundtrack LP and Joan Baez's famous cover of "The Night They Drove Old Dixie Down" in 1971.

Producer John Simon is cited as a "sixth member" of the Band for producing and playing on Music from Big Pink, co-producing and playing on The Band, and playing on other songs up through the Band's 1993 reunion album Jericho.

The Hawks gradually came together as a backing unit for Toronto-based rockabilly singer Ronnie Hawkins: Helm first (he journeyed to Canada from Arkansas with Hawkins), then Robertson, Danko, Manuel and Hudson. At the time, Hawkins was popular in Toronto, and had an effective way of eliminating his musical competition: when a promising band appeared, Hawkins would often hire their best musicians for his own group; Robertson, Danko and Manuel came under Hawkins' tutelage this way.

While most of the Hawks were eager to join Hawkins' group, getting Hudson to join was a different story. He'd earned a college degree, and planned on a career as a music teacher, and was interested in playing rock music only as a hobby. The Hawks were in awe of his wild, full-bore organ sound, and often begged him to join. Hudson finally relented, so long as the Hawks each paid him $10 per week to be their instructor: all music theory questions were directed to Hudson. While pocketing a little extra cash, Hudson was also able to mollify his family's fears that his education had gone to waste.

During The Last Waltz Hudson states, "There is a view that jazz is 'evil' because it comes from evil people, but actually the greatest priests on 52nd Street and on the streets of New York City were the musicians. They were doing the greatest healing work. And they knew how to punch through music which would cure and make people feel good." The piano-organ combination was uncommon in rock music, and for all his aggressive playing, Hudson also brought a level of musical sophistication.

With Hawkins they recorded a few singles in this period, and became well known as the best rock group in the thriving Toronto music scene.

They recorded two singles and toured almost continually (usually billed as Levon and the Hawks), but they found little success, partly because without Hawkins, they lacked a magnetic frontman.

Also in 1963, Levon Helm met Cathy Smith, with whom he and other members of the Band would have a long association. Smith later met and influenced musicians Gordon Lightfoot and Hoyt Axton, and was involved in the death of John Belushi.

In 1965, Levon and the band met blues singer and harmonica player Sonny Boy Williamson. They wanted to record with him, offering to become his backing band, but Williamson died not long after their meeting.

After hearing the band play and meeting with Robertson, Dylan invited Levon and the Hawks to tour with him. The group was receptive to the offer, knowing it could give them the wider exposure they craved, but they simultaneously feared that their music was too different from his. They thought of themselves as a tightly rehearsed rock and rhythm and blues group and knew Dylan mostly from his early acoustic folk and protest music. Furthermore, they had little inkling of how internationally popular Dylan had become.

With Dylan, they played a tumultuous series of concerts from September 1965 through May 1966, marking Dylan's final transition from folkie to rocker. The tours, among the most storied in rock history, were also marked by Dylan's reportedly copious use of methamphetamines. Some, though not all, of the Hawks joined in the excesses. Most of the concerts were also met with the heckling of folk music purists. Helm was so affected by the negative reception that he left the tour within three months and sat out the rest of that year's concerts, as well as the world tour in 1966.

During and between tours, Dylan and the Hawks attempted several recording sessions, but with less than satisfying results. Sessions in October and November yielded just one usable single ("Can You Please Crawl Out Your Window"), and two days of recording in January 1966 for what was intended to be Dylan's next album, Blonde on Blonde, were equally unsuccessful. However, by the time the album's sessions were switched from Columbia's New York studios to Nashville, Robertson had replaced Mike Bloomfield as Dylan's primary guitarist. The other members of the Hawks were not invited to Nashville, though Blonde on Blonde's credits also list Danko on bass and Hudson on keyboards and sax.

With Mickey Jones on drums (replacing Sandy Konikoff, who had taken over when Levon Helm departed), Dylan and the Hawks appeared at Free Trade Hall in Manchester, England, in May 1966. The gig became legendary when, near the end of Dylan's electric set, an audience member shouted "Judas!". After a pause, Dylan replied, "I don't believe you. You're a liar!" He then turned to the Hawks and said "Play it fucking loud!" With that, they launched into an acidic version of "Like a Rolling Stone".

On July 29, 1966, while on a break from touring, Dylan suffered a motorcycle accident, and retired into semi-seclusion in Woodstock, New York. For a while, the Hawks returned to the bar and roadhouse touring circuit, sometimes backing other singers (including a brief stint with Tiny Tim). Dylan invited the Hawks to join him in Woodstock, where they recorded a much-bootlegged and influential series of demos, subsequently released on LP as The Basement Tapes.

Reunited with Helm, the Hawks began writing their own songs in a rented large pink house in West Saugerties (near Woodstock). When they went into the recording studio, they still did not have a name for themselves. They wanted to call themselves either "The Honkies" or "The Crackers", but these names were vetoed by their record label, who dubbed them "The Band" on the first pressings of Big Pink. Initially, they disliked the moniker, but eventually grew to like it, thinking it both humble and presumptuous.

Their first album, Music from Big Pink (1968) was widely acclaimed. The album included three songs written or co-written by Dylan ("This Wheel's on Fire," "Tears of Rage," and "I Shall Be Released") as well as "The Weight", the use of which in the film Easy Rider would make it probably their best known song. While a continuity certainly ran through the music, there were stylistic leanings in a number of directions. Never a specifically "psychedelic" group, the Band's first record did contain at least one song ("Chest Fever") demonstrating some similarities with that genre. In contrast to his guitar playing with Dylan, Robertson opted for a more subdued, riff-oriented approach.

After the success of Big Pink, the band went on tour, including a performance at the Woodstock Festival (which was not included in the famed Woodstock film due to legal complications) and an appearance with Dylan at the UK Isle of Wight Festival (several songs from which were subsequently included on Dylan's Self Portrait album). That same year, they left for Los Angeles to record their follow-up, The Band (1969). From their deliberately rustic appearance on the cover, to the songs and arrangements within, the album stood in contrast to other popular music of the day. Although it should be noted that, by this point, several acts, notably Dylan on John Wesley Harding and The Byrds on Sweetheart of the Rodeo, had made similar stylistic moves. The Band featured songs that evoked oldtime rural America, from the civil war ("The Night They Drove Old Dixie Down") to unionization of farm workers ("King Harvest (Has Surely Come)").

These first two records were produced by John Simon, who was practically a group member: He aided in arrangements, and played occasional instruments (piano or tuba). Simon reported that he was often asked about the distinctive horn sections featured so effectively on the first two albums; people wanted to know how they had achieved such memorable sounds. Simon was slightly embarrassed to admit that, besides Hudson (an accomplished saxophonist), the others had only rudimentary horn skills, and achieved their sound simply by creatively utilizing their limited technique.

Rolling Stone magazine lavished praise on the Band in this era, giving them more attention than perhaps any other group in the magazine's history; Greil Marcus's articles in particular contributed greatly to the Band's mystique. The Band was also featured on the cover of Time Magazine's January 12, 1970 issue.

A critical and commercial triumph, The Band, along with works by The Byrds and The Flying Burrito Brothers, established a musical template (sometimes dubbed country rock) that later would be taken to even greater levels of commercial success by such artists as the Eagles. Both Big Pink and The Band also influenced their musical contemporaries, with both Eric Clapton and George Harrison citing the Band as a major influence on their musical direction in the late 1960s and early 70s. Indeed, Clapton later revealed that he had wanted to join the group.

Following their second album, the Band embarked on their first tour as a headlining act. The resulting anxiety from fame and its hang-ups was especially evidenced by the group as its songs turned to darker themes of fear and alienation; the influence on their next work, is self-explanatory. Stage Fright (1970), was engineered by musician/engineer/producer Todd Rundgren and recorded on a stage in Woodstock, New York, but the fraying of the group's once fabled unity was beginning to show. On this album, Robertson takes the majority of songwriting credit, whereas the earlier two albums had more balance in credit. Also, the trademark vocal style of the Band's three lead singers was much less prominent on this work.

At about this time, Robertson began exerting greater control over the Band. This has become a point of antipathy, especially between Helm and Robertson. Helm charges Robertson with authoritarianism and greed, while Robertson suggests his increased efforts in guiding the group were due largely to some of the other members being unreliable. In particular, Robertson insists he did his best to coax Manuel into writing or co-writing more songs, only to see Manuel's talents overtaken by addiction.

Despite mounting problems between the musicians, the Band forged ahead with their next album, Cahoots (1971). Cahoots included tunes such as Bob Dylan's "When I Paint My Masterpiece," "4% Pantomime" (with Van Morrison), and "Life Is A Carnival," the last featuring a horn arrangement from Allen Toussaint. Toussaint's contribution was a critical addition to the Band's next project.

One of their most notable later albums is the live recording Rock of Ages (1972), recorded at a 1971/1972 New Year's Eve concert and featuring the line-up, bolstered by the addition of a horn section, in exuberant form. The horn arrangements were written by Allen Toussaint. Bob Dylan appeared on stage for the concert's final four songs, including a version of the rare song "When I Paint My Masterpiece".

In 1973, the Band released Moondog Matinee, an album of cover songs. There was no tour in support of the album, which garnered mixed reviews. However, they did open for the Grateful Dead for two summer shows at Roosevelt Stadium in Jersey City, New Jersey. They also played at the legendary Summer Jam at Watkins Glen. This massive concert took place at the Grand Prix Raceway outside Watkins Glen, New York on July 28, 1973. The festival, which was attended by over 600,000 music fans, also featured the Grateful Dead and The Allman Brothers Band.

Next, the Band reunited with Dylan, first in recording Dylan's album Planet Waves, released in January 1974, and then for the Bob Dylan and The Band 1974 Tour, which played 40 shows in North America during January and February 1974. Later that year, the live album Before the Flood was released, documenting the tour.

By 1976, Robertson was weary of touring. After having to cancel some tour dates due to Manuel suffering a severe neck injury in a boating accident in Texas, Robertson urged the Band to retire from touring with a massive Thanksgiving Day concert on November 25, at the Winterland Ballroom in San Francisco, California. The concert featured a horn section with arrangements by Allen Toussaint, and a stellar list of guests, including Hawkins, Bob Dylan, Neil Young, Joni Mitchell, Muddy Waters, Dr. John, Van Morrison, Ringo Starr, Eric Clapton, Ronnie Wood, Paul Butterfield, and Neil Diamond.

The concert was filmed by director Martin Scorsese, and was subsequently combined with interviews, as well as separately-recorded soundstage performances with country singer Emmylou Harris ("Evangeline") and gospel-soul group The Staple Singers ("The Weight"). Released in 1978, the concert film-documentary was accompanied by a triple-LP soundtrack.

At a private screening of "The Last Waltz" Ronnie Hawkins laughed at Robertsons heavily made up face, and his monologuing about life on the road.

The world weary angst with which these and other lines were delivered was making Ronnie laugh. Hell, he'd been on the road twenty years and it hadn't killed him. I'd nudge Ronnie to make him stop, and then Robertson would come out with something like, 'Yeah the road has taken many of the great ones: Hank Williams, Otis, Jimi, Janis, Elvis. It's a goddamn impossible way of life." The Hawk howled at that one.

After one more studio record, entitled Islands, featuring a version of "Georgia On My Mind" for Jimmy Carter's presidential campaign, the Band split.

All the Band's members remained active in music to one degree or another.

Robertson became a music producer and wrote movie soundtracks (including acting as music supervisor for several of Scorsese's films) before a highly praised comeback with a Daniel Lanois produced, self-titled solo album in 1987.

Helm received many plaudits for his acting debut in Coal Miner's Daughter, a biographical film about Loretta Lynn, and for his narration and small supporting role opposite Sam Shepard in 1983's The Right Stuff while the remaining members interspersed session work with occasional solo releases.

In 1984, Rick Danko joined members of the Byrds, the Flying Burrito Brothers and others in the huge touring company that made up "The Byrds Twenty-Year Celebration." Several members of the band performed solo songs to start the show including Danko who performed "Mystery Train".

Hudson has released two acclaimed solo CDs, The Sea To The North in 2001, and LIVE at the WOLF in 2005, both featuring his wife, Maud, on vocals. He has also kept busy as an in-demand studio musician.

In 2007 Helm released a new album, an homage to his southern roots called Dirt Farmer, which was awarded a Grammy for Best Traditional Folk Album on February 9, 2008.

In 1983, the Band reformed and recommenced touring, though without Robertson. Several different musicians were recruited to replace Robertson and to fill out the group. The reunited Band was generally well-received, but found themselves playing in smaller venues than during the peak of their popularity.

While the reunited Band was touring, on March 4, 1986, Manuel committed suicide in his Florida motel room. It was revealed later that he had suffered for many years from chronic alcoholism. According to Levon Helm's autobiography, in the later stages of his illness, Manuel was consuming eight bottles of Grand Marnier per day.

The band participated in former Pink Floyd leader Roger Waters' The Wall Live in Berlin concert in 1990, and in Bob Dylan's 30th anniversary concert celebration in New York City in October 1992. The group was the opening band for the final Grateful Dead shows at Soldier Field, in Chicago, Illinois in July 1995.

Richard Manuel's position as pianist was filled first by old friend Stan Szelest (who passed away not long after), then by Richard Bell. (Bell was best known from his days as a member of Janis Joplin's Full Tilt Boogie Band.) The reformed group recorded Jericho in 1993 with much of the songwriting being handled outside the group. Two more post-reunion efforts followed, High on the Hog and Jubilation, the latter including guest appearances from Eric Clapton and John Hiatt.

In 1994 Robertson appeared with Danko and Hudson as The Band for the first and only time since the original group broke up. The occasion was the induction of The Band into the Rock and Roll Hall of Fame. Helm, who has feuded with Robertson for years over accusations of stolen songwriting credits, did not attend.

On 10 December 1999 another member was lost when Rick Danko died in his sleep at age 56. He had been a long-time drug user. In 1997 he had been found guilty of trying to smuggle heroin into Japan. He told the presiding judge that he had begun using the drug (together with prescription morphine) to fight life-long pain resulting from a 1968 auto accident. No drugs were found in his system at the time of his death. Following the death of Rick Danko, The Band broke up for good.

On 15 June 2007, The Band's late-period keyboardist Richard Bell died from multiple myeloma.

Although The Band received The Grammy's Lifetime Achievement Award on 9 February 2008, there was no reunion of all three living members, as Levon Helm held a "Midnight Ramble" in honor of the event in Woodstock, NY.

The Band has influenced countless bands, songwriters, and performers, from the Grateful Dead and Beatles to Eric Clapton and Crosby, Stills, Nash & Young. The album Music from Big Pink, in particular, is credited with contributing to Clapton's decision to leave the super group Cream, the Beatles' production of its back-to-basics album Let It Be, and Fairport Convention's recording of Liege & Lief, an album that established British folk rock as a distinct genre. Meanwhile, the Big Pink song "The Weight" has been covered numerous times, and in various musical styles.

In the nineties, a new generation of bands influenced by The Band began to gain popularity, including Counting Crows and The Black Crowes. Counting Crows indicated this influence with their tribute to the late Richard Manuel, "If I Could Give All My Love (Richard Manuel Is Dead)" from their album Hard Candy. The Black Crowes frequently cover Band songs during live performances, such as "The Night They Drove Ol' Dixie Down", which appears on their DVD Freak 'n' Roll into the Fog.

Chicago's Umphrey's McGee has covered both "Ophelia" and "Don't Do It." Both were covered for the first time at their New Year's Eve concert from 2004, Wrapped Around Chicago. "Ophelia" appears on that release. They have also covered "The Weight" twice with Huey Lewis on vocals.

Southern-based "jam band" Widespread Panic has covered "Ophelia" consistently from 1987 to 2007, and in 2006 they began covering "Chest Fever" as well.

In 2004 southern rock-revivalists Drive-By Truckers released the track "Danko/Manuel" on the album The Dirty South. My Morning Jacket's southern rock/alt-country sound is often compared to the Band.

In January 2007, a tribute album, entitled Endless Highway: The Music of The Band, was released which included contributions by My Morning Jacket, Death Cab for Cutie, Gomez, Guster, Bruce Hornsby, Jack Johnson and ALO, Leanne Womack, The Allman Brothers Band, Blues Traveler, Jakob Dylan, and Rosanne Cash, amongst others.

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Horse the Band

Nathan Winneke and Erik Engstrom at the Rockstar Taste of Chaos Tour 2008. Photo: Alexander Fyrdahl

Horse the band (often typeset as HORSE the band) is a metalcore band from Lake Forest, CA. Their current keyboardist uses a special keyboard to achieve an 8-bit video game-influenced sound, a reason behind their tongue-in-cheek labeling of "Nintendocore".

HORSE the Band was started in Lake Forest, CA in 1999 while Erik and Dave were still in high school. The band booked its own self-managed (and parent financed) tours starting the summer of 2002, including a 3-month orange tour spanning seven cities, in which most shows were unplanned and not promoted. Their highly energetic live performances, tendencies to play as many cities as possible while on tour, bizzarre on-stage antics, and off-kilter sense of humor eventually gained them a national audience.

Throughout 2006 the band toured with a diverse assortment of artists. It toured around the country with The Fall of Troy, Poison the Well, and Criteria. Then, a month after this tour finished on May 28, 2006, HORSE started a tour with Gatsby's American Dream, Portugal. The Man, and Forgive Durden.

The band dropped off that tour early, but went on to perform at the Warped Tour, as well as the Sounds of the Underground tour. During these tours, the band recorded Pizza and played shows with GWAR. The EP was released on September 5, 2006.

During the fall of 2006, the band continued touring to support Pizza with All That Remains and DragonForce. The tour began in Los Angeles, California on September 8, 2006. After the tour finished, the band began writing its new album, and had hoped to have had it recorded by March 2007.

On Dec 25, 2006, the band issued a special song for Christmas on its MySpace page entitled "A Partridge", a comical spin on the popular Christmas song "The Twelve Days of Christmas". According to a MySpace bulletin concerning the song, it was written and recorded in a single day.

In February 2007, during the recording of the band's next album, an official HORSE the band YouTube channel was started to display videos of the recording process. The channel quickly turned into a forum for the band to post episodes of its own drama "Lawrence and Friends," a show about a love triangle between a sugar cube, a suicidal pencil, and a postcard of Carla Hassett. The band has written a theme song for the show in its classic synthesizer fashion.

The band's line-up continued to fluctuate in 2008. In February it was announced that Chris Prophet had been fired from the band and Jon Karel from The Number 12 Looks Like You would be filling in on drums during EARTH TOUR. In July, 2008 the band stated that long-time band friend Daniel Pouliot of Bleeding Kansas had joined as the band's full time drummer. Daniel had previously filled in as bassist in 2004 after the sudden departure of Andy Stokes. On Wednesday, December 3rd, 2008, the band announced that Dash Arkenstone would be leaving the band soon, though he remains on good terms with the other members. He played his final show with the group on December 10th at The House of Blues in Hollywood. Despite Arkenstone's departure, the band will write and record a new album in the first part of 2009 and tour in support of their new record. Brian from the band Thriller will fill in on bass during live shows.

In June 2008, it was announced that HORSE the band has been dropped from Koch Records. Koch Records exercised its contractual prerogative citing the desire to cut unprofitable artists acquired during the take over of Combat Records.

On February 2nd 2009, HORSE the band signed to Vagrant Records. In an interview they stated that this is a label they have been trying to get on for nine years.

HORSE the Band is known for their tremendously energetic live performances. When asked about their on-stage creativity in an interview with their bassist, Dashiell Arkenstone, he said that " see a lot of bands, a lot of boring bands. thought it would be rad to play in a forest surrounded by wildlife every night." And so they just went ahead with it. So, the stages they performed on during their last tour was filled with pseudo-shrubbery and lifelike stuffed animals that were sometimes brought to them by fans. In a July 2007 performance at Hartford's Webster Theater, Winneke arrived with his eyes swelled shut. He performed vocal duties backstage while the rest of the band continued in front, miking a stuffed tiger to "sit in" for their singer.

The fans' response is equally as energetic. It is customary that fans clap their hands above their heads during the song "Cutsman" to imitate the scissors above the head of the Mega Man boss Cut Man that the song references. Also catching on is the new pre-Cutsman-breakdown "dance" pose "The Phalanx", in which fans form a circle in the center of a mosh pit by getting back to back, moving clockwise, and bringing their hands above their heads to continue the traditional Cutsman hand-cutting style. Meanwhile, vocalist Nathan Winneke begins with the words "Cut, cut...". Another recent trend is the dance for the song The Red Tornado (Refers to the DC Comics character Red Tornado) in which fans enter mosh pits, extend their arms in complete opposite directions, and spin 360º to emulate the "tornado" image.

HORSE the band's lyrics are chaotic and colorful metaphors for vocalist Nathan Winneke's life, often with humorous or "geeky" titles and bases.

The band had jokingly labeled themselves "Nintendocore" very early on in their career. Some such characters are metaphorically referred to include Cut Man from Mega Man, although the song is spelled "Cutsman"; Birdo, one of the bosses from the NES game Super Mario Bros. 2, in the song "Birdo"; and the rabbit-like nemesis from The Legend of Zelda in the song "Pol's Voice". Similarly, the song "A Million Exploding Suns" refers to the Marvel Comics character Sentry, a schizophrenic and agoraphobic hero with this abundance of power. While these characters are certainly mentioned, the actual songs themselves have nothing to do with them. They are simply a metaphor to represent something else that Winneke has experienced in his lifetime.

2007's A Natural Death featured significant lyrical and musical evolution into the concepts of nature and mortality while moving slightly away from the Nintendo metaphors. The song "Murder" is inspired by the Western novel Lonesome Dove, in which a Native American named Blue Duck stalks and kills white settlers on the plains.

Horse have recently inked a new deal with Vagrant Records for the year 2009 and beyond.

HORSE the band will be writing a new album in the winter, record during the spring, and tour in the summer in support of the album as it is released.

HORSE the band are scheduled to play at the Soundwave festival in early 2009. They will play in 5 major cities in Australia as part of the festival.

Jamie Stewart of the band Xiu Xiu agreed to produce HORSE the band's fourth album as per request from Erik Engstrom in an email he sent to Stewart. Photos of Stewart possibly working on the record recently surfaced on Engstrom's personal private blog.

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The Band (album)

The Band cover

The Band is the eponymous second album by The Band, released on September 22, 1969.

The Band peaked at #9 on Billboard's Pop Albums chart. In 2000, it recharted on Billboard's Internet Albums chart, peaking at #10. The singles "Rag Mama Rag" and "Up on Cripple Creek" peaked on the Pop Singles chart at #57 and #25 respectively.

The album includes many of The Band's best-known and critically acclaimed songs. In 2003, the album was ranked number 45 on Rolling Stone magazine's list of the 500 greatest albums of all time. In 1998 Q magazine readers voted The Band the 76th greatest album of all time.

According to the liner notes to the 2000 reissue of "The Band" by Rob Bowman, the album, "The Band", has been viewed as a concept album, with the songs focusing on people, places and traditions associated with an older version of Americana.

With The Band, Robbie Robertson emerged as The Band's primary songwriter: While Robertson and Richard Manuel largely shared songwriting duties on the prior Music From Big Pink, Robertson wrote or co-wrote every song on The Band, with Manuel receiving co-writing credit on three tracks; Robertson would write the majority of The Band's material after this album. Robertson's songwriting also gained new sophistication and complexity, drawing from historic themes for "The Night They Drove Old Dixie Down" and "King Harvest (Has Surely Come)" and composing "Jawbone" in the unusual 6/4 time signature.

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The Band Wagon

The Band Wagon.JPG

The Band Wagon is a 1953 musical comedy film that many critics rank (along with Singin' in the Rain) as the finest of the MGM musicals, although it was only a modest box-office success. It tells the story of an aging musical star who hopes a Broadway play will restart his career. However, the play's director wants to make it a pretentious retelling of Faust, and brings in a prima ballerina who clashes with the star.

The music was written by Arthur Schwartz and Howard Dietz originally for the 1931 Broadway musical, also called The Band Wagon, with a book by George S. Kaufman and starring Fred Astaire and his sister Adele. The film popularized the song "That's Entertainment!", which has become a standard. Another song, "Dancing in the Dark", is considered part of the Great American Songbook and was from the original Broadway production.

The film was nominated for Academy Awards for Best Costume Design, Color, Best Music, Scoring of a Musical Picture and Best Writing, Story and Screenplay (for Comden and Green). In 1995, The Band Wagon was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". In 2006, this film ranked #17 on the American Film Institute's list of best musicals.

Stage and screen star Tony Hunter (Fred Astaire), a veteran of musical comedy, is concerned that his career might be in decline. His good friends Lester and Lily Marton (Oscar Levant and Nanette Fabray) have written a show that they believe is perfect for his comeback. Tony signs up, despite misgivings that the director they have selected, Jeffrey Cordova (Jack Buchanan), changes the light comedy into a dark, overly dramatic reinterpretation of the Faust legend, with himself as the Devil and Tony as the Faust character. Tony is also uneasy about the choice of his female costar, star ballerina Gabrielle Gerard (Cyd Charisse). He feels intimidated by her classical background, youth and beauty. Unbeknownst to him, she is just as insecure in his presence, awed by his long stardom.

Eventually, it all proves too much for Tony. He walks out, but Gaby speaks with him alone and they work out their differences. They also begin to fall in love, though Gaby already has a boyfriend, the show's choreographer Paul Byrd (James Mitchell).

When the first out-of-town tryout in New Haven proves to be a disaster, Tony persuades Jeffrey to let him convert the production back into what the Martons had originally envisioned. Tony takes charge of the production, taking the show on tour as the new musical numbers are perfected. Since the original backers have walked out, he finances it by selling his personal art collection. Byrd walks out of the show when Tony takes charge, but Gaby remains. The new show, which features lighthearted musical numbers, proves to be a hit on its Broadway opening. Afterwards, Gaby lets Tony know how she feels about him.

One musical number shot for the film, but dropped from the final release, was a seductive dance routine featuring Charisse performing "Two-Faced Woman". As with the other Charisse songs, her singing was dubbed by India Adams. Adams' recording of the song was reused for Torch Song for a musical number featuring Joan Crawford. The retrospective That's Entertainment! III released the Charisse version to the public for the first time. This footage was not, however, included with the later DVD release of The Band Wagon itself.

A musical stage adaptation, titled "Dancing in the Dark," premiered at The Old Globe Theatre (San Diego) March 4-April 20, 2008, with plans to bring the show to Broadway. Gary Griffin directs, with a book by Douglas Carter Beane and choreography by Warren Carlyle. The cast includes Patrick Page as the "deliciously pretentious" director-actor-producer Jeffrey Cordova, Mara Davi playing Gabrielle Gerard and Scott Bakula as "song-and-dance man" Tony Hunter.

According to an October 16, 2008 article in Playbill, this musical is undergoing revision. A late October 2008 reading in New York City of the rewritten musical, now titled The Band Wagon, is expected.

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Source : Wikipedia